Jehane Noujaim

Jehane Noujaim (, ) (born May 17, 1974) is an American documentary film director best known for her films ''Control Room'', '' Startup.com'', '' Pangea Day'' and '' The Square.'' She has co-directed '' The Great Hack'' and '' The Vow'' with Karim Amer.

Background

Noujaim was born to a Lebanese father and an American mother who was born in Connecticut. She was raised in Kuwait and Cairo and moved to Boston by the age of 10, in 1984. She attended Milton Academy.

In 1992, Noujaim matriculated to Harvard University, where she initially intended to study medicine. She later switched to visual arts and philosophy after taking an interest in photography and filmmaking, graduating magna cum laude in 1996.

Career

2000-2005

While studying at Harvard University, Noujaim worked alongside her fellow peers towards developing ''Blue Hill Avenue'', about the operations of gangs in Roxbury, Boston. Also during the duration of her degree, Noujaim notably worked under mentor Robb Moss.

In 2002, before her graduation, Noujaim was awarded the Gardiner fellowship under which she directed '' Mokattam'', an Arabic film about a garbage-collecting village near Cairo in Egypt.

Noujaim joined the MTV news and documentary division as a segment producer for the documentary series '' UNfiltered''.

In 2001, she left to produce and direct '' Startup.com'' under the guidance of documentary filmmaker D.A. Pennebaker in association with Pennebaker Hegedus Films. The feature-length documentary won the DGA and IDA Awards for best documentary. From collaboration with D.A. Pennebaker and Hegedus throughout her career, Noujaim's filmmaking techniques take insight from cinéma verité. Noujaim was awarded the Jacqueline Donnet Emerging Documentary Filmmaker Award in 2004.

She has since worked in both the Middle East and the United States as a cinematographer on various documentaries including '' Born Rich,'' '' Only the Strong Survive,'' and '' Down from the Mountain.''

In 2004, she directed the feature-length film ''Control Room'', a documentary about US Central Command and its relations with Al Jazeera and other news organizations that covered the 2003 invasion of Iraq. The film showed the unfolding of war through the descriptions and contributions of entities in media outlets.Stamets, Bill. “Channeling Democracy: Control Room.” ''Senses of Cinema'', October 2004. http://sensesofcinema.com/2004/feature-articles/control_room/ . It also displayed information on the impact of skewed information during the Iraq war from different media source's operations and public motives. Noujaim achieves this through live footage from her time in Qatar of the war as well as interviews from news room correspondents.Mackinlay, John. "Control Room: Royal United Services Institute for Defense Studies Royal United Services Institute for Defense Studies." ''RUSI Journal'' 149, no. 4 (08, 2004): 72-73.

Through this project, Noujaim wanted to portray images of war and question how viewers perceive them. The mentioned creative approach led her to focus her filmmaking on viewer's bias grounded in individual characteristics such as cultural background. In a review for ''Control Room'' Bill Stamets felt that throughout this creative path, Noujaim who filmed the majority of ''Control Room'' herself, never poses her own opinion on the topic in the film's story or give insight on her personal perception of war. The neutral stream for the film gives little guidance to viewers, prioritizing their interpretation, an artistic choice on behalf of Noujaim. Box office records were broken by ''Control Room'' while being screened at Film Forum in New York.

2006-2011

In 2006, Noujaim won the TED Prize for her work in ''Control Room''. This made her the first and youngest woman to do so. She also received a nomination for the Writers Guild of America Award for Best Documentary Screenplay, sharing the nomination with co-writer Julia Bacha. In 2007, she co-directed (with Sherief El Katsha) the film ''Shayfeen.com'' which was broadcast as part of the WhyDemocracy project. In 2012 she released '' Rafea: Solar Mama'' (which she directed with Mona Eldaeif). A documentary about a group of women leaving their villages to learn about solar engineering, only to return and solar power their own society.

2012-2017

In 2013, she released '' The Square,'' a film following the Egyptian revolution and the inspiration it has given to the world. While the film was being shot, Noujaim went missing, being found after an activist brought attention to her disappearance."SCENE." ''Variety,'' Oct 15, 2013, 69-70. Also during the duration of filming, Noujaim was arrested on three occasions. The arrests came as a result of accusations Noujaim was a spy, traitor, and for her general participation in protests while in Egypt. During the film's release period, the piece was withheld from viewers in Egypt due to censorship regulations.Appelo, Tim. “Egypt's Censors Have Yet to Approve of Her Flilm.” ''The Hollywood Reporter'', February 14, 2014.
In an act to ensure Egyptian citizens saw the film, Noujaim released the film online in addition to the film being pirated in the country. Noujaim claimed this decision was made in strides towards freedom of speech as a filmmaker.

'' The Square'' was nominated for an Academy Award in best documentary in January 2014 and is highlighted as the first Egyptian film to earn such credentials. ''The Square'' also won critical acclaim in the 2013 Sundance Film Festival & the 2013 Toronto International Film Festival. She won the DGA Award for '' The Square'' in 2014.

Noujaim contributed to a book in 2016 which included a collection of statements by individuals on their experiences travelling to or visiting global squares. In the text, Noujaim disclosed her experiences and time spent in January 2011 at Tahrir Square. The given location in Cairo is commonly the site of chaos and protests which she expanded on.

2017-present

In 2019, Noujaim and Amer directed '' The Great Hack'', a documentary film which revolved around the Facebook–Cambridge Analytica data scandal. It had its world premiere at the Sundance Film Festival on January 26, 2019. It was released on July 24, 2019, by Netflix. Initially, Noujaim and Amer meant out to make a documentary revolving around the Sony Pictures hack, however the film evolved and shifted course as they started looking at how people's minds have been hacked and changed.

Noujaim and Amer directed '' The Vow'' a documentary series revolving around NXIVM and its leader Keith Raniere, which premiered in August 2020 on HBO. The second and final season premiered in October 2022, with Noujaim primarily directing without Amer. Noujaim previously took a NXIVM course after being recruited by Sara Bronfman.

In 2022, Noujaim served as an executive producer on '' Flight/Risk'' directed by Amer and Omar Mullick for Amazon Studios. In 2023, Noujaim served as an executive producer on '' Defiant'' directed by Amer, focusing on diplomacy and disinformation in the Russian invasion of Ukraine. Noujaim is directing and executive producing alongside Vikram Gandhi, ''The Man Will Burn'', a documentary series revolving around Burning Man.

Pangea Day

After winning the TED Prize, Noujaim used her wish to organize Pangea Day, a live videoconference that took place in New York City, Rio de Janeiro, London, Dharamsala, Cairo, Jerusalem, and Kigali on May 10, 2008. The show was internationally broadcast over four hours through internet, television and mobile phones. It featured films, speakers, and music. The purpose of the event was to screen the work of filmmakers who created pieces around cultural reflection that posed conversation starters among the audience to unite people globally through film.

Filmography

Film

Television

References

External links

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{{DEFAULTSORT:Noujaim, Jehane
1974 births
Living people
Milton Academy alumni
Harvard University alumni
American documentary film directors
Egyptian emigrants to the United States
English-language film directors
Directors Guild of America Award winners
Artists from Boston
Film directors from Massachusetts
American women documentary filmmakers
21st-century American women