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Punk jazz is a genre of music that combines elements of
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ...
, especially improvisation, with the instrumentation and performance style of
punk rock Punk rock (also known as simply punk) is a rock music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced sh ...
. The term was first used to describe
James Chance and the Contortions James Chance and the Contortions (initially known simply as Contortions, a spin-off group is called James White and the Blacks) was a musical group led by saxophonist and vocalist James Chance, formed in 1977. They were a central act of New York ...
' 1979 album ''
Buy Buy may refer to a trade, i.e., an exchange of goods and services via bartering or a monetary purchase. The term may also refer to: Places * Buy (inhabited locality), any of several inhabited localities in Russia * Burlington-Alamance Regional A ...
''. Punk jazz is closely related to
free jazz Free jazz, or free form in the early to mid-1970s, is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventi ...
,
no wave No wave was an avant-garde music genre and visual art scene that emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and r ...
, and
loft jazz Loft jazz (or the loft scene or loft era) was a cultural phenomenon that occurred in New York City during the mid-1970s. Gary Giddins described it as follows: " new coterie of avant-garde musicians took much of the jazz world by surprise... ey inte ...
, and has since significantly inspired
post-hardcore Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term " post-punk", the term "post-hardcore" has been applied to a broad conste ...
and
alternative hip hop Alternative hip-hop (also known as alternative rap and experimental hip-hop) is a subgenre of hip-hop music that encompasses a wide range of styles that are not typically identified as mainstream. AllMusic defines it as comprising "hip-hop group ...
. Notable proponents of the genre include
John Zorn John Zorn (born September 2, 1953) is an American composer, conducting, conductor, saxophonist, arrangement, arranger and record producer, producer who "deliberately resists category". His Avant-garde music, avant-garde and experimental music, ex ...
,
Arto Lindsay Arthur Morgan "Arto" Lindsay (born May 28, 1953) is an American guitarist, singer, record producer and experimental composer. He was a member of the pioneering 1970s no wave group DNA, which featured on the 1978 compilation '' No New York''. In ...
,
Elliott Sharp Elliott Sharp (born March 1, 1951) is an American contemporary classical music, contemporary classical composer, multi-instrumentalist, performer, author, and visual artist. A central figure in the Avant-garde music, avant-garde and experimenta ...
, and
James Chance James Chance, also known as James White (born James Siegfried, April 20, 1953 – June 18, 2024), was an American saxophonist, keyboard player, and singer. A key figure in no wave, Chance played a combination of improvisational jazz-like musi ...
, among others.


History


1970s–1980s

The first band to approach the genre were
The Stooges The Stooges or Iggy and the Stooges, originally billed as the Psychedelic Stooges, were an American rock band formed in Ann Arbor, Michigan, in 1967 by singer Iggy Pop, guitarist Ron Asheton, drummer Scott Asheton, and bassist Dave Alexande ...
, more specifically on three songs from their second album, ''
Fun House A funhouse or fun house is an attraction found in amusement parks and funfair midways, equipped with various devices designed to surprise, challenge, or amuse visitors. Unlike thrill rides or dark rides, fun houses are participatory attractions ...
'': "1970", "Fun House", and "L.A. Blues". Those songs featured saxophone played by Steve Mackay, and were released in 1970, several years before the genre expanded. Late 1970s New York
no wave No wave was an avant-garde music genre and visual art scene that emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and r ...
bands broke with
blues rock Blues rock is a fusion music genre, genre and form of rock music, rock and blues music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electri ...
-influenced punk in a style that instead combined elements such as
free jazz Free jazz, or free form in the early to mid-1970s, is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventi ...
noise, experimental drone rock, and other
avant-garde In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable ...
influences. Examples of this style include
Lydia Lunch Lydia Lunch (born Lydia Anne Koch; June 2, 1959)Martin Charles Strong. ''The Great Indie Discography''. 2003, page 85 is an American singer, poet, writer, actress and self-empowerment speaker. Her career began during the 1970s New York City no ...
's album '' Queen of Siam'', the work of
James Chance and the Contortions James Chance and the Contortions (initially known simply as Contortions, a spin-off group is called James White and the Blacks) was a musical group led by saxophonist and vocalist James Chance, formed in 1977. They were a central act of New York ...
, who mixed funk with free jazz and punk rock. These bands, in turn, influenced the styles of
the Pop Group The Pop Group are an English rock band formed in Bristol in 1977 by vocalist Mark Stewart, guitarist John Waddington, bassist Simon Underwood, guitarist/saxophonist Gareth Sager, and drummer Bruce Smith. Their work in the late 1970s crossed ...
and the Birthday Party. In London, the Pop Group began to mix free jazz, along with dub reggae, into their brand of punk rock. The Birthday Party's sound on '' Junkyard'' (1982) was described by one journalist as a mix of "no-wave guitar, free-jazz craziness, and punk-processed
Captain Beefheart Don Van Vliet (; born 'Don Glen Vliet'; January 15, 1941 – December 17, 2010) was an American singer, songwriter, multi-instrumentalist, and visual artist known by the stage name Captain Beefheart. Conducting a rotating ensemble known as the M ...
angularity". The
Lounge Lizards The Lounge Lizards were an eclectic No Wave musical group founded by saxophonist John Lurie and his brother, pianist Evan Lurie, in 1978. Initially known for their ironic, tongue-in-cheek take on jazz, The Lounge Lizards eventually became a s ...
Bangs, Lester. "Free Jazz / Punk Rock". ''Musician Magazine'', 1979

Access date: July 20, 2008.
was the first group to call themselves punk jazz.
Bill Laswell William Otis Laswell (born February 12, 1955) is an American bass guitarist, record producer, and record label owner. He has been involved in thousands of recordings with many collaborators from all over the world. His music draws from funk, wo ...
and his band
Material A material is a matter, substance or mixture of substances that constitutes an Physical object, object. Materials can be pure or impure, living or non-living matter. Materials can be classified on the basis of their physical property, physical ...
mixed funk, jazz, and punk while his band
Massacre A massacre is an event of killing people who are not engaged in hostilities or are defenseless. It is generally used to describe a targeted killing of civilians Glossary of French words and expressions in English#En masse, en masse by an armed ...
added improvisation to rock.
James Blood Ulmer James "Blood" Ulmer (born February 8, 1940) is an American jazz, free funk and blues music, blues guitarist and singer. Ulmer plays a Gibson Byrdland guitar. His guitar sound has been described as "jagged" and "stinging". His singing has been ...
applied Coleman's harmolodic style to guitar and sought out links to
no wave No wave was an avant-garde music genre and visual art scene that emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and r ...
.
Bad Brains Bad Brains are an American punk rock band formed in Washington, D.C., in 1976. They are widely regarded as pioneers of hardcore punk, though the band's members have objected to the use of this term to describe their music. They are also an ade ...
, widely acknowledged to have established the rudiments of the hardcore style, began by attempting
jazz fusion Jazz fusion (also known as jazz rock, jazz-rock fusion, or simply fusion) is a popular music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric gui ...
. Guitarist
Joe Baiza Joe Baiza (born January 11, 1952) is an American guitarist, vocalist and songwriter. Most of Baiza's music touches on a fusion of punk rock and jazz. Eugene Chadbourne cites Baiza as one of the most noteworthy guitarists to emerge from the South ...
executed his blend of punk and free jazz with
Saccharine Trust Saccharine Trust is an American punk rock band from Los Angeles, California, formed in 1980 by singer Jack Brewer and guitarist Joe Baiza. The band would frequently perform with SST labelmates Minutemen and Black Flag. However, Baiza descri ...
and in
Universal Congress Of Universal Congress Of are an American jazz ensemble from Los Angeles, formed in 1986. History The project was started by guitarist-vocalist Joe Baiza after his previous group Saccharine Trust went on hiatus. The new ensemble continued to devel ...
, a group influenced by the work of
Albert Ayler Albert Ayler (; July 13, 1936 – November 25, 1970) was an American avant-garde jazz saxophonist and composer. After early experience playing rhythm and blues and bebop, Ayler began recording music during the free jazz era of the 1960s. Ho ...
.
Henry Rollins Henry Lawrence Garfield (born February 13, 1961), known professionally as Henry Rollins, is an American singer, writer, spoken word artist, actor, comedian, and presenter. After performing in the short-lived hardcore punk band State of Alert in 1 ...
has praised free jazz, releasing albums by
Matthew Shipp Matthew Shipp (born December 7, 1960) is an American avant-garde jazz pianist, composer, and bandleader. Early life and education Shipp was raised in Wilmington, Delaware. His mother was a friend of trumpeter Clifford Brown. He began playing ...
on his record label and collaborating with
Charles Gayle Charles Gayle (February 28, 1939 – September 7, 2023) was an American free jazz musician. Initially known as a saxophonist who came to prominence in the 1990s after decades of obscurity, Gayle also performed as pianist, bass clarinetist, bassi ...
. The Minutemen were influenced by jazz, folk and funk.
Mike Watt Michael David Watt (born December 20, 1957) is an American bassist, vocalist and songwriter. He co-founded and played bass guitar for the rock bands Minutemen (1980–1985), Dos (1985–present), and Firehose (1986–1994). He began a solo ca ...
of the band has spoken about being inspired by listening to John Coltrane. Dutch
anarcho-punk Anarcho-punk (also known as anarchist punk or peace punk) is an ideological subgenre of punk rock that promotes anarchism. Some use the term broadly to refer to any punk music with anarchist lyrical content, which may figure in crust punk, ha ...
group the Ex incorporated elements of free jazz and particularly European
free improvisation Free improvisation or free music is improvised music without any general rules, instead following the intuition of its performers. The term can refer to both a technique—employed by any musician in any genre—and as a recognizable genre of ...
, collaborating with
Han Bennink Han Bennink (born 17 April 1942) is a Dutch drummer and percussionist. On occasion his recordings have featured him playing soprano saxophone, bass clarinet, trombone, violin, banjo and piano. Though perhaps best known as one of the pivotal figu ...
and other members of the
Instant Composers Pool Instant Composers Pool (ICP) is an independent Dutch jazz and improvised music label and orchestra. Founded in 1967, the label takes its name from the concept that improvisation is "instant composition". The ICP label has published more than 50 ...
.


1990s

Free jazz was an important influence in the American
post-hardcore Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term " post-punk", the term "post-hardcore" has been applied to a broad conste ...
scene of the early 90s.
Drive Like Jehu Drive Like Jehu was an American post-hardcore band from San Diego active from 1990 to 1995 and later from 2014 to 2016. It was formed by rhythm guitarist and vocalist Rick Froberg and lead guitarist John Reis, ex-members of the band Pitchfor ...
took Black Flag's atonal solos a step further with their dual guitar attack.
The Nation of Ulysses The Nation of Ulysses was an American punk rock band from Washington, D.C., formed in spring 1988 with four members. Originally known as simply Ulysses, the first mark of the group consisted of Ian Svenonius on vocals and trumpet, Steve Kroner ...
had Ian Svenonious alternating between vocals and trumpet, and their complex song structures, odd time signatures, and frenetic live shows were as much hardcore punk as they were free jazz. They even did a brief cover of
John Coltrane John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century musi ...
's ''
A Love Supreme ''A Love Supreme'' is an album by the jazz saxophonist and composer John Coltrane. He recorded it in one session on December 9, 1964, at Van Gelder Studio in Englewood Cliffs, New Jersey, leading a quartet featuring pianist McCoy Tyner, bassist J ...
'' on their '' Plays Pretty for Baby'' album, though they titled it "The Sound of Jazz to Come" after
Ornette Coleman Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Ja ...
's classic album ''
The Shape of Jazz to Come ''The Shape of Jazz to Come'' is the third album by the jazz musician Ornette Coleman. Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring the working quartet including himself, trumpeter Don Cherry, ...
''. Chicago's
Cap'n Jazz Cap'n Jazz (sometimes stylised as caP'n Jazz) is an American emo band from Buffalo Grove, Illinois. History Brothers Tim Kinsella and Mike Kinsella formed the band Toe Jam with Victor Villarreal, and Sam Zurick, in 1989, before eventually ...
also borrowed free jazz's odd time signatures and guitar melodies, marrying them with hardcore screams and amateur tuba playing. The Swedish band
Refused Refused (also known as the Refused) is a Swedish hardcore punk band originating from Umeå and formed in 1991. Refused is composed of vocalist Dennis Lyxzén, guitarist Kristofer Steen, drummer David Sandström, and bassist Magnus Flagge. Guita ...
was influenced by this scene and recorded an album titled ''
The Shape of Punk to Come ''The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts'', often shortened to ''The Shape of Punk to Come'', is the third album by Swedish hardcore punk band Refused, released on 27 October 1998 through Burning Heart Records. The alb ...
'', where they alternate between manic hardcore punk numbers and slower, jazzy songs.


2000s–2010s

Yakuza , also known as , are members of transnational organized crime syndicates originating in Japan. The Japanese police and media (by request of the police) call them , while the yakuza call themselves . The English equivalent for the term ''yak ...
from Chicago is comparable to
Candiria Candiria is an American band from Brooklyn, New York, mixing progressive metal, metalcore, jazz fusion and hip hop. They are part of the precursors of the mathcore genre with bands like Deadguy or Lethargy.Kevin Stewart-Panko, "The Decade in N ...
, combining heavy metal with free jazz and psychedelia. Although Italian band Ephel Duath was credited with the inadvertent recreation of jazzcore on their albums ''
The Painter's Palette ''The Painter's Palette'' is the second album by Italian avant-garde metal / jazz band Ephel Duath. Track listing # "The Passage (Pearl Grey)" - 4:11 # "The Unpoetic Circle (Bottle Green)" - 4:54 # "Labyrinthine (Crimson)" - 5:21 # "Praha (An ...
'' (2003) and ''
Pain Necessary to Know ''Pain Necessary to Know'' is the third studio album by the Italian avant-garde metal Avant-garde metal (also known as avant-metal, experimental metal, art metal and experimetal) is a subgenre of heavy metal music loosely defined by use of expe ...
'' (2005), the band moved away from it to pursue a more esoteric form of progressive rock similar to the music of
Frank Zappa Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American guitarist, composer, and bandleader. In a career spanning more than 30 years, Zappa composed Rock music, rock, Pop music, pop, jazz, jazz fusion, orchestra ...
.
Midori Midori (みどり, ミドリ, , , ) is the Japanese word for "green" and may refer to: Places * Midori, Gunma * Midori-ku, Chiba * Midori-ku, Nagoya * Midori-ku, Sagamihara * Midori-ku, Saitama * Midori-ku, Yokohama People Given name * M ...
made waves around Japan in the mid-2000s for their unrelenting and chaotic blend of hardcore punk and dissonant jazz before disbanding at the end of 2010. Other punk jazz acts include Gutbucket, Antikult and
King Krule Archy Ivan Marshall (born 24 August 1994), also known by his stage name King Krule, among other names, is an English singer, songwriter, musician, rapper and record producer. He began recording music in 2010 under the moniker Zoo Kid. The foll ...
.


Jazzcore

Jazzcore is a subgenre that incorporates elements of
hardcore punk Hardcore punk (commonly abbreviated to hardcore or hXc) is a punk rock music genre#subtypes, subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots ...
and heavy metal music alongside typical jazz instrumentation and improvisation.


Further reading

*Berendt, Joachim E. (1992). ''The Jazz Book: From Ragtime to Fusion and Beyond''. Revised by Günther Huesmann, translated by H. and B. Bredigkeit with Dan Morgenstern. Brooklyn: Lawrence Hill Books. "The Styles of Jazz: From the Eighties to the Nineties," pp. 57–59. *Byrne, David, et al. (2008). ''New York Noise: Art and Music from the New York Underground 1978–88''. Soul Jazz Records. . *Hegarty, Paul (2007). ''Noise/Music: A History''. Continuum International. *Heylin, Clinton (1993). ''From the Velvets to the Voidoids: The Birth of American Punk Rock''. *McNeil, Legs and Gillian McCain (1997). ''Please Kill Me: The Uncensored Oral History of Punk''. Grove Press. *Masters, Marc (2008). ''No Wave''. Black Dog Publishing. *Mudrian, Albert (2000). ''Choosing Death: The Improbable History of Death Metal and Grindcore''. Feral House. *Reynolds, Simon (2006). ''Rip It Up and Start Again: Postpunk 1978–1984.'' Penguin. *Sharpe-Young, Garry (2005). ''New Wave of American Heavy Metal''. Zonda Books. *Zorn, John, ed. (2000). ''Arcana: Musicians on Music.'' Granary Books.


References

{{jazzfooter Punk rock genres Jazz genres Fusion music genres