Janet. World Tour

Janet World Tour (stylized as janet. World Tour) was the second concert tour by American recording artist Janet Jackson. It was launched in support of her fifth studio album ''Janet'' (1993). It began in November 1993 and continued through April 1995. Concerts were held in North America, Europe, Asia, and Australia. It is believed shows were performed in South America. However, there are not exact details and most information is unknown.

Jackson's 1990 tour made history as the most successful debut concert tour in history. Like its predecessor, this tour became known for its theatrical grandeur—incorporating complex choreography, pyrotechnics, video display, stage design, and costuming—drawing comparison to Broadway theatre. Jackson visited four continents and eighteen countries within the span of 17 months. The tour had 125 dates and is the most shows Jackson has done for any concert. The show received positive reviews, and a number of reviews observed her showmanship had improved. The shows in North America, in 1994, earned $18.1 million. Though the tour was professionally recorded, it has never received a video release as of 2024.

Development

Costumes and wardrobe for the tour were designed by stylist Tanya Gill, with outfits "rang ngfrom pipebone vests with high-heeled moccasin boots to zoot suits top-hats to circus-ringmaster bustiers." With a show encompassing over 100 costumes, a team of over 50 costume makers was led by wardrobe supervisor Helen Hiatt.

MTV promoted the Janet World Tour with a one-hour special in Jackson's honor, "hosted by MTV VJs Bill Bellamy and John Norris, hich featuredperformance highlights, interviews with Jackson and her dancers, and behind-the-scenes production and rehearsal footage." MTV publicist Jennifer Barner stated the channel wanted to give extensive coverage to Jackson's opening concert in Cincinnati, "because it is such a big tour and she's really, really hot now." Despite heavy anticipation for the tour, news media were discouraged from attending opening night, which was seen as a dress rehearsal. A spokeswoman for the tour stated " really don't want a lot of out-of-town media" even though music critic Rick Bird observed " rmally, such an important tour opening would be attended by pop-music media and paparazzi from around the world. However, Bird also noted a low-key premiere was a strategic move for Jackson and her management, "since the complicated high-tech dance show will likely have some bugs to be worked out before it plays in larger media centers. And, given the adverse publicity the Jackson family is facing these days, the low-key opening night may indeed be the best strategy."

Critical reception

Prior to the tour's launch, the ''Los Angeles Sentinel'' commented on the anticipation surrounding Jackson's return, stating: "Her first-ever concert tour in 1990 was the most successful premiere tour by any artist in pop music history. And now, amid great anticipation, Janet Jackson is set to return to the concert trail with her world tour in connection with her already triple platinum-plus 'janet' album ... The tour promises to be an innovative feast of sight and sound, a theatrical experience with spectacular choreography, staging and lighting." Lenny Stoute in the ''Toronto Star'' gave a positive review to her performance at the SkyDome in Toronto, Ontario, Canada, stating that "as she'd done with the tour opener in Cincinnati Wednesday, it was a superb production that came with an emotional subtext." Commenting on the highly athletic and sexually provocative performances of such songs as " If", "What Have You Done for Me Lately" and " Nasty", he states: "This pelvic-thrusting, butt-wiggling, lip-licking high-energy temptress is a long way from the cute 'n' chubby girl next door of her previous Rhythm Nation tour. And she came equipped with the tough dance moves, firm muscles and seven costume changes to emphasize the difference."

In December 1993, Jackson had a five-day engagement in New York City at Madison Square Garden, which saw its last concert on New Year's Eve. Jon Pareles'' stated: "The video-age arena spectacle is in good hands with Janet Jackson. Her current tour, which started a four-night run at Madison Square Garden on Friday night, piles on the production values: music, dancers, costumes, moving sets, video, lights, fireworks, everything but confetti and balloons." He criticized the fact that the concert seemed overtly calculated, leaving little room for spontaneity. However, he compared her musical diversity favorably to other pop icons such as Prince, Madonna and her brother Michael. In reference to her vocal capabilities, Pareles comments that " ke many other video-promoted singers, Ms. Jackson doesn't have a big voice ... But Ms. Jackson is a stronger vocalist than she was when she last toured, three years ago."

According to Andy Smith of the ''Providence Journal'', "Jackson and company created a sensory overload of lights, dancers, video, fireworks, explosions, costumes and sets ... The music was competently performed, but this was a concert for the age of MTV, more satisfying to the eye than the ear." Although he believed she gave a well-performed production, he felt she lacked the stage presence of rivals such as Madonna and Tina Turner. Greg Kot of ''Rolling Stone'' wrote: "If a performance can be faulted for being too well-rehearsed and too tautly paced, this was certainly an example ... Small of voice and slight of stature, Jackson seems more at home in a Fame-style ensemble than she does as a larger-than-life performer. Yet it's exactly that quality that makes her so endearing. Despite her impressive string of musical successes, Jackson still acts like the members of her audience." Roberta Fusaro of the ''Telegram & Gazette'', who reviewed her performance at The Centrum stated that Jackson "has shown incredible improvement as a performer since her Rhythm Nation tour ... specifically her dancing and her working of the crowd. She still lacks some of the spontaneity that could raise the level of her concerts from good ones to damn memorable ones, but Janet seemed pretty comfortable on stage last night in front of an all-forgiving near sold-out crowd, commanding the boards like a cross between Tina Turner and Madonna at some points."

In reviewing her concert at the San Jose Arena, Michael Snyder of the ''San Francisco Chronicle'' wrote: "That once-blurry line between stadium-size pop music concerts and full-scale theatrical extravaganzas ... is completely eradicated." Citing her tightly choreographed performance, Snyder comments " r theatrical inclinations elevated the concert at San Jose, but some of the music was truncated in the service of the production." Giving his opinion that Jackson proved to be a better performer than a singer, he likened her concert to productions by Broadway theatre and Cirque du Soleil.
Karla Peterson of ''The San Diego Union-Tribune'' remarked: "Expertly designed, energetically choreographed, and engagingly performed by the large group of musicians and dancers, the 100-minute show ... had everything you'd expect from a pop pro of Jackson's stature." Despite criticism that the show appeared overly structured, Peterson expressed: "To criticize Janet Jackson for cranking out a pre-programmed block of hits is like criticizing a cat for sleeping all day. It is simply what she does, and with the exception of Madonna, Jackson does this high-concept schtick better than anybody. She is a sharp dancer, an appealing performer, and as " That's the Way Love Goes" proves—an ace pop-song writer." Renee Graham of ''The Boston Globe'' commented that "Jackson is not so much a singer as a performer and entertainer, more concerned with the visual presentation than scintillating vocals."

Personnel

*Musical director: Rex Salas
*Keyboards: Rex Salas
*Drums: Jonathan Moffett, John Roberts
*Keyboards: Eric Daniels, Brian Simpson
*Percussion: Terry Santiel
*Guitar: David Barry
*Bass: Sam Sims
*Background vocals: Stacy Campbell, Romeo Johnson, and Lisa Taylor
*Choreographer: Tina Landon
*Dancers: Tina Landon, Sean Cheesman, Cynthia Davila, Shawnette Heard, Omar Lopez, Tish Oliver, Kelly Konno, Nikki Pantenburg, Tam Jo

Opening acts

*Tony! Toni! Toné!
*Mint Condition
*MC Lyte
*Tevin Campbell
*Kulcha
*MN8
*Bill Bellamy

Setlist

The following setlist was obtained from the concert held on April 20, 1995; at the Wembley Arena in London, England. It does not represent all concerts for the duration of the tour.

#" If"
#"What Have You Done for Me Lately" / " Nasty"
#"Let's Wait Awhile"
#" Throb"
#" When I Think of You" / "Escapade" / "Miss You Much"
#" Love Will Never Do (Without You)"
#"Alright"
#"What'll I Do"
#"Any Time, Any Place"
#"Again"
#"Black Cat"
#"Rhythm Nation"
#"This Time"
#" That's the Way Love Goes"
;Encore
#

"Because of Love"

Notes

*"Come Back to Me", "What'll I Do", and "Where are You Now" were only performed on the first few dates of the tour before being cut from the setlist. "And On and On" was only performed at select shows during the third leg of the tour. "Black Cat" and "This Time" were exclusively performed during the first leg in North America.
*During each show, one of these three songs would be performed as the last song of each concert. "Because Of Love" was performed on the first, second, and third legs in North America and Japan; "You Want This" was performed on the fourth and fifth legs in North America, Australia, and Asia; and "Whoops Now" was performed on the sixth leg in Europe.

Tour dates

Box office score data

Notes

References

{{Janet Jackson

Janet Jackson concert tours
1993 concert tours
1994 concert tours
1995 concert tours
Concert tours of Australia
Concert tours of Belgium
Concert tours of Canada
Concert tours of Denmark
Concert tours of France
Concert tours of Germany
Concert tours of Japan
Concert tours of the Netherlands
Concert tours of Norway
Concert tours of the Philippines
Concert tours of Singapore
Concert tours of Spain
Concert tours of Sweden
Concert tours of Switzerland
Concert tours of Thailand
Concert tours of the United Kingdom
Concert tours of the United States