Early life and career
David Noel Geeves was born inJoan Littlewood
He joined Joan Littlewood's Theatre Workshop at the Theatre Royal, Stratford East in 1958. He appeared on stage in ''The Hostage'' (1958). For TV he appeared in ''The Iron Harp'' and episodes of ''William Tell'' and ''The Invisible Man''. Booth was in the cast of ''Sparrers Can't Sing''. In 1960 he starred in the stage musical '' Fings Ain't Wot They Used T'Be'' which became a hit and Booth, who played its most pungent character, looked poised for stardom. According to one obituary, "Booth seemed to excite the theatre like a fountain of high spirits, with his cockney voice and his mischievous way of expressing himself, sometimes teasing, sometimes truly... Booth's manner with an audience, which he took into his confidence, was so personal...The reason for Booth's success lay simply with his personality. His height also helped. He would loom over the footlights with a commandingly wide grin. And his unpretentious manner added to the ease with which these early performances were accepted."Obituary: James Booth: Leading actor of the 1960s best known for his cheerful cockneys. Shorter, Eric. The Guardian 16 August 2005: 21.Warwick Films
Producer Irving Allen signed Booth to an exclusive contract with Warwick Films. By this stage he met and married Paula Delaney and he would later say "I don't know what kind of mess my life would be in today if it hadn't been for Paula and Irving. I'm a very insecure person. I've always needed someone to give me security. And they both did." Booth's first sizeable film role was in '' Jazz Boat'' (1960), directed by Ken Hughes for Warwick. That movie starred Anthony Newley and Anne Aubrey, who were also in Booth's next film, '' Let's Get Married'' (1960). Hughes cast Booth in two more movies for Warwick, '' The Trials of Oscar Wilde'' (1960) with Peter Finch and '' In the Nick'' (1960) with Newley and Aubrey. The financial failure of these films saw the end of Warwick, but Irving Allen then used Booth in a movie for a new company, '' The Hellions'' (1961), shot in South Africa. Booth appeared on TV in ''The Ruffians'' (1960) and ''The Great Gold Bullion Robbery'' (1960), as well as the Rank comedy '' In the Doghouse'' (1961). In 1962 Booth spent a season with the Royal Shakespeare Company. He appeared in ''King Lear'' alongside Paul Scofield for Peter Brook. He also played in ''The Caretaker''.Film stardom
Booth's first lead role came in '' Sparrows Can't Sing'' (1963) directed by Littlewood. He then made '' Zulu'' (1964), the film for which he is best remembered; he was billed above Michael Caine. Joseph E. Levine put him under contract. Booth did ''Stray Cats and Empty Bottles'' (1964) for TV and played the lead in a comedy, '' French Dressing'' (1964), the feature debut of Ken Russell. It was a box office disappointment. Booth was in Herb Gardner's play, ''A Thousand Clowns'' in London 1964. He starred in '' 90 Degrees in the Shade'' (1964), a thriller, and the comedy, '' The Secret of My Success'' (1965). Neither movie was popular. A proposed film with Peter Sellers, ''Barbu'', never materialised. Booth starred as Robin Hood in the stage musical ''Twang!'' (1965), which was a troubled production (Littlewood resigned as director) and a notorious flop. Booth later claimed the failure of the musical put him out of work for a year. Booth was a policeman in a heist movie, '' Robbery'' (1967), for Levine, alongside his ''Zulu'' co-star Stanley Baker. He did a comedy with Shirley MacLaine, '' The Bliss of Mrs. Blossom'' (1968) then '' Fräulein Doktor'' (1969) and ''The Vessel of Wrath'' (1970) for TV. Booth went to Australia to make '' Adam's Woman'' (1970) and played Rod Taylor's best friend in '' The Man Who Had Power Over Women'' (1970). He worked with Taylor again in '' Darker Than Amber'' (1970). In 1970 he did "The Alchemist" at the Chichester Festival and had a support role in '' Macho Callahan'' (1970), then the lead in ''Hollywood
Booth appeared on Broadway in 1975 in a production of ''Travesties''. He then relocated to Hollywood and found work as a character actor in films like '' Airport '77'' (1977), '' Murder in Peyton Place'' (1977), '' Wheels'' (1978), '' Evening in Byzantium'' (1978), ''Jennifer: A Woman's Story'' (1979), '' Caboblanco'' (1980), '' The Jazz Singer'' (1980) and '' Zorro: The Gay Blade'' (1981). He also regularly guest starred on shows like '' Hart to Hart'' and ''The Fall Guy'' along with TV movies like ''Hotline'' and ''The Cowboy and the Ballerina'' (1984).Screenwriting
When no one would offer Booth an acting job, he tried his hand at screenwriting and found opportunities in Hollywood. His first writing credit was '' Sunburn'' (1979). He was in '' Pray for Death'' (1985) which he also wrote; he did double duty on '' Avenging Force'' (1986). He wrote the TV movie '' Stormin' Home'' (1985). As an actor only he was in ''Bad Guys'' (1986). He played a pornography baron living in enforced exile in Spain in series 2 of ''Later career
Later acting appearances included '' Gunsmoke: To the Last Man'' (1992), ''Inner Sanctum II'' (1994), '' The Breed'' (2001), ''Red Phone 2'', and '' Keeping Mum'' (2005). In later life Booth moved back to Britain. He never retired from performing.Personal life
He married Paula Delaney in 1960 and they had two sons and two daughters and lived in Buckinghamshire, Los Angeles and Hadleigh, Essex, where he died on 11 August 2005 aged 77. His last film – '' Keeping Mum'' – was dedicated to his memory.Filmography
Film
Television
Theatre
Further reading
* Hall, Sheldon. ''Zulu: With Some Guts Behind It.'' Tomahawk Press, 2005. * Noble, Peter. ''British Film and Television Yearbook: 1960/61''. British and American Film Press, 1961. * Walker, John. ''The Once and Future Film: British Cinema in the Seventies and Eighties''. London: Methuen, 1985.References
External links
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