Isidre Nonell i Monturiol (30 November 1872 – 21 February 1911) was a Spanish artist known for his expressive portrayal of socially marginalized individuals in late 19th-century Barcelona. He is considered to belong to the post-
Modernista generation, with an often post-impressionist brushstroke but a darker tone than many of his contemporaries.
Life
Isidre Nonell was born in 1872 in
Barcelona
Barcelona ( ; ; ) is a city on the northeastern coast of Spain. It is the capital and largest city of the autonomous community of Catalonia, as well as the second-most populous municipality of Spain. With a population of 1.6 million within c ...
. His parents, Isidre Nonell Torras and Àngela Monturiol Francàs, owned a small but prosperous factory which made soup noodles. Together with his childhood friend,
Joaquim Mir, with whom he attended the same school in the neighborhood of
Sant Pere in the old part of town in Barcelona, he developed artistic ambitions at an early age.
His early teachers included
Josep Mirabent,
Gabriel Martínez Altés and
Lluís Graner. From 1893 to 1895 he studied at the Escola de Belles Arts de Barcelona (Fine Arts School of Barcelona). He met
Ricard Canals,
Ramón Pichot,
Juli Vallmitjana,
Adrià Gual, and
Joaquim Sunyer, with whom he developed an interest in landscape painting, studying light. The study of sunlight and its effects on color were a main part of
Impressionism
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage ...
, which was then active. They were called the "Saffron Group" for the warm tones they used, as well as the "Sant Martí Group" after the town they painted in.
In 1894, he began producing illustrations for ''
La Vanguardia
' (; , ) is a Spanish daily newspaper founded in 1881. It is printed in Spanish and, since 3 May 2011, also in Catalan. It has its headquarters in Barcelona and is Catalonia's leading newspaper.
Despite being mostly distributed in Catalonia, ...
''. He later drew for other periodicals, including ''
L'Esquella de la Torratxa
''L'Esquella de la Torratxa'' was an illustrated satirical weekly magazine, written in Catalan language, Catalan. Published in Barcelona between 1872 and 1939, it was well known for its republicanism, pro-republican and Anti-clericalism, anti-cle ...
'', ''
Barcelona Cómica'', ''
Pèl & Ploma'', and ''
Forma''. In 1896, Nonell went with Ricard Canals and Juli Vallmitjana to the spa town of
Caldes de Boí
Caldes (''Caudés'' or ''Cjaudés'' in local dialect) is a ''comune'' (municipality) in Trentino in the northern Italian region Trentino-Alto Adige/Südtirol, located about northwest of Trento. As of 31 December 2004, it had a population of 1,04 ...
in the Spanish
Pyrenees
The Pyrenees are a mountain range straddling the border of France and Spain. They extend nearly from their union with the Cantabrian Mountains to Cap de Creus on the Mediterranean coast, reaching a maximum elevation of at the peak of Aneto. ...
to work at the spa run by Vallmitjana's family. There, he saw a large number of people suffering from the illness of
cretinism, which became a subject of his paintings.
In February 1897, he went to Paris with
Ricard Canals. There he exhibited and shared a studio with Picasso. He returned to Barcelona in 1900. At the beginning of 1901, he made paintings of women, such as gypsy and working-class women, and still lifes. He exhibited in the Sala París in Barcelona twice, in 1902 and 1903. The reaction to his works of poor gypsy women was very hostile.
He died on 21 February 1911, due to typhoid fever in Barcelona.
His work
The oil paintings show the influence of
impressionism
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage ...
and
pointillism
Pointillism (, ) is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.
Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism ...
expressed in a new way. Thick strokes layered one after another do not quite mix colors in the eye, leaving a directness of emotion. His subjects, most often women, were the overlooked and marginalized—poor women (often with children), gypsies, wounded soldiers repatriated from the
Cuban war, and people suffering from
cretinism.
Gallery of Images
Isidre_Nonell_1897_-_Un_captaire_a_París.jpg, Drawing ''Captaire a París'',1897
(Barcelona) Dolores - Isidre Nonell - Museu Nacional d'Art de Catalunya.jpg, Painting ''Dolores'', 1903
(Barcelona) Repòs - Isidre Nonell - Museu Nacional d'Art de Catalunya.jpg, ''Repòs'', 1904
Isidre Nonell - Paloma - Google Art Project.jpg, Painting '', La Paloma'', 1904
(Barcelona) Cap de gitana 1904 - Isidre Nonell - Museu Nacional d'Art de Catalunya.jpg, ''Cap de gitana'', 1904
Isidre Nonell - Study - Google Art Project (548384).jpg, Painting ''Study'', 1908
Isidre_Nonell_1910_-_Natura_morta.jpg, Painting ''Still-Life'', 1910
Catalogues
In 2023, Edicions del Molí de Dalt published the title ''Nonell. Catàleg raonat de pintura'' authored by Glòria Escala.
In 2020, the
Museu Nacional d'Art de Catalunya
The (; ), abbreviated as MNAC (), is a museum of Catalonia, Catalan visual art located in Barcelona, Catalonia, Spain. Situated on Montjuïc hill at the end of Avinguda de la Reina Maria Cristina, near Plaça d'Espanya, Barcelona, Pl Espanya, th ...
published the catalogue: ''Nonell: Visions from the Margins'', authored by Francesc Quílez, Eduard Vallés and others (296 pp, ), following up on the likewise complete catalogue they had published in the year 2000: ''Isidre Nonell (1972-1911)'', with various authors: M. Doñate, F. Fontbona, C. Mendoza and C. Vidal (328 pp, ).
Notes
References
Bibliography
* VV.AA.: ''Isidre Nonell (1872–1911)'', Editorial MNAC, Barcelona i Fundación Cultural Mapfre, Madrid 2000,
* VV.AA.: ''Isidre Nonell'', Editorial Polígrafa, Barcelona 1996,
* Fontbona, Francesc, ''Nonell'', Gent Nostra, Thor, Barcelona 1987.
* Jardí, Enric: ''Nonell'', Editorial Polígrafa, Barcelona 1984,
*Robinson, William H. et al,
Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí'' Cleveland Museum of Art in association with Yale University Press, New Haven and London, 2006.
External links
www.isidrenonell.cat Catalogue raisonné
A (or critical catalogue) is an annotated listing of the works of an artist or group of artists and can contain all works or a selection of works categorised by different parameters such as medium or period.
A ''catalogue raisonné'' is normal ...
Isidre Nonell on Google Arts & Culture
{{DEFAULTSORT:Nonell, Isidre
Post-impressionist painters
Artists from Barcelona
19th-century Spanish painters
19th-century Spanish male artists
Spanish male painters
20th-century Spanish painters
20th-century Spanish male artists
1872 births
1911 deaths