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Interpretive dance is a family of
Interpretive dance is a family of modern dance
Modern dance is a broad genre of western concert or theatrical dance which included dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th ...
styles that began around 1900 with Isadora Duncan
Angela Isadora Duncan (May 26, 1877 or May 27, 1878 – September 14, 1927) was an American dancer and choreographer, who was a pioneer of modern contemporary dance, who performed to great acclaim throughout Europe and the US. Born and raised in ...
. It used classical concert music but marked a departure from traditional concert dance
Concert dance (also known as performance dance or theatre dance in the United Kingdom) is dance performed for an audience. It is frequently performed in a theatre setting, though this is not a requirement, and it is usually choreographed and per ...
. It seeks to translate human emotions, conditions, situations or fantasies into movement and dramatic expression, or else adapts traditional ethnic movements into more modern expressions.{{cite web, url=http://www.snowcrest.net/turningpoint/interpdance.html, title=Interpretive Dance by Nadia Hava-Robbins, MA, website=www.snowcrest.net
The effect of interpretive dance can be seen in many Broadway musicals as well as in other media. While it was—and most often, still is—thought of as a performing art, interpretive dance does not have to be performed with music. It often includes grandiloquent movements of the arms, turns and drops to the floor. It is frequently enhanced by lavish costumes, ribbons or spandex
Spandex, Lycra, or elastane is a synthetic fiber known for its exceptional elasticity. It is a polyether- polyurea copolymer that was invented in 1958 by chemist Joseph Shivers at DuPont's Benger Laboratory in Waynesboro, Virginia, US.
...
body suits.
See also
* Dance improvisation *Free dance
Free dance is a 20th-century dance form that preceded modern dance. Rebelling against the rigid constraints of classical ballet, Loie Fuller, Isadora Duncan and Ruth St. Denis (with her work in theater) developed their own styles of free dance ...
* Lyrical dance
References