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An is a traditional Japanese case for holding small objects, suspended from the (sash) worn around the waist when wearing a kimono. They are often highly decorated with various materials such as
lacquer Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal. It is most often made from resin extracted from trees and waxes and has been in use since antiquity. Asian lacquerware, which may be ca ...
and various techniques such as , and are more decorative than other Japanese lacquerware. Because traditional Japanese dress lacked pockets, objects were often carried by hanging them from the in containers known as (a hanging object attached to a sash). Most were created for specialized contents, such as tobacco, pipes, writing brush and ink, but the type known as is suitable for carrying small things, and was created in the Sengoku period (1467–1615) as a portable identity seal and medicine container for travel. In the middle of the Edo period (1603–1868), became popular as men's accessories, and wealthy merchants of the and samurai classes collected often beautifully decorated with lacquer. As the technique developed from the late Edo period to the Meiji period (1868–1912) and the artistic value of increased, were no longer used as an accessory and came to be regarded as an art object for collection.Masayuki Murata. ''明治工芸入門'' pp. 104–106. Me no Me, 2017 Yūji Yamashita. ''明治の細密工芸'' pp. 79–81. Heibonsha, 2014 The term is a combination of the kanji for , which means a seal or stamp, and the kanji for , which means a basket.


Description

Consisting of a stack of tiny, nested boxes, were most commonly used to carry medicine. The stack of boxes is held together by a cord that is laced through cord runners down one side, under the bottom, and up the opposite side. The ends of the cord are secured to a , a kind of toggle that is passed between the sash and pants and then hooked over the top of the sash to suspend the . An bead is provided on the cords between the and to hold the boxes together. This bead is slid down the two suspension cords to the top of the to hold the stack together while the is worn, and slid up to the when the boxes need to be unstacked to access their contents. are mostly made from paper, wood, metal, or ivory, with the most common material being paper. Paper are made by winding and hardening many layers of paper with lacquer; paper was a popular material for as unlike wood, it would not distort and crack over time. are commonly decorated with lacquered designs, with the expensively produced featuring , , ivory inlay and metal foiling. Though and evolved out of a mostly decorative capacity, retained their functionality, having evolved from strictly utilitarian articles into objects of high art and immense craftsmanship. For a period of time in the Edo period, was also used as a symbol of power. Today, among
sumo is a form of competitive full-contact wrestling where a ''rikishi'' (wrestler) attempts to force his opponent out of a circular ring (''dohyō'') or into touching the ground with any body part other than the soles of his feet (usually by thr ...
referees (), only of the higher ranks are allowed to equip . Today, many are collected in the Metropolitan Museum of Art, the British Museum, and the Victoria and Albert Museum. Because were popular among foreign collectors, there were few of the highest quality made from the end of the Edo period to the Meiji period in Japan, but Masayuki Murata actively collected them after the 21st century, and today the
Kiyomizu Sannenzaka Museum is a Buddhist temple located in eastern Kyoto, Japan. The temple is part of the Historic Monuments of Ancient Kyoto (Kyoto, Uji and Otsu Cities) UNESCO World Heritage site. History Kiyomizu-dera was founded in the early Heian period. By 77 ...
, which he manages, houses many of the highest quality . Today, are made by a few craftsmen. The best lacquer technique from the end of the Edo period to the Meiji period, especially the technique, was almost lost in the westernization of Japanese lifestyle. However, in 1985 lacquer craftsman set up his own studio and succeeded in recreating them. His lacquer works are collected in the Victoria and Albert Museum and the
21st Century Museum of Contemporary Art, Kanazawa First or 1st is the ordinal form of the number 1 (number), one (#1). First or 1st may also refer to: *World record, specifically the first instance of a particular achievement Arts and media Music * 1$T, American rapper, singer-songwriter, D ...
, and are an object of collection for the world's wealthy.超絶の伝統工芸技術の復元から 世界ブランド構築へのマーケティングヒストリー
Web Dentsu. September 5, 2016
雲龍庵とは何者ぞ!細部に宿る漆工の美 超絶技巧の全貌 雲龍庵と希龍舎.
Nikkan Kogyo Shimbun. September 21, 2017
Nowadays, are rarely worn as kimono accessories, but there are collectors all over the world. File:Inro exploded.jpg, components File:Netsuke-p1030001.jpg, An suspended by a and held together with an File:布引瀧蒔絵印籠箪笥 - Inro Cabinet with Design of Waterfall in Maki-e Lacquer.jpg, cabinet with a waterfall design in lacquer, Edo or Meiji period, 19th century File:Kiyomizu Sannenzaka Museum.jpg, Kiyomizu Sannenzaka Museum


Gallery

File:Inrō with Design of Cranes Standing Beneath a Gnarled Pine Tree and Netsuke Depicting Yoshitsune and Benkei.jpg, with a design of cranes standing beneath a gnarled pine tree and depicting Minamoto no Yoshitsune and Benkei, Edo period, 18th century File:印籠-Inro with Fox's Wedding.jpg, with fox's wedding (). Edo period, late 18th–early 19th century File:原羊遊斎作・酒井抱一下絵 梅木蒔絵印籠-Inrō with Design of Blossoming Plum Tree MET DP259977.jpg, with design of blossoming plums, by Hara Yōyūsai and Sakai Hōitsu, Edo period, early 19th century File:七夕蒔絵印籠-Inrō with Tanabata Story of the Weaver and the Herdboy MET DP223709.jpg, with story of the weaver and the herdboy, by Nomura Kyūkoku, Edo period, early 19th century File:古満安匡作 孔雀蒔絵印籠-Inrō with Peacocks and Flowers MET DP281397.jpg, with peacocks and flowers, by Koma Yasutada, Edo period, 19th century File:梶川文竜斎作, 宝船蒔絵印籠 - Inrō with Treasure Boat.jpg, with treasure boat (), by Kajikawa Bunryūsai, Edo period, 19th century File:印籠-Inro with Design of Eulalia Grass and Deer.jpg, with design of eulalia grass and deer, with eagle , Edo period, 19th century File:印籠-Inro with Design of Two Hawks on Tasseled Perches.jpg, with design of two hawks on tasseled perches, Edo period, 19th century File:Inro Somada school.jpg, , design of minute patterns in mother-of-pearl inlay, Somada school, Edo period, 19th century File:MET DP253247.jpg, by Shibata Zeshin, Meiji period, 19th century File:印籠-Inro. Grasses.jpg, with the rice ears, by Yamada Joka, 19th century File:印籠-Inro. Twelve calendrical animals in a landscape.jpg, . Twelve calendrical animals in a landscape, 19th century


See also

*
Sporran The sporran (; Scottish Gaelic and Irish for " purse"), a traditional part of male Scottish Highland dress, is a pouch that performs the same function as pockets on the pocketless kilt. Made of leather or fur, the ornamentation of the sporran is ...
(Scottish)


References

* Bushell, Raymond "The Handbook", Weatherhill, 2002. * "Legend in Japanese Art" by Henri L. Joly; 1908/1967; Charles E. Tuttle, Rutland VT;


External links


Netsuke: masterpieces from the Metropolitan Museum of Art
an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains many examples of
Birmingham Museums & Art Gallery
{{DEFAULTSORT:Inro Fashion accessories Japanese lacquerware Japanese words and phrases Japanese woodwork Nested containers Medicine storage containers