Informalism or Art Informel () is a pictorial movement from the 1943–1950s, that includes all the abstract and gestural tendencies that developed in

France France, officially the French Republic, is a country located primarily in Western Europe. Overseas France, Its overseas regions and territories include French Guiana in South America, Saint Pierre and Miquelon in the Atlantic Ocean#North Atlan ...

and the rest of

Europe Europe is a continent located entirely in the Northern Hemisphere and mostly in the Eastern Hemisphere. It is bordered by the Arctic Ocean to the north, the Atlantic Ocean to the west, the Mediterranean Sea to the south, and Asia to the east ...

during the

World War II World War II or the Second World War (1 September 1939 – 2 September 1945) was a World war, global conflict between two coalitions: the Allies of World War II, Allies and the Axis powers. World War II by country, Nearly all of the wo ...

, similar to

America The United States of America (USA), also known as the United States (U.S.) or America, is a country primarily located in North America. It is a federal republic of 50 U.S. state, states and a federal capital district, Washington, D.C. The 48 ...

abstract expressionism Abstract expressionism in the United States emerged as a distinct art movement in the aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depressi ...

started 1946. Several distinguishing trends are identified within the movement such as

lyrical abstraction Lyrical abstraction arose from either of two related but distinct art movement, trends in Post-war Modernist painting: * European ''Abstraction Lyrique'': a movement that emerged in Paris, with the French art critic Jean José Marchand being cr ...

, matter painting, New Paris School,

tachisme __NOTOC__ Tachisme (alternative spelling: Tachism, derived from the French word ''tache'', stain; ) is a French style of Abstract art, abstract painting popular in the 1940s and 1950s. The term is said to have been first used with regards to the ...

and art brut. The French art critic Michel Tapié coined the term "art autre" (other art) in the

homonymous In linguistics, homonyms are words which are either; ''homographs''—words that mean different things, but have the same spelling (regardless of pronunciation), or ''homophones''—words that mean different things, but have the same pronunciatio ...

book published in 1952 in relation to non-geometric abstract art. It was instrumental in improving the concept of abstract art in France during the early 1950s. Its use in the expression of political ideologies in South America during the early 1950s was quite common, as it was seen as the main way to show support for the changing political climate.

Pictorial practices

Within this tendency, each artist allows full freedom of expression to the unforeseen quality of materials (a taste for stains or chance) and randomness of gestures, thus rejecting drawing and control and the traditional conception of painting and its development that evolves from the idea to the completed work via sketches and projects. It is an open work that a spectator can interpret freely. The pictorial adventure is completely new; instead of going from the meaning to constructing the corresponding signs, the artist begins with the making of signs and gives the corresponding meaning. In the works of Laurent Jiménez-Balaguer, the language of signs is further deconstructed, allowing for a universal interpretation of a private language. The contribution of music produced the art of musical informalism. Plastic characteristics of this painting are: spontaneity of the gesture, automatism, expressive use of material, the nonexistence of preconceived ideas, the experience that the deed generates the idea, and the work is the place and the privileged moment whereby the artist discovers himself; it is the end of the reproduction of the object for the representation of the theme that becomes the end of the painting, with a sometime calligraphic aspect, referring to a Calligraphic Abstraction in relation to the works of Georges Mathieu, Hans Hartung, or Pierre Soulages.

Uses

Politics

Venezuela

During the 1950s and 1960s, at the height of the Venezuelan dictatorship, Venezuelan artists, such as Carlos Cruz Diez, Gego, and others, used Informalist art in response to the shift from dictatorship to democracy that their country was dealing with during this time. Their art represented their feelings on the matter as well as their response to this shift and to represent a lot of huge figures in the change over from a dictatorship into democracy. They used art to represent their support for the shift away from dictatorship during these times of extreme political turbulence in their country.

Improvement on Abstraction

During the Early 1950s, France was a hotbed for Informalist art, referred to as ''Un art autre,'' or ''art informel'', which were terms coined by French art critic Michel Tapié, who published a book by the name of ''Un Art Autre'' the same year as the exhibition of the same name. This style was about more than just the paintings, as it also referred to concepts such as lyrical abstraction and painting styles such as tachisme, and matter painting. Artists were inspired by European paintings, as well as American expressionism, while using automatism as their way of conveying this new style of art. Important artists that came out of this period in France were artists such as Pierre Soulages and Jean-Paul Riopelle.

Informalist painters

Collections

References

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Contemporary art movements