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''Infinite Granite'' is the fifth studio album by American band Deafheaven, released on August 20, 2021, through
Sargent House Sargent House is an American management company and record label based in Los Angeles. It was founded in June 2006 by Cathy Pellow, who is a music video commissioner for Atlantic Records and also owns a music video production company called Refuse ...
. The album represents a dramatic departure from the
black metal Black metal is an extreme metal, extreme subgenre of heavy metal music. Common traits include Tempo#Beats per minute, fast tempos, a Screaming (music)#Black metal, shrieking vocal style, heavily distorted Electric guitar, guitars played with t ...
influences of the band's previous albums, and a shift toward a
shoegaze Shoegaze (originally called shoegazing and sometimes conflated with "dream pop") is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volu ...
style with mostly clean vocals from frontman George Clarke.


Recording

The album was produced by Justin Meldal-Johnsen, and was recorded with longtime Deafheaven producer and engineer Jack Shirley primarily at his Atomic Garden East studio in Oakland, California.


Release

On June 9, 2021, Deafheaven announced ''Infinite Granite'', simultaneously releasing its lead single, "Great Mass of Color". A second single, "The Gnashing", was released on July 8, 2021. A third and final single, "In Blur", was released on August 4, 2021. ''Infinite Granite'' was released by
Sargent House Sargent House is an American management company and record label based in Los Angeles. It was founded in June 2006 by Cathy Pellow, who is a music video commissioner for Atlantic Records and also owns a music video production company called Refuse ...
on August 20, 2021.


Critical reception

At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, ''Infinite Granite'' received an average score of 82 based on 21 reviews, indicating "universal acclaim". In a perfect 5/5 star review, Michael Hann of '' The Guardian'' called ''Infinite Granite'' a "great, great album, one that exists entirely on its creators' terms." Hann also praised drummer Daniel Tracy, writing, "he is what gives this record its power – his fills and patterns give ''Infinite Granite'' attack that never wavers, even when the music is at its most melodic." In a 9/10 review, Marie Oleinik of '' The Line of Best Fit'' felt the album "reinstates that less is, in fact, more." Jem Aswad of '' Variety'' wrote that the band "continues their progression as one of the most innovative and powerful rock acts of the past 20 years." Elizabeth Aubrey of '' NME'' called it the band's "most ambitious and cohesive album to date and embracing their shoegaze selves brings renewal: for a band known for torment and chaos, it's a joy to hear them sounding so hopeful." Chris Bryson of ''
Exclaim! ''Exclaim!'' is a Canadian music and entertainment publisher based in Toronto, which features in-depth coverage of new music across all genres with a special focus on Canadian and emerging artists. The monthly Exclaim! print magazine publishes 7 ...
'' wrote, "In its lyrics and tone, ''Infinite Granite'' is remarkably blue, and beautifully so. Some fans might not appreciate the direction the band has taken towards the light, but nevertheless, the heart of Deafheaven remains." In a less favorable review, David Weaver of '' Clash'' wrote, "There are some real moments of beauty on the record - 'In Blur' aches and sparkles, whilst singles 'Great Mass Of Colour' and 'The Gnashing' showcase a band adept at building beautiful soundscapes even with the guitars turned down - but at a certain point, the album suffers from the lack of depth in Clarke's vocals, or range in his melodies." A.A. Dowd of '' The A.V. Club'' agreed, writing, "Here, we get only the beauty: a long, indistinguishable blur of pleasure." Christina Wenig of '' Metal Hammer'' praised the album's songwriting and production and the band for attempting to change their sound, but ultimately felt that "somewhere along the way, Deafheaven have lost some of the intensity that had previously made them irresistible."


Accolades


Track listing


Personnel

Credits adapted from the liner notes of ''Infinite Granite''. Deafheaven * George Clarke – vocals (tracks 1–3, 5–9) * Kerry McCoy – guitars (tracks 1–3, 5–9), vocals (tracks 1, 9), synthesizers (tracks 4, 5, 8) * Shiv Mehra – guitars, synthesizers (all tracks); vocals (tracks 1–3, 5–7, 9), acoustic guitar (track 9) * Chris Johnson – bass guitar (tracks 1–3, 5–9), vocals (tracks 1–3, 5–7, 9) * Daniel Tracy – drums, percussion (tracks 1–3, 5–9); vocals (tracks 1, 2) Additional personnel * Justin Meldal-Johnsen – production, engineering, Fender Bass VI (track 2), additional vocals (tracks 3, 8, 9), additional synthesizers (tracks 4, 6, 8), additional guitar (track 9) * Chelsea Jade – additional vocals (tracks 3, 9) * Jack Shirley – engineering * Darrell Thorp – mixing, engineering * Brendan Dekora – engineering * Chris Johnson – engineering * Joshua Lago – assistant engineering * Dave Cooley – mastering * Nick Steinhardt, 23in – art direction and design


Charts


References

{{Authority control 2021 albums Deafheaven albums Albums produced by Justin Meldal-Johnsen Sargent House albums