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Imprint is a serif typeface created by Monotype, commonly used for body text. Originally called Imprint Old Face, it is a sturdy, amiable design with a large x-height, Caslon-like but with more regularity in its letterforms. It was commissioned by the London publishers of '' The Imprint'', a short-lived printing trade periodical published during 1913. Imprint has remained popular and is sold digitally by Monotype. A "shadowed" or inline version, with a cut taken out of the letters, has been widely released with
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software, and is often used, especially in
desktop publishing Desktop publishing (DTP) is the creation of documents using dedicated software on a personal ("desktop") computer. It was first used almost exclusively for print publications, but now it also assists in the creation of various forms of online co ...
, for mastheads and titles.


History

Imprint was produced for the magazine (on a non-exclusive basis) in 1912 by the Monotype Company as Series 101 for automatic composition on the Monotype caster. When delivered to the journal's printers on December 31, 1912, it was still incomplete—the accents had not yet been made—so the editors asked in the first issue: “Will readers kindly insert them for themselves, if they find their omission harsh? For ourselves, we rather like the fine careless flavour, which their omission gives, after we have recovered from the first shock inevitable to us typographical precisians”. Its design was carried out by the Monotype engineering team in Salfords, Surrey, led by engineer Frank Hinman Pierpont and draughtsman Fritz Stelzer. James Mosley describes Imprint as "an intelligent updating of Caslon" and has credited the Monotype team for crafting a "re-draw onein a manner that suited modern machine printing while keeping as much as possible of the spirit of the original." Contemporary type designer Kris Sowersby has praised it for its "subtle, gentle stress and its restrained detailing". Perhaps the most notable use since then has been for the entire setting of the Second Edition of the
Oxford English Dictionary The ''Oxford English Dictionary'' (''OED'') is the principal historical dictionary of the English language, published by Oxford University Press (OUP), a University of Oxford publishing house. The dictionary, which published its first editio ...
(1989), 22,000 pages of precisely structured typography in 20 volumes.


Digital versions

It is available today as a digital OpenType font from Monotype's successor, Monotype Imaging, in regular, italic, bold and bold italic styles, as well as shadowed and shadowed italic styles (matching the bold weight). The current Pro release features
text figures Text figures (also known as non-lining, lowercase, old style, ranging, hanging, medieval, billing, or antique figures or numerals) are numerals designed with varying heights in a fashion that resembles a typical line of running text, hence the ...
and
small caps In typography, small caps (short for small capitals) are grapheme, characters typeset with glyphs that resemble uppercase letters but reduced in height and weight close to the surrounding lowercase letters or text figures. Small caps are used i ...
, the latter in the roman or regular style only. Sowersby's Untitled Serif is also loosely inspired by Imprint.


References

{{Monotype typefaces Monotype typefaces Transitional serif typefaces Typefaces and fonts introduced in 1912