Shakespeare
William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...
's '' Othello'' (c. 1601–1604). Iago is the play's main
antagonist
An antagonist is a character in a story who is presented as the main enemy or rival of the protagonist and is often depicted as a villain.Othello's standard-bearer. He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona. Iago hates Othello and devises a plan to destroy him by making him believe that Desdemona is having an affair with his lieutenant, Michael Cassio.
The role is thought to have been first played by Robert Armin, who typically played intelligent clown roles such as Touchstone in ''
As You Like It
''As You Like It'' is a pastoral Shakespearean comedy, comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain, though a performance at Wil ...
Iago is a soldier who has fought beside Othello for several years and has become his trusted advisor. At the beginning of the play, Iago claims to have been unfairly passed over for promotion to the rank of Othello's lieutenant in favour of Michael Cassio. Iago plots to manipulate Othello into demoting Cassio, and thereafter to bring about the downfall of Othello himself and also others in the play who trusted Iago. He has an ally, Roderigo, who assists him in his plans in the mistaken belief that after Othello is gone, Iago will help Roderigo earn the affection of Othello's wife, Desdemona. After Iago engineers a drunken brawl to ensure Cassio's demotion (in Act 2), he sets to work on his second scheme: leading Othello to believe that Desdemona is having an affair with Cassio. This plan occupies the final three acts of the play.
He manipulates his wife Emilia, Desdemona's lady-in-waiting, into taking from Desdemona a handkerchief that Othello had given her; he then tells Othello that he had seen it in Cassio's possession. Once Othello flies into a jealous rage, Iago tells him to hide and look on while he (Iago) talks to Cassio. Iago then leads Othello to believe that a bawdy conversation about Cassio's mistress, Bianca, is in fact about Desdemona. Mad with jealousy, Othello orders Iago to kill Cassio, promising to make him lieutenant in return. Iago then engineers a fight between Cassio and Roderigo in which the latter is killed (by Iago himself, double-crossing his ally), but the former merely wounded.
Iago's plan appears to succeed when Othello kills Desdemona, who is innocent of Iago's charges. Soon afterwards, however, Emilia brings Iago's treachery to light, and Iago kills her in a fit of rage before being arrested. He remains famously reticent when pressed for an explanation of his actions before he is arrested: "Demand me nothing. What you know, you know. From this time forth I never will speak word." Following Othello's suicide, Cassio, now in charge, condemns Iago to be imprisoned and tortured as punishment for his crimes.
Description of character
Iago is one of Shakespeare's most sinister
villain
A villain (also known as a " black hat", "bad guy" or "baddy"; The New Oxford Dictionary of English (1998) – p.126 "baddy (also baddie) noun (pl. -ies) ''informal'' a villain or criminal in a book, film, etc.". the feminine form is villai ...
s, often considered such because of the unique trust that Othello places in him, which he betrays while maintaining his reputation for honesty and dedication. Shakespeare contrasts Iago with Othello's nobility and integrity. With 1,097 lines, Iago has more lines in the play than Othello himself.
Iago is a Machiavellian schemer and manipulator, as he is often referred to as "honest Iago", displaying his skill at deceiving other characters so that not only do they not suspect him, but they count on him as the person most likely to be truthful.
Shakespearean critic A. C. Bradley said that "
evil
Evil, as a concept, is usually defined as profoundly immoral behavior, and it is related to acts that cause unnecessary pain and suffering to others.
Evil is commonly seen as the opposite, or sometimes absence, of good. It can be an extreme ...
has nowhere else been portrayed with such mastery as in the evil character of Iago", and also states that he "stands supreme among Shakespeare's evil characters because the greatest intensity and subtlety of imagination have gone into his making." The mystery surrounding Iago's actual motives continues to intrigue readers and fuel scholarly debate.
Critical discussion
In discussing ''The Tragedy of Othello'', scholars have long debated Iago's role—highlighting the complexity of his character and manipulativeness. Fred West contends that Shakespeare was not content with simply portraying another "stock" morality figure, and that he, like many dramatists, was particularly interested in the workings of the human mind. Thus, according to West, Iago, who sees nothing wrong with his own behaviour, is "an accurate portrait of a
psychopath
Psychopathy, or psychopathic personality, is a personality Construct (psychology), construct characterized by impaired empathy and remorse, along with boldness, bold, disinhibited, and egocentrism, egocentric traits. These traits are often ma ...
", who is "devoid of conscience, with no remorse".
Bradley writes that Iago "illustrates in the most perfect combination the two facts concerning evil, which seem to have impressed Shakespeare the most", the first being that "the fact that perfectly sane people exist in whom fellow-feeling of any kind is so weak that an almost absolute egoism becomes possible to them", with the second being "that such evil is compatible, and even appears to ally itself easily, with exceptional powers of will and intellect". The same critic also famously said that "to compare Iago with the
Satan
Satan, also known as the Devil, is a devilish entity in Abrahamic religions who seduces humans into sin (or falsehood). In Judaism, Satan is seen as an agent subservient to God, typically regarded as a metaphor for the '' yetzer hara'', or ' ...
of ''
Paradise Lost
''Paradise Lost'' is an Epic poetry, epic poem in blank verse by the English poet John Milton (1608–1674). The poem concerns the Bible, biblical story of the fall of man: the temptation of Adam and Eve by the fallen angel Satan and their ex ...
'' seems almost absurd, so immensely does Shakespeare's man exceed Milton's Fiend in evil".
Weston Babcock, however, would have readers see Iago as a "human being, shrewdly intelligent, suffering from and striking against a constant fear of social snobbery". According to Babcock, it is not malice, but fear, that drives Iago. For, "Iago dates his maturity, as he considers it, his ability to understand the world, from the age at which he recognized every remark to be personally pointed. One only who lacks inner assurance and is so constantly on guard against any hint of his inferiority could so confess himself".
John Draper, on the other hand, postulates that Iago is simply "an opportunist who cleverly grasps occasion" (726), spurred on by "the keenest of professional and personal motives". Draper argues that Iago "seized occasions rather than made them". According to his theory, Iago "is the first cause, but events, once under way, pass out of his control". Following this logic, Draper concludes that Iago "is neither as clever nor as wicked as some would think; and the problem of his character largely resolves itself into the question: was he justified in embarking upon the initial stages of his revenge?"
Motives
Iago has been described as a "motiveless malignity" by
Samuel Taylor Coleridge
Samuel Taylor Coleridge ( ; 21 October 177225 July 1834) was an English poet, literary critic, philosopher, and theologian who was a founder of the Romantic Movement in England and a member of the Lake Poets with his friend William Wordsworth ...
. This reading would seem to suggest that Iago, much like Don John in ''
Much Ado About Nothing
''Much Ado About Nothing'' is a Shakespearean comedy, comedy by William Shakespeare thought to have been written in 1598 and 1599.See textual notes to ''Much Ado About Nothing'' in ''The Norton Shakespeare'' (W. W. Norton & Company, 1997 ) p. ...
'' or Aaron in ''
Titus Andronicus
''The Lamentable Tragedy of Titus Andronicus'', often shortened to ''Titus Andronicus'', is a Shakespearean tragedy, tragedy by William Shakespeare, believed to have been written between 1588 and 1593. It is thought to be Shakespeare's first t ...
'', wreaks havoc on the other characters' lives for no ulterior purpose.
Léone Teyssandier writes that a possible motive for Iago's actions is envy towards Desdemona, Cassio and Othello; Iago sees them as more noble, generous and, in the case of Cassio, more handsome than he is. In particular, he sees the death of Cassio as a necessity, saying of him that "He hath a daily beauty in his life that makes me ugly".
Andy Serkis, who in 2002 portrayed Iago at the Royal Exchange Theatre in
Manchester
Manchester () is a city and the metropolitan borough of Greater Manchester, England. It had an estimated population of in . Greater Manchester is the third-most populous metropolitan area in the United Kingdom, with a population of 2.92&nbs ...
, wrote in his memoir ''Gollum: How We Made Movie Magic'', that:
Iago reveals his true nature only in his soliloquies, and in occasional asides. Elsewhere, he is charismatic and friendly, and the advice he offers to both Cassio and Othello is superficially sound; as Iago himself remarks: "And what's he then, that says I play the villain, when this advice is free I give, and honest...?"II.iii.315-16
It is this dramatic irony that drives the play.
In
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi ( ; ; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for List of compositions by Giuseppe Verdi, his operas. He was born near Busseto, a small town in the province of Parma ...
's ''
Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on William Shakespeare, Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the La Scala, Teatro alla Scala, M ...
'', an 1887 operatic adaptation of the play, Iago reveals his theology in his Act II aria "Credo in un dio crudel", which has no counterpart in Shakespeare's original: he does believe in a god, but a cruel god who created him in his likeness and that the evil he does is to fulfill his destiny. He also enunciates in the aria that he believes an honest man to be a mocking actor about whom everything is a lie and that mankind is simply a joke of fate.