I Surrender Dear (album)
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''I Surrender Dear'' is a solo album by
Peter Brötzmann Peter Brötzmann (6 March 1941 – 22 June 2023) was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. Throughout his career, he released over fifty albums as a bandleader. Amongst his m ...
. Featuring a blend of jazz standards and original compositions and improvisations performed on tenor saxophone, it was recorded during July 16–18, 2018, at the Vienna studio of recording engineer Martin Siewert, and was released in 2019 by
Trost Records Trost Records is a record label located in Vienna. History In the early 1990s, Trost was founded as a tape label, releasing records of Austrian alternative and underground bands, such as Valina, , and Holly May. In 2011, the sublabel Cie ...
. Regarding his decision to record standards, Brötzmann reflected: "Even when I do my wildest shit and my so-called avant-garde nonsense... I want to show, especially the young folks, that it has a relation to the tradition and to the history. I mean, in Europe it's quite easy to forget where the music comes from. It's American music, and the sources and the roots are in the American entertainment industry, and that's one of the points I wanted to make clear."


Reception

''
DownBeat ''DownBeat'' (styled in all caps) is an American music magazine devoted to "jazz, blues and beyond", the last word indicating its expansion beyond the jazz realm that it covered exclusively in previous years. The publication was established in 1 ...
s Howard Mandel wrote: "With respect and evident affection, rötzmannaddresses melodies that have stayed in his mind even as he's exploded song form, abandoned chord changes and advanced raw energy in a ''cri de coeur''. Each track is a soliloquy, comprising personal references, investigations and reminiscences... Whatever his affect, Brötzmann transforms breath into sound, providing a measure of peace." Mark Corroto of ''
All About Jazz ''All About Jazz'' is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, ''Jazz Near ...
'' stated: "there is something redolent of the past about this session... This is Brötzmann looking back, maybe disclosing the raw materials that made up his oeuvre... Listen and decide if the artist was recording this music for himself or the ghosts of music past." Writing for ''Dusted Magazine'', Derek Taylor commented: "The material is such a part of his DNA that he simply hoisted his horn and let the pieces pour out without premeditation. That spontaneity is palpable throughout... Nothing gets in the way as cerulean-shaded peals trade with more nuanced, textured purrs. The blues, world-weary and visceral, are a near-constant in the burly, but intimate improvisations, as antique melodies surface and recede around bursts of vibrato-spiked glossolalia." In a review for ''
Jazzwise ''Jazzwise'' is a British monthly magazine focused on jazz, launched in 1997. The magazine covers a range of jazz sub-genres and provides news coverage, a national gig guide, a jazz-on-film page, feature articles, and a review section that evalua ...
'', Daniel Spicer noted that the album is "as clear a proof as we've ever seen of just how two-dimensional Brötzmann's reputation as the pugnacious tenor terrorist behind '' Machine Gun'' really is. There is much more to him than generally meets the ear." Colin Green of ''The Free Jazz Collective'' remarked: "with the passage of time Brötzmann has internalised these melodies and he sounds like nothing other than Brötzmann. They seem to exist in an indeterminate, largely tempoless realm, repeating and absorbed by themselves as though mulled over in his mind, telling him one thing and responded to with other voices, by turns caressing, elated, desperate; at times no reply at all... Like all great jazzmen Brötzmann mines the inarticulate to give voice to what cannot be said, making palpable what is sensed, for all of us." ''FJCs Eyal Hareuveni wrote: "freedom for Brötzmann was always about the attitude, the same attitude that inspired Louis Armstrong, Art Blakey, or Don Cherry, and not an academic theory. And Brötzmann's reflections on these standards (and one theme of J.S. Bach) tell a lot of intimate, sincere and tender stories."


Track listing

# "
I Surrender Dear "I Surrender Dear" (sometimes written as "I Surrender, Dear") is a song composed by Harry Barris with lyrics by Gordon Clifford (lyricist), Gordon Clifford, first performed by Gus Arnheim, Gus Arnheim and His Cocoanut Grove Orchestra with Bing C ...
" (
Harry Barris Harry Barris (November 24, 1905 – December 13, 1962) was an American popular singer and songwriter. He was one of the earliest singers to use " scat singing" in recordings. Barris, one of Paul Whiteman's Rhythm Boys, along with Bing Crosby an ...
, Gordon Clifford) – 4:39 # "
Lover, Come Back to Me "Lover, Come Back to Me" is a popular music, popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show ''The New Moon'', where the song was introduced by Evelyn Herbert and Robert Halliday (as Robert Misson ...
" (
Sigmund Romberg Sigmund Romberg (July 29, 1887 – November 9, 1951) was a Hungarian-born American composer. He is best known for his Musical theatre, musicals and operettas, particularly ''The Student Prince'' (1924), ''The Desert Song'' (1926) and ''The New Moo ...
,
Oscar Hammerstein II Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and director in musical theater for nearly 40 years. He won eight Tony Awards and two Academy Award ...
) – 4:18 # " Lady Sings the Blues" (
Herbie Nichols Herbert Horatio Nichols (January 3, 1919 – April 12, 1963) was an American jazz pianist and composer who wrote the jazz standard " Lady Sings the Blues". Obscure during his lifetime, he is now highly regarded by many musicians and critics. Lif ...
,
Billie Holiday Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday made significant contributions to jazz music and pop ...
) – 6:05 # " Con Alma" (
Dizzy Gillespie John Birks "Dizzy" Gillespie ( ; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improvisation, improviser, building on the virtuosic style of Roy El ...
) – 3:23 # " Nice Work If You Can Get It" (
George Gershwin George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned jazz, popular music, popular and classical music. Among his best-known works are the songs "Swan ...
,
Ira Gershwin Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the ...
) – 3:18 # "Dark Blues" (Peter Brötzmann) – 4:54 # "Improvisation Über ein Thema von J.S. Bach" (Peter Brötzmann) – 1:29 # "Churchsong" (Peter Brötzmann) – 3:14 # "Sumphin'" (
Sonny Rollins Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American retired jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, Rollins recorded over sixt ...
) – 4:39 # "Brozziman" ( Misha Mengelberg) – 3:25 # "Ballads / Love Poem Nr. 7 / Blues" (Peter Brötzmann) – 10:25 # "I Surrender Dear" (Harry Barris/Gordon Clifford) – 7:15


Personnel

*
Peter Brötzmann Peter Brötzmann (6 March 1941 – 22 June 2023) was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. Throughout his career, he released over fifty albums as a bandleader. Amongst his m ...
– tenor saxophone


References

{{Authority control 2019 albums Peter Brötzmann albums