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Hoover sound refers to a particular
synthesizer A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis a ...
sound in
electronic music Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music ...
, commonly used in
rave techno Belgian hardcore techno (also referred to as Belgian techno or rave techno) is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been describ ...
,
hardcore techno Hardcore (also known as hardcore techno) is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos (160 to 200 BPM or more) and a distorted sawtooth ...
,
gabber Gabber ( ; ) is a style of electronic dance music and a subgenre of Hardcore (electronic dance music genre), hardcore, as well as the surrounding subculture. The music is more commonly referred to as hardcore, and is characterised by fast beats ...
,
breakbeat hardcore Breakbeat hardcore (also referred to as hardcore rave, oldskool hardcore or simply hardcore) is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from ...
,
trance Trance is a state of semi-consciousness in which a person is not self-aware and is either altogether unresponsive to external stimuli (but nevertheless capable of pursuing and realizing an aim) or is selectively responsive in following the dir ...
,
hard house UK hard house or simply hard house is a style of electronic dance music that emerged in the early 1990s and is synonymous with its association to the Trade club and the associated DJs there that created the style. It often features a speedy te ...
and
hard NRG Hard NRG, nu-NRG, filthy hard house, or more recently just filth, is an electronic dance music genre similar in structure (with regard to sequencing and programming) to UK hard house form, taking influences from German hard trance. The main di ...
. Originally called the ''"Mentasm"'', the name that stuck was the one likening the sound to that of a
vacuum cleaner A vacuum cleaner, also known simply as a vacuum, is a device that uses suction, and often agitation, in order to remove dirt and other debris from carpets, hard floors, and other surfaces. The dirt is collected into a dust bag or a plastic bin. ...
(often referred to via the genericized trademark "
hoover Hoover may refer to: Music * Hoover (band), an American post-hardcore band * Hooverphonic, a Belgian band originally named Hoover * Hoover (singer), Willis Hoover, a country and western performer active in 1960s and '70s * "Hoover" (song), a 201 ...
" in the UK and Ireland).


The sound

The Hoover is a complex
waveform In electronics, acoustics, and related fields, the waveform of a signal is the shape of its Graph of a function, graph as a function of time, independent of its time and Magnitude (mathematics), magnitude Scale (ratio), scales and of any dis ...
that can be created with three
oscillator Oscillation is the repetitive or periodic variation, typically in time, of some measure about a central value (often a point of equilibrium) or between two or more different states. Familiar examples of oscillation include a swinging pendulum ...
s, each spaced an octave apart, a heavy use of
pulse-width modulation Pulse-width modulation (PWM), also known as pulse-duration modulation (PDM) or pulse-length modulation (PLM), is any method of representing a signal as a rectangular wave with a varying duty cycle (and for some methods also a varying peri ...
and a thick
chorus effect Chorus is an audio effect that occurs when individual sounds with approximately the same time, and very similar pitches, converge. While similar sounds coming from multiple sources can occur naturally, as in the case of a choir or string orch ...
. The sound is characterised by its thick swirliness that stems from a fast LFO controlling the PWM and the chorus. It was originally created by Eric Persing for the Roland Alpha Juno, although the term 'hoover' was not introduced by him. It is traditionally created with the
Roland Roland (; ; or ''Rotholandus''; or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was mil ...
Alpha Juno-2, Alpha Juno 1, or rack mount version MKS-50 synthesizer using the built-in ''What the'' patch. The hoover sound generated on these synthesizers is unique for the use of a "PWM" sawtooth wave, which inserts flat segments of variable width into a sawtooth waveform.p. 21


History and popularization

The hoover sound is believed to first have appeared in a commercial production in "Mentasm" by Second Phase (1991), produced in a collaboration between
Joey Beltram Joey Beltram (born November 6, 1971) is an American DJ and record producer, best known for his pioneering singles "Energy Flash" and "Mentasm" and for remixing Human Resource (band), Human Resource's "Dominator (Human Resource song), Dominator". ...
and Mundo Muzique, and sometimes is referred to as a "mentasm". However, mentasm normally refers to the sound sampled from this tune and re-used. This sound was widely used in
Belgian techno Belgian hardcore techno (also referred to as Belgian techno or rave techno) is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been describ ...
tracks of the early 1990s. Another notable example of a record using a hoover sound is " Dominator" by Dutch techno pioneers Human Resource. This track gained fame in 1991 and became a top 10 hit worldwide. Characteristic for this track was not only the hoover, but also the over-the-top rap: "I'm bigger and bolder and rougher and tougher, in other words, sucker, there is no other... I'm the one and only dominator... Wanna kiss myself!" The sound has also been used in
video games A video game or computer game is an electronic game that involves interaction with a user interface or input device (such as a joystick, game controller, controller, computer keyboard, keyboard, or motion sensing device) to generate visual fe ...
such as '' Streets of Rage 3'', which was composed by
Yuzo Koshiro is a Japanese composer and sound programmer. He is often regarded as one of the most influential innovators in chiptune and video game music, producing music in a number of genres including rock, jazz, symphonic, and various electronic genres s ...
and Motohiro Kawashima, and ''
Robotron X ''Robotron X'' is a multidirectional shooter video game co-developed by Leland Interactive Media and Player 1 and it was released by Midway Games in November 1996 for the PlayStation. It is a 3D version of the 1982 dual-stick shooter '' Robotr ...
'' by Aubrey Hodges.


Works featuring the hoover sound


References


External links


A Hoover patch for Native Instrument's Massive

An original Hoover sound bank for Native Instrument's Kontakt and EXS-24

Dubspot Video Tutorial: Reverse Engineering the Hoover sound - Using The Bloody Beetroots and Steve Aoki's "Warp 1.9" as example

Reverse-engineering the rave hoover
{{Webarchive, url=https://web.archive.org/web/20090624212548/http://www.mcld.co.uk/blog/blog.php?254 , date=2009-06-24 - includes some technical analysis of the sound
A hoover by the Modor NF-1


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