HOME

TheInfoList



OR:

''Hondo'' is a 1953 Warnercolor three-dimensional (3D) Western film directed by
John Farrow John Villiers Farrow, Order of the Holy Sepulchre (Catholic), KGCHS (10 February 190427 January 1963) was an Australian film director, producer, and screenwriter. Spending a considerable amount of his career in the United States, he was nomina ...
and starring
John Wayne Marion Robert Morrison (May 26, 1907 – June 11, 1979), known professionally as John Wayne, was an American actor. Nicknamed "Duke", he became a Pop icon, popular icon through his starring roles in films which were produced during Hollywood' ...
and
Geraldine Page Geraldine Sue Page (November 22, 1924June 13, 1987) was an American actress. With a career which spanned four decades across film, stage, and television, Page was the recipient of List of awards and nominations received by Geraldine Page, numer ...
. The screenplay is based on the 1952 ''
Collier's } ''Collier's'' was an American general interest magazine founded in 1888 by Peter F. Collier, Peter Fenelon Collier. It was launched as ''Collier's Once a Week'', then renamed in 1895 as ''Collier's Weekly: An Illustrated Journal'', shortened i ...
'' short story "The Gift of Cochise" by Louis L'Amour. The book ''Hondo'' was a novelization of the film also written by L'Amour, and published by Gold Medal Books in 1953. The supporting cast features Ward Bond, James Arness, and Leo Gordon. The shoot went over schedule, and Farrow had to leave the production, as he was contractually obligated to direct another movie. The final scenes featuring the Apache attack on the circled wagons of the Army and settlers were shot by
John Ford John Martin Feeney (February 1, 1894 – August 31, 1973), better known as John Ford, was an American film director and producer. He is regarded as one of the most important and influential filmmakers during the Golden Age of Hollywood, and w ...
, whom Wayne had asked to finish the film; Ford was uncredited for this work.


Plot

Homesteader Angie Lowe and her six-year-old son Johnny are doing chores when soldier Hondo Lane arrives with his dog, carrying his saddle bags and rifle. He was riding dispatch for the U.S. Army Cavalry, had an encounter with Native Americans, and lost his horse. Hondo offers to work for awhile to earn a horse, and Angie agrees. Angie repeatedly says that her husband is away herding cattle, but Hondo realizes he has been gone a long time. Hondo encourages her to pack up and return with him to the Army fort, since the treaty with the Apache was broken and they are planning a war; Angie believes her friendship with the Apache will keep her safe. That night, she remembers hearing Hondo killed three men. She threatens him with an unloaded gun; he loads it for her. Hondo mentions that he once lived among the Apache and had an Apache wife. He then kisses a confused Angie, who reminds him of his wife, and leaves for the fort. The Apaches later come to the ranch, led by Chief Vittorio and Silva. When Vittorio touches Angie, Johnny gets her gun and shoots at Silva. Though he misses, Vittorio is impressed with his bravery and makes him a blood brother. Vittorio insists that a brave child should have a father, and leaves. At the fort, Hondo sees fellow scout Buffalo Baker. He reports to the major that C Troop was wiped out by Apaches and meets Ed Lowe, a settler angry that the cavalry is not better protecting the settlers. In a saloon, Hondo gets into a fight with Ed, whom he later realizes is Angie's absentee husband. Meanwhile, Vittorio, sure that Ed is dead, gives Angie an ultimatum to take an Apache husband by the rainy season. The next morning, Ed accuses Hondo of stealing his horse, seeing the "EL" brand. His friends defend Hondo, who leaves to return the horse to the ranch. Upset about the fight and horse, Ed follows Hondo to bushwhack him. While camped, Hondo is set upon by Apache, who also attack Ed. In the confusion, Hondo saves Ed's life. Ed eventually draws on Hondo, who kills him. Ed was clutching a photograph of Johnny, which Hondo takes. The Apache capture and torture Hondo for information about the cavalry's movements. When Vittorio sees Johnny's photo, he decides to subject Hondo to a one-on-one fight to the death with Silva, whose brother Hondo killed. Hondo is victorious, but lets Silva live; the Apache drop Hondo off at the ranch, where Angie lies about him being her husband. Hondo attempts to reveal the truth of Ed's death, but is interrupted by Vittorio's return. The chief says that the pony soldiers will come. He asks Hondo to mislead the cavalry as a test; Hondo refuses to lie, and Vittorio is satisfied. Angie admits she loves Hondo, and they kiss. The next day, the cavalry troops arrive and expect Angie to leave. Hondo and she refuse. While they camp, another scout wants Hondo's rifle; he says he will tell Angie what happened to Ed if Hondo refuses. Hondo punches him, but Angie overhears. The cavalry eventually leaves and Hondo stays behind. Hondo prepares to go, but first tells Angie the truth about Ed's death. He also wants to tell Johnny, but she persuades him not to, admitting that she did not love Ed any longer. She says telling Johnny the truth would be unkind, and the secret will not follow them to Hondo's ranch in California. Hondo responds to her plea with a Native American word that seals an Apache wife-seeking ceremony, ''Varlabania'', which he says means "forever". The troops return to the ranch, having killed Vittorio in a battle, but with their commanding officer badly wounded. While the Apache regroup, Hondo, Angie, and Johnny join the wagon train and head for the fort. The Apaches catch up, and the cavalry, led by Hondo, circles the wagons and counterattacks. Hondo kills Silva (their new leader) and the Apaches scatter, giving the settlers and soldiers a chance to escape. The wagon train regroups and proceeds to the fort with Hondo remaining in command.


Cast


Development and production

Wayne's newly formed production company Wayne-Fellows Productions (later Batjac) purchased the rights to Louis L'Amour's short story "The Gift of Cochise" in 1952, and set Wayne's friend and frequent collaborator James Edward Grant to write the adaptation, which expanded the original story, introduced new characters, and added the cavalry subplot. L'Amour was given the rights to write the novelization of the film, which became a bestseller after the film's release. The film shoot was scheduled for the summer of 1953 in the Mexican desert state of Chihuahua in the San Francisco de Conchos region. Today, this region is known for its tourist attractions, such as Lago Colina and the spring pools Los Filtros. It is a green-area region with plenty of fishing and agricultural growth. Wayne and his producing partner Robert Fellows wanted to shoot the film in the trendsetting 3D format. Warner Bros. supplied the production with the newly developed "All-Media Camera", which could shoot in any format, including 3D, using twin lenses placed slightly apart to produce the stereoscopic effect necessary for it. Despite that, they were smaller than the twin camera process used previously for 3D, the All-Media Cameras were still bulky and made the film shoot difficult, causing delays when transported to remote desert locations. Further, director John Farrow and director of photography Robert Burks were unfamiliar with the new technology and had trouble adjusting to using it, while the cameras were frequently broken due to wind blowing sand into their mechanisms or from other inclement weather conditions. Farrow used the technology to produce fewer gimmicks than other 3D films did at the time, with only a few scenes showing people or objects coming at the camera, such as gunfire or knives. Instead, he preferred to use it to increase the depth of the expansive wide shots of the Mexican desert, or when showing figures against a landscape. The casting of Geraldine Page as the female lead was considered quite puzzling to many in Hollywood at the time. Though ''Hondo'' was not her first film, she had been known primarily as a Broadway stage actress and employed the
method acting Method acting, known as the Method, is a range of rehearsal techniques, as formulated by a number of different theatre practitioners, that seeks to encourage sincere and expressive performances through identifying with, understanding, and expe ...
style deemed by some to be too introspective for film, and especially for Westerns. However, she delivered a powerfully nuanced and original-feeling performance utterly appropriate to her character, which later garnered her an Oscar nomination for Best Supporting Actress, the first of only two acting nominations ever for a film shot or presented in 3D. (The award went to Donna Reed for '' From Here to Eternity.'') Page, one of the cinema's most acclaimed actresses, received seven Academy Award nominations during her four-decade career before winning the
Academy Award for Best Actress The Academy Award for Best Actress is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS). It has been awarded since the 1st Academy Awards to an actress who has delivered an outstanding performance in a lead ...
in 1986 for '' The Trip to Bountiful''. San Francisco de Conchos, the exterior of the Church of San Francisco de Asís in the village was used for the army camp scenes.
John Ford John Martin Feeney (February 1, 1894 – August 31, 1973), better known as John Ford, was an American film director and producer. He is regarded as one of the most important and influential filmmakers during the Golden Age of Hollywood, and w ...
shot the final scenes of the wagon-train attack as a favor for Wayne when Farrow had to leave the film before its completion due to a conflicting contractual obligation to begin another film. Ford accepted no credit for directing the last sequence of the film. John Wayne later said John Farrow "didn't really have a great deal to do with" the film. "Everything was set up before he came on it...It was written and I went out and looked for locations and picked the locations where each scene would be shot. I went back and brought the cameraman, and they said there's no color here. I said wait until I show you, and within 17 miles of town, I had white molten rock, blue pools of water, black buttes, ndbig chalk-white buttes. We were using 3D. We made it in 3D, but then it was never released in that, because Warner Bros. decided to give up and use the Fox system."


Theatrical release

Even with the production troubles that came with the location shooting in 3D, the studio thought it was a worthwhile venture, since 3D pictures were at the height of popularity at the time of the film's development. By the time the film was completed, though, public interest in 3D had started to wane. The distributing studio Warner Bros. did everything it could to promote its new 3D camera process, and went beyond the typical gimmicks used by other popular 3D films at the time, such as '' House of Wax'', producing a richer sense of perspective. ''Hondo'' was released on November 27, 1953, and was presented in the 3D format in only extremely few if any theaters at the time; theaters were unable to show the film in the stereoscopic format because the Polaroid 3D projection system required a brighter and more light-reflective screen, referred to as a "silver screen", which was an added cost theater owners were reluctant to pay. The film has an intermission, which comes right after Hondo is captured by the Apaches. This is included on the DVD version. The film ended up becoming quite popular with audiences, eventually grossing $4.1 million at the box office and placing it in the top-20 moneymakers for that year.


Restoration and home media

An initial restoration of ''Hondo'' was overseen by Wayne's son
Michael Michael may refer to: People * Michael (given name), a given name * he He ..., a given name * Michael (surname), including a list of people with the surname Michael Given name * Michael (bishop elect)">Michael (surname)">he He ..., a given nam ...
, head of Batjac Productions, in the late 1980s, culminating in a syndicated broadcast of the film in June 1991 on American over-the-air stations in
anaglyph 3D Anaglyph 3D is the Stereoscopy, stereoscopic 3D effect achieved by means of encoding each eye's image using filters of different (usually Complementary colors, chromatically opposite) colors, typically red and cyan. Anaglyph 3D images contain ...
. Some 3D glasses were sold to viewers, with proceeds going to charity. A frame-by-frame digital restoration by Prasad Corporation of the film was later completed, and the DVD of it was released on October 11, 2005. The 3D version of ''Hondo'' has yet to be released on either DVD or Blu-Ray. A restored 3D theatrical version was exhibited for a week in 2015 at the
Museum of Modern Art The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street (Manhattan), 53rd Street between Fifth Avenue, Fifth and Sixth Avenues. MoMA's collection spans the late 19th century to the present, a ...
in New York City, and projected the following year at New York's Film Forum, introduced at both venues by Michael Wayne's wife Gretchen Wayne.


References in popular culture

Boston Celtics Hall of Fame swingman John Havlicek was nicknamed Hondo by a childhood friend who thought his demeanor resembled that of Wayne's character. Part of a 1988 episode of '' Married... with Children'', titled "All in the Family", has Al Bundy readying himself to watch ''Hondo'' in peace during a three-day weekend, but Peggy's family comes to visit, and their ensuing problems prevent him from seeing the film, just as their antics prevented him from seeing '' Shane'' the previous year. A later 1994 episode of ''Married... with Children'', titled " Assault and Batteries", has a subplot in which Al is desperate not to miss another television airing of ''Hondo'', because, as he explains, it is the best John Wayne movie and it only airs "once every 17 years". Al does miss this airing at the end of the episode and would have to wait until February 18, 2011, to see it again."Assault And Batteries", '' Married... with Children''. Fox Broadcasting Company, New York City. 8 May 1994. Television. Al holds the film in very high esteem, once telling Peggy's family members, "Your lives are meaningless compared to ''Hondo''!" Two later John Wayne Westerns contain subtle references to ''Hondo''. In '' Rio Lobo'' (1970), a wanted poster for Hondo Lane can be seen on a wall in the sheriff's office. In the 1973 film '' The Train Robbers'', the chief male and female characters (played by Wayne and Ann-Margret) are Lane and Mrs. Lowe, the same names as in "Hondo". In '' Men in Black 3'' (2012), Agent K refers to Agent J as "Hondo" when J stares at him as he drives: "You lose something over here, Hondo?"


References


External links

* * * *
Screenshot of Hondo

Larry Cohen on ''Hondo''
at Trailers from Hell {{DEFAULTSORT:Hondo (Film) 1953 films 1953 3D films 1953 Western (genre) films American Western (genre) films Western (genre) cavalry films Revisionist Western (genre) films Apache Wars films Films set in New Mexico Films shot in Mexico Films directed by John Farrow Films produced by John Wayne Films based on short fiction Films scored by Emil Newman Films scored by Hugo Friedhofer American 3D films Batjac Productions films Warner Bros. films Films based on works by Louis L'Amour 1950s English-language films 1950s American films English-language Western (genre) films