Henry Austin (architect)
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Henry Austin (December 4, 1804 – December 17, 1891) was a prominent and prolific American architect based in
New Haven New Haven is a city of the U.S. state of Connecticut. It is located on New Haven Harbor on the northern shore of Long Island Sound. With a population of 135,081 as determined by the 2020 U.S. census, New Haven is the third largest city in Co ...
,
Connecticut Connecticut ( ) is a U.S. state, state in the New England region of the Northeastern United States. It borders Rhode Island to the east, Massachusetts to the north, New York (state), New York to the west, and Long Island Sound to the south. ...
. He practiced for more than fifty years and designed many public buildings and homes primarily in the New Haven area."Henry Austin", International Dictionary of Architects and Architecture (Detroit: St. James Press, 1993). His most significant years of production seem to be the 1840s and 1850s.O'Gorman pg.2


Life and practice

The paucity of precise information concerned with Austin and a lack of many personal papers (such as diaries or letters) makes a complete biography of his life difficult to write. Austin was born in Hamden, Connecticut, in 1804, the son of Daniel and Adah (Dorman) Austin. He first seems to have worked as a carpenter's apprentice and then began his career in architecture in association with Ithiel Town and Alexander Jackson Davis, although the nature of his relationship to Town and Davis has not been ascertained. In 1837, he opened his own office in
Hartford Hartford is the List of capitals in the United States, capital city of the U.S. state of Connecticut. The city, located in Hartford County, Connecticut, Hartford County, had a population of 121,054 as of the 2020 United States census, 2020 ce ...
, evidenced by newspaper advertisements.O'Gorman pg.9 In Hartford, he designed the tower of Christ Church Cathedral (1838), the Wadsworth Athenaeum with Town and Davis (1842, his involvement is uncertain), the demolished gothic-revival Kellogg house (1841), and the long-gone 1842 building for St. John's Episcopal Church; he also became associated at this time with Nelson Hotchkiss a New Haven real-estate developer and designed with him villas along "Park Row" in
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, probably his first major commission. In 1841, he moved his practice to New Haven where his first significant commission was the now-demolished, Greek Revival George Gabriel House (1841). In New Haven, Austin's style diversified; in one ad, Austin claimed he could design buildings "in every variety of architectural style". He worked in a range of styles popular in the nineteenth century including Gothic,
Italianate The Italianate style was a distinct 19th-century phase in the history of Classical architecture. Like Palladianism and Neoclassicism, the Italianate style combined its inspiration from the models and architectural vocabulary of 16th-century It ...
, Egyptian and Moorish Revival. In some buildings, he employed an eclectic mix of styles, creating varied, exotic formi. His New Haven work left a lasting impression on the domestic architecture of the then-developing real estate projects in the areas of Wooster Square and Hillhouse Avenue. In Wooster Square he designed the Italianate James E. English House (1845), the exotic Indian/Moorish Willis Bristol House (1845), the Nelson Hotchkiss House (1850), and the irregular Italianate villa Oliver B. King House (1852). On Hillhouse Avenue he worked on the James Dwight Dana House (1848) and the John Pitkin Norton House (1849), as well as remodeled the Greek Revival Ithiel Town House of 1836 for Joseph E. Sheffield in 1859 (demolished), encasing Town's structure in an exuberant Italianate shell. In New Haven, Austin made the so-called candelabra column (a column inspired by Indian architecture consisting of superimposed vegetal layers) his signature, as well as elaborate Indian/Moorish lambrequins over windows, and thick vegetal anthemia and tendrils over window surrounds. Other significant works in New Haven include the Grove Street Cemetery Gate in Egyptian Revival (1848–49), Dwight Hall at Yale (1842–1845), the Townsend City Savings Bank (demolished, 1852), the Palladium Building (formerly Young Men's Institute, 1855) and the strange Moorish New Haven Railroad Station (demolished, 1848). His most significant non-residential commission in New Haven was the City Hall (1860), a polychrome, asymmetrical, Gothic Revival structure, which, although significantly altered in the 1980s, still maintains Austin's facade and some interior decorative features. Austin also worked in other regions and states. In Connecticut, he designed churches in Gothic revival and Italianate styles in Northford (Congregational 1845),
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(St. John's Episcopal Church, 1846),
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(First Congregational 1849), Plainville (Congregational 1850), and Seymour (Trinity Episcopal, 1858). Perhaps his most significant out-of-state commission was the Morse-Libby House ( Victoria Mansion) in Portland, Maine, 1857–1860, for Sylvester Ruggles Morse. This large, elaborate Italianate mansion in brownstone is considered one of Austin's best works and has been called "one of the culminating domestic designs of the antebellum years, and of the Italianate villa in general." One of his last major commissions was for the gothic, brownstone library (Rich Hall, 1866–68), now Patricelli '92 Theater, at
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in Middletown, Connecticut. After the 1860s, Austin's style changed with the times, incorporating structures in the Second Empire and Stick styles. In 1868, he constructed two Second Empire houses on Prospect Street in New Haven for Oliver Winchester and John M. Davies. The Winchester House has been demolished, but the Davies house remains, having been restored by Yale and renamed the Betts House. Austin's son, Fred, joined his father's practice in later years, but the firm did not survive long after Austin's death. Throughout his later years, Austin maintained control of his firm and was famous as he aged for wearing a dark brown wig. He was the chairman of the Board of Commissioners of Public Buildings in New Haven at the time of his death; he also served on the New Haven city council in 1854 and belonged to the Masons for fifty years. In recent years, curiosity has been raised about Austin's professional relationship to his New Haven contemporary, Sidney Mason Stone, but, other than minor references to civic duties they shared, there seems to be little documentation available to fuel such an inquiry. Austin was married twice, first to Harriet M. Hooker, then to Jane Hempstead, and had four children who survived into adulthood, Willard, Henry, David, and Fred.O'Gorman pg.1 n.1 He died in 1891 in New Haven and is interred in Grove Street Cemetery, the gates of which he designed.


Selected works

* indicates demolished or significantly altered buildings


References


External links

* Yale University Library Digital Collections. Henry Austi

* Henry Austin papers (MS 1034). Manuscripts and Archives, Yale University Library

{{DEFAULTSORT:Austin, Henry 1804 births 1891 deaths Architects from Connecticut Architects from Hartford, Connecticut Architects from New Haven, Connecticut Burials at Grove Street Cemetery 19th-century American architects