Guillaume Le Vinier
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Guillaume le Vinier (''c''. 1190–1245) was a cleric and
trouvère ''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French ('' langue d'oïl'') form of the '' langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word '' troubadour''. ''Trouvère'' refers to po ...
, one of the most prolific composers in the genre.
Theodore Karp Theodore Cyrus Karp (17 July 1926 – 5 November 2015) was an American musicologist. His principal area of study was Secular music, mainly mediaeval monophony, especially the music of the trouvères. He was a major contributor in this area to the ' ...
, "Le Vinier, Guillaume", ''Grove Music Online'', ''Oxford Music Online'' (accessed 20 September 2008).
He has left compositions in all the major subgenres of trouvère poetry: ''
chansons d'amour The ''grand chant'' (''courtois'') or, in modern French, (''grande'') ''chanson courtoise'' or ''chanson d'amour'', was a genre of Old French lyric poetry">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginn ...
'', '' jeux-partis'', a '' lai'', a ''
descort The ''descort'' () was a form and genre of Old Occitan lyric poetry used by troubadours. It was heavily discordant in verse form and/or feeling and often used to express disagreement. It was possibly invented by Garin d'Apchier when he wrote ''Qu ...
'', a ''
chanson de mal mariée A (, ; , ) is generally any lyric-driven French song. The term is most commonly used in English to refer either to the secular polyphonic French songs of late medieval and Renaissance music or to a specific style of French pop music which e ...
'' and a '' ballade''. He wrote Marian songs and even an imaginary dialogue with a
nightingale The common nightingale, rufous nightingale or simply nightingale (''Luscinia megarhynchos''), is a small passerine bird which is best known for its powerful and beautiful song. It was formerly classed as a member of the thrush family Turdidae, ...
. His work can be dated with some precision: the poem "En tous tens" is quoted in the '' Roman de la violette'', which was written around 1225. Guillaume was born into a wealthy bourgeois family of
Arras Arras ( , ; ; historical ) is the prefecture of the Pas-de-Calais department, which forms part of the region of Hauts-de-France; before the reorganization of 2014 it was in Nord-Pas-de-Calais. The historic centre of the Artois region, with a ...
, the son of Philippe le Vinier and Alent. His younger brother, Gilles le Vinier, was also a trouvère. The two exchanged at least two ''jeux-partis'': "Frere, ki fait mieus" and "Sire frere, fetes m'un jugemen". (The former may have served as a model for the anonymous song "A ce que je vuel comencier" (RS1272), although this assumption has been made purely on the basis of shared poetic form, since no contemporary melody survives for RS1272, which can be viewed, with a later piece of 'nonsense' notatio
here
) Guillaume is called 'magister' in a charter of 1245 and 'maistre' in manuscript copies of his songs, so was certainly a cleric. One of his songs (RS378) makes reference to the 'je' having been formerly at the
Abbey of Saint-Vaast The Abbey of St Vaast () was a Rule of St. Benedict, Benedictine monastery situated in Arras, ''département in France, département'' of Pas-de-Calais, France. History The abbey was founded in 667. Saint Vedast, or Vaast (c. 453–540) was ...
. Nonetheless, a charter of 1245 notes that he married a certain Hauydis, who remarried one Robert de Humbercourt on the death of Guillaume.Philippe Ménard, ed. ''Les Poésies de Guillaume le Vinier''. Geneva 1983, 2. Guillaume was well-connected to the other trouvères active in and around Arras. He composed ''jeux-partis'' with Colart le Boutellier, Andrieu Contredit and Adam de Givenchi for certain, and may also have collaborated with
Moniot d'Arras Moniot d'Arras (''fl.'' 1213–1239) was a French composer and poet of the trouvère tradition. He was a monk ("Moniot" is a diminutive for monk) of the abbey of Arras in northern France; the area was at the time a center of ''trouvère'' activity ...
,
Thomas Herier Thomas Herier, Erier, Erriers, or Erars (''fl.'' 1240–1270) was a Picard trouvère associated with the "Arras school". Herier is not mentioned in contemporary documents and all that is known about him is derived from his works. He composed a ...
and the King of Navarre. Colart, Adam and Jehan Erart all dedicated works to him. He expressed a debt of gratitude to
Gace Brulé Gace Brulé ( 1160 – after 1213) was a French nobleman and trouvère from Champagne. His name is simply a description of his blazonry. He owned land in Groslière and had dealings with the Knights Templar, and received a gift from the future ...
's style in "Voloirs de faire" and quoted Gace's "N'est pas a soi" in one of his ''jeux-partis'' with Gilles. The unaccredited Marian song "Vierge pucele roiaus", which is modelled on the
Old Occitan Old Occitan (, ), also called Old Provençal, was the earliest form of the Occitano-Romance languages, as attested in writings dating from the 8th to the 14th centuries. Old Occitan generally includes Early and Old Occitan. Middle Occitan is some ...
piece "Lo clar tems vei brunezir" by
Raimon Jordan Raimon Jordan (fl. c. 1178–1195)Boase, 823. was a County of Toulouse, Toulousain troubadour and the viscount of Saint-Antonin-Noble-Val, Saint-Antonin in the Rouergue near the boundary with Quercy. His poetry was in Old Occitan. There is a ...
, may belong to Guillaume. Most of Guillaume's music is in
bar form Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the ...
, although "" is given partially in
mensural notation Mensural notation is the musical notation system used for polyphony, polyphonic European vocal music from the late 13th century until the early 17th century. The term "mensural" refers to the ability of this system to describe precisely measur ...
in the Chansonnier Cangé. His melodies typically have a range greater than an
octave In music, an octave (: eighth) or perfect octave (sometimes called the diapason) is an interval between two notes, one having twice the frequency of vibration of the other. The octave relationship is a natural phenomenon that has been referr ...
. According to Karp, "modal interpretation of the melodies does not seem appropriate". The date of Guillaume's death must be before Pentecost (4 June) in the year of 1245, since he is inscribed in the Necrology of the Confrérie des jongleurs et des bourgeois d'Arras for that year.


List of songs

;Solo works * (dedicated to Thomas de Castel) * * (dedicated to Gilles le Vinier) * * * * * * * * * * * * * * * * * * (dedicated to a "", perhaps Huon, chastellain d'Arras) * * * * (dedicated to Jehan Bretel) * ; * **with Adam de Givenchi * **with Gilles le Vinier * **with Andrieu Contredit * **with Colart le Boutellier * **possibly with Moniot d'Arras * **with Gilles le Vinier * **possibly with the King of Navarre * **possibly with Thomas Herier


Bibliography

*Brun, Laurent, « Guillaume le Vinier », ''Les Archives de littérature du Moyen Âge (ARLIMA)'',
www.arlima.net/eh/guillaume_le_vinier.html
]. *Constans, L., ''Chrestomathie de l'ancien français (IXe-XVe siècles), précédée d'un tableau sommaire de la littérature française au Moyen Âge et suivie d'un glossaire étymologique détaillé''. Third Edition, Paris and Leipzig, Welter, 1906, ii+ 244 pages. *Fernandez, M.-H., « Le génie ondoyant et divers du trouvère Guillaume le Vinier », ''Marche Romane'', Vol. xxx, nos. 3–4 (1980), . *Gally, Michèle, ''Parler d'amour au puy d'Arras: rhétorique en jeu'', Orléans, Paradigme (Medievalia, 46), 2003, 178 pages. *Ménard, Philippe, « L'édition des textes lyriques du Moyen Âge: réflexions sur la tradition manuscrite de Guillaume le Vinier », in ''Actes du XIIIe congrès international de linguistique et philologie romane tenu à l'Université Laval (Québec, Canada) du 29 août au 5 septembre 1971'', Québec, Presses de l'Université Laval, 1976, t. 2, . *''Les poésies de Guillaume le Vinier'', Philippe Ménard, éd., Genève, Droz; Paris, Minard (Textes littéraires français, 166), 1970, v+ 285 pages. — éd.: 1983, v+ 296 pages. Reviewed by Jacques Ribard, ''Cahiers de civilisation médiévale'', Vol. 14, numéro 55 (juillet-septembre 1971),
www.persee.fr/web/revues/home/prescript/article/ccmed_0007-9731_1971_num_14_55_1898_t1_0292_0000_1
]. *Rivière, Jean-Claude, « Le vocabulaire dialectal dans les pastourelles des trouvères d'Arras », ''Mélanges de langue et littérature françaises du Moyen Âge et de la Renaissance offerts à Monsieur Charles Foulon, professeur de langue et littérature françaises du Moyen Âge et de la Renaissance, par ses collègues, ses élèves et ses amis''. Vol. I, Rennes, Institut de français, Université de Haute-Bretagne, 1980, . *Ulrix, Eugène, « Les chansons inédites de Guillaume le Vinier d'Arras. Texte critique avec les variantes de tous les manuscrits », in ''Mélanges de philologie romane et d'histoire littéraire offerts à M. Maurice Wilmotte, professeur à l'Université de Liège, à l'occasion de son anniversaire d'enseignement'', Paris, Champion, 1910, vol. 2, .


References

{{DEFAULTSORT:Guillaume le Vinier Trouvères 13th-century French composers French classical composers French male classical composers 13th-century French poets 1245 deaths Year of birth uncertain French male poets Medieval male composers