Gilles Reingot (French: ''Gillequin de Bailleul''; fl. 1501–1530) was a

Franco-Flemish The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers to the style of polyphonic vocal music composition originating from France ...

composer of the

Renaissance The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ...

, associated with the

Habsburg The House of Habsburg (; ), also known as the House of Austria, was one of the most powerful dynasties in the history of Europe and Western civilization. They were best known for their inbreeding and for ruling vast realms throughout Europe d ...

court of

Philip I of Castile Philip the Handsome (22 June/July 1478 – 25 September 1506), also called the Fair, was ruler of the Burgundian Netherlands and titular Duke of Burgundy from 1482 to 1506, as well as the first Habsburg King of Castile (as Philip I) for a bri ...

. He was a close associate of composer

Pierre de La Rue Pierre de la Rue ( – 20 November 1518) was a Franco-Flemish composer and singer of the Renaissance. His name also appears as Piersson or variants of Pierchon and his toponymic, when present, as various forms of de Platea, de Robore, or de Vic ...

.Sherr, Grove online

Life

After first serving as a ''

sommelier A ''sommelier'' ( , , ), ''chef de vin'' or wine steward, is a trained and knowledgeable wine professional, normally working in fine restaurants, who specializes in all aspects of wine service as well as wine and food pairing. The role of the ''s ...

'' for

Charles V, Holy Roman Emperor Charles V (24 February 1500 – 21 September 1558) was Holy Roman Emperor and Archduke of Austria from 1519 to 1556, King of Spain (as Charles I) from 1516 to 1556, and Lord of the Netherlands as titular Duke of Burgundy (as Charles II) ...

, then an infant, Reingot became part of the ''grande chapelle'' of Philip I. He first appears in the records of the Habsburg chapel singers in November 1501, in a master list of singers compiled prior to Philip's first trip to Spain. Reingot went on the trip, as part of the musical ensemble which was one of the most distinguished in Europe; they were in Spain for part of 1502, and singing again in France later that year. Reingot went on Philip's second trip to Spain as well, the infamous trip which was to prove fatal to Philip, and fatal to the sanity of his wife, Joanna the Mad. In September 1506, when Philip died of a fever in Spain, many of the singers of the ''grande chapelle'' departed, mostly going back to France or the Netherlands, but Reingot was one of the ones who remained behind, along with Pierre de La Rue. For the next several years they took part in Juana's bizarre journey across Castile, each night singing a

requiem A Requiem (Latin: ''rest'') or Requiem Mass, also known as Mass for the dead () or Mass of the dead (), is a Mass of the Catholic Church offered for the repose of the souls of the deceased, using a particular form of the Roman Missal. It is ...

to the disinterred corpse of Philip, which they brought along with them in its coffin, until Ferdinand II, Juana's father, had her locked up in the fortress at

Tordesillas Tordesillas () is a town and municipality in the province of Valladolid, Castile and León, central Spain. It is located southwest of the provincial capital, Valladolid at an elevation of . The population was c. 8,760 . The town is located on ...

and had Philip more permanently buried.Meconi, p. 37-40; 72. By 1509, Reingot had returned north to the chapel of Charles, where he remained until around 1530. Nothing further is known of him after that year.

Music

While Reingot's music may once have been more abundant, only two pieces survive attributed to him: a four-voice

motet In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the Eng ...

setting of the

Marian antiphon Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. Some have been a ...

Salve regina The "Salve Regina" ( , ; meaning "Hail Queen"), also known as the "Hail Holy Queen", is a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Catholic Church. The Salve Regina ...

'', and a four-voice

chanson A (, ; , ) is generally any Lyrics, lyric-driven French song. The term is most commonly used in English to refer either to the secular polyphonic French songs of late medieval music, medieval and Renaissance music or to a specific style of ...

, ''

Fors seulement Fors seulement is a French chanson, popular as a basis for variations and as a cantus firmus. An early version, attributed to Johannes Ockeghem, is sometimes called ''Fors seulement l'attente'' to distinguish it from his similarly titled ''Fors ...

'', based on the tune by

Johannes Ockeghem Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was a significant European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colle ...

. Reingot's version, published in Petrucci's ''Canti C,'' uses Ockeghem's

superius In early music polyphony, ''superius'' or cantus is the Latin language-derived name given to the highest voice or part.Arnold D. (ed), ''New Oxford Companion to Music'', Oxford, (1983) See also * Voice type A voice type is a classification of ...

transposed down an octave in the tenor voice and has three florid, quick-moving

contrapuntal In music theory, counterpoint is the relationship of two or more simultaneous Part (music), musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and Pitch contour, melodic contour. The term ...

voices around it.

Notes

References

* *Honey Meconi, ''Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court''. Oxford, Oxford University Press. 2003. {{DEFAULTSORT:Reingot, Gilles 16th-century births 16th-century deaths Belgian classical composers Belgian male classical composers 16th-century Franco-Flemish composers Renaissance composers