
Gaspare Celio (1571 in Rome–November 24, 1640 in Rome) was an Italian painter of the late-
Mannerist and early-
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
period, active mainly in his native city of
Rome.
Celio was the pupil of
Circignani, according to
Baglione, but of
Cristoforo Roncalli
Cristoforo Roncalli (c. 1552–1626) was an Italian mannerist painter. He was one of the three painters known as ''Pomarancio'' or ''Il Pomarancio''.
Life
Roncalli was born in Pomarance, a town near Volterra. His training occurred in ...
, if we are to believe Abate Titi.
[''The History of Painting in Italy from the Period of the Revival of the Fine arts''](_blank)
(1852) by Luigi Lanzi, translated by Thomas Roscoe, page 469)
His first commissions in about 1596 were completed with
Giuseppe Valeriano who asked Celio to decorate the Chapel of the Passion in the church of
il Gesù in Rome.
[Cappella della Passione]
This work was done after the design of P.
Giovanni Battista Fiammeri
Giovanni Battista Fiammeri (c. 1530 – 1606) was an Italian painter and Jesuit priest, active in Florence.
He oversaw part of the decoration of the Church of the Gesù in Rome
, established_title = Founded
, established_date = 75 ...
. He also paints a ''Madonna and Bambino'', now in
Santa Maria del Carmine, a ''The Passage of Moses through the Red Sea'' (1607) in a vault of the
Palazzo Mattei, a ''Death of the Giants''. He painted a ''St Francis'' for the altar of the Ospizio at Ponte Sisto. He painted a ''History of S. Raimondo'' at the
Santa Maria sopra Minerva.
Between 1620 -1638 he helps publish a guide to the churches and artwork in Rome (''Memoria delli nomi dell'artefici delle pitture che sono in alcune chiese, facciate e palazzi di Roma''). He engraved antique statues. He briefly worked in Parma as a painter for the court of
Ranuccio Farnese.
He was buried in the Basilica of
Santa Maria del Popolo, Rome, where still stands his funeral monument.
Works
* Works at the Capilla della Passione (1596), iglesia del Gesù, Rome
* ''Virgin and Child'' or ''Madonna'' (Santa Maria del Carmine)
* ''The Passage of Moses Through the Red Sea'' (1607), in the vault of Palazzo Mattei
* ''Death of the Giants'' Palazzo Mattei, Rome
* Works at the Capilla Altieri (1622), San Francesco a Ripa, Rome
** ''Ludovica Albertoni''
** ''Saint Charles Borromeo''
** ''Holy Family and Saint Anne''
* ''St. Francis'', an altar of the Ospizio at Ponte Sisto
* ''History of Saint Raymond'', Santa Maria sopra Minerva
* ''Battle Scene'' (
Borghese Gallery, Rome)
References
Further reading
*Sydney Joseph Freedberg (1978). ''Paintings in Italy, 1500-1600''
*''The Grove Dictionary of Art'', Macmillan Publishers (2000)
*José Luis Colomer, ''Arte y diplomacia de la monarquía hispánica en el siglo XVII'' (''Art and Diplomacy in the Spanish Monarchy in the 17th Century''), CEEH (2003).
*Comune di Bozzolo; Gruppo Culturale Per Bozzolo (a cura di), Il Principe e la Città. Giulio Cesare Gonzaga di Bozzolo, Modena, 1994. ISBN non esistente.
1571 births
1640 deaths
Painters from Rome
16th-century Italian painters
Italian male painters
17th-century Italian painters
Italian art historians
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