Fuchi Island

Kamuy-huci (カムイフチ, ''Kamui Fuchi'') is the Ainu ''kamuy'' (''goddess'') of the hearth. Her full name is Apemerukoyan-mat Unamerukoyan-mat (''Rising Fire Sparks Woman/ Rising Cinder Sparks Woman''), and she is also known as Iresu Kamuy (''People Teacher''). She is among the most important ''kamuy'' of Ainu mythology, serving as keeper of the gateway between the world of humans and the world of ''kamuy''.

Depiction

Kamuy-huci is a woman who lives in the hearth. Her position is so important that she never leaves her home. Accordingly, the hearth fire must never be extinguished completely.Ashkenazy, Michael. ''Handbook of Japanese Mythology''. Santa Barbara, California: ABC-Clio, 2003. 191-192

She wears six layers of kimono tied with a sash, and another six layers of kimono on top that are left to flutter freely.

Mythology

There are a few myths of Kamuy-huci's origins. In the most common, she descends from the heavens, accompanied by Kanna Kamuy, the ''kamuy'' of thunder and lightning. In another version, she was born from the fire-producing drill and is the sister of Hasinaw-uk-kamuy, the goddess of the hunt. A third holds that she is the daughter of an elm tree by the prime originator Kanda-koro-kamuy.

Kamuy-huci instructed Ainu women in the making of ''kut'' (''sacred girdles''). For this gift, she earned the name ''Iresu Kamuy'' (''People's Teacher'').

She is one of the most powerful ''kamuy'' in Ainu mythology. In one myth, her husband is seduced by Wakka-us-kamuy, the deity of fresh water. Kamuy-huci, insulted, challenges her rival to a duel of sorcery, from which she emerges victorious with relative ease. Her chastened husband returns home.

Kamuy-huci is a guardian of the home, and also the judge of domestic affairs. Those who pollute a hearth or fail to maintain proper domestic relationships are said to incur her punishment. To aid her in these duties, since she does not leave the hearth, she employs a number of other ''kamuy'', including Mintakoro-kamuy, the guardian of a home's premises, and Rukoro-kamuy, the ''kamuy'' of the privy.

In addition to being the center of the Ainu household, the hearth was considered a gateway by means of which humans and ''kamuy'' could communicate. It is also the abode of the dead; the Ainu word for ''ancestor'' translates as ''those who dwell in the hearth''. Transmigration is a tenet of Ainu mythology, so it was doubly important for the hearth to be kept pure, because the souls of the departed who lived there would be assigned to new bodies in time.

In popular culture

* Typhlosion's Hisuian Form is possibly based on a psychopomp. Due to the setting of '' Pokémon Legends: Arceus'', the game it first appeared in, in an Ainumosir-inspired region, it may be specifically inspired by Kamuy-huci.

See also

* Kitchen god
* Zàojūn, Chinese kitchen god
* Kōjin, Japanese kitchen god
* Hestia, Greek goddess of the hearth
* Vesta (mythology), Roman goddess of the hearth

Notes

References

*Ashkenazy, Michael. ''Handbook of Japanese Mythology''. Santa Barbara, California: ABC-Clio, 2003.
*Etter, Carl. ''Ainu Folklore: Traditions and Culture of the Vanishing Aborigines of Japan''. Chicago: Wilcox and Follett, 1949.
*Munro, Neil Gordon. ''Ainu Creed and Cult''. New York: Columbia University Press, 1995.

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Domestic and hearth deities
Ainu kamuy
Fire goddesses