Francesco Provenzale (25 September 1632 – 6 September 1704) was an Italian
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
composer and teacher. He is considered the founder of the
Neapolitan school of opera. Notably Provenzale was the teacher of famed
castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to ...
'il cavaliere
Nicolo Grimaldi (detto Nicolini)'.
Biography
Before the year 1658, there is virtually no record of Provenzale's existence, although it is thought that he studied at the
Conservatorio della Pietà dei Turchini in
Naples.
The year of his entry into history is 1654, the year his
opera ''Teseo'' was performed in Naples.
[Grace O'Brien The golden age of Italian music 1980 p139 "This new influence bore fruit a few years later in the first Neapolitan music drama, Francesco Provenzale's Teseo. Like Stradella, Provenzale had a natural gift for melody, and the chief interest in his operas centres in the arias which, by their ..."] In his life, he mainly focused his energies on teaching, but he has a place in history as the first Neapolitan composer to embrace opera. Before ''Teseo'', he seems to have composed at least two other operas. That same year, an opera called ''Il Ciro'', no doubt by Provenzale, was performed in
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 ...
at the
Teatro Santi Giovanni e Paolo
The Teatro Santi Giovanni e Paolo (often written as Teatro SS. Giovanni e Paolo) was a theatre and opera house in Venice located on the Calle della Testa, and takes its name from the nearby Basilica of Santi Giovanni e Paolo, Venice. Built by the ...
. What was remarkable about the opera was that part of the music was by
Francesco Cavalli
Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Republic of Venice, Venetian composer, organist and singer of the early Baroque music, Baroque period. He succeeded his teacher Claudio Monteverd ...
; no other collaborative opera is known of in Venice before this date and Provenzale's ''Xerse'' and ''Artemisia'' may both have been arrangements of original works by Cavalli.
Between composing opera and teaching, Provenzale managed to live a comfortable life. In 1660, he was married to Chiara Basile and by spring 1663, he became ''maestro'' of the Conservatorio di S Maria di Loreto, where he had been working for at least two years. In 1665 his son Giuseppe was born; he and his wife also had two daughters. From this point on, until age began to take a toll, his life was a fairly enviable success story. His works were frequently performed in Naples. As his reputation grew, commissions began to pour in and his body of students grew. And although he served as ''maestro'' in numerous institutions, the top position of chief ''maestro'' at any of these eluded him. Late in life, when removed from some of his posts due to his age, he became deputy to
Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera.
...
. In 1704, he was at last made chief ''maestro'' at the royal chapel, but it was only days before his death. The post was inherited by
Gaetano Veneziano
Gaetano Veneziano (Bisceglie, 1656 – Naples, 15 July 1716) was an Italian composer.Julie Anne Sadie ''Companion to Baroque Music'' 1998 Page 77 "Veneziano. Father and son, who worked in Naples as organists, maestri di cappella and composers. Gae ...
, his star student.
Provenzale's surviving works, only a fraction of what he composed, are the operas ''Il schiavo di sua moglie'' and ''La Stellidaura vendicante'', the sacred melodrama ''La colomba ferita'' (considered his best piece, about the life of
Saint Rosalia), and numerous sacred works. Qualities of Italian vocal styles that strongly express sadness and pain are nowhere better exemplified than in the long melodic lines and expressive
chromatic
Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, ...
harmonies of the
aria "Lasciatemi morir" ("Let me die"), from his opera ''Il schiavo di sua moglie'' (''His Wife's Slave'').
Selected recordings
* Cantatas, I Turchini Florio. Symphonia; reissue on Il Canto della Sirena 3CD Glossa 2011
* Missa defunctorum with
Cristofaro Caresana: Dixit Dominus
Cappella della Pieta de' Turchini Cappella Neapolitana is an early music ensemble based in Naples and dedicated to the recovery of Neapolitan musical heritage, primarily from the baroque era.
The Cappella Neapolitana was founded in 2016 by the musicologist and conductor Antonio F ...
Florio (2007)
* Provenzale: Passione (1996)
* Provenzale: Vespro
* La Bella Devozione
* Motetti
* ''La colomba ferita'' 2CD
* ''Lo schiavo di sua moglie'' 1672
* ''
La Stellidaura vendicante
''Difendere l'offensore overo La Stellidaura vendicante'' ("Vengeful Stellidaura"; Naples, 1674) is an opera by Francesco Provenzale. It is one of only two operas by Provenzale to survive.
The opera was a major success for Provenzale and continued ...
'' 1674 - Stellidaura: Jennifer Rivera (mezzo-soprano), Armillo: Hagen Matzeit (countertenor), Armidoro: Bogdan Mihai (tenor), Orismondo: Carlo Allemano (tenor), Giampetro: Enzo Capuano (bass).
Academia Montis Regalis The Fondazione Academia Montis Regalis is an Italian cultural foundation promoting baroque and classical orchestral training based in the town of Mondovì since 1992. In 1994 it was recognised as a non-profit organisation
A nonprofit organiz ...
dir. Alessandro de Marchi, DHM Classics, 2013
References
Sources
*
External links
*
{{DEFAULTSORT:Provenzale, Francesco
1632 births
1704 deaths
Classical composers of church music
Neapolitan school composers
Italian Baroque composers
Italian male classical composers
Italian opera composers
Male opera composers