Five Elements (Japanese Philosophy)

Godai are the five elements in Japanese Buddhist thought of earth (''chi''), water (''sui''), fire (''ka''), wind (''fu''), and void (''ku''). Its origins are from the Indian Buddhist concept of Mahābhūta, disseminated and influenced by Chinese traditions before being absorbed, influenced, and refined into and by Japanese tradition, culture, and indigenous folk religions.

The Japanese Buddhist concept of '' gogyo,'' which stems from Chinese ''wuxing,'' is distinguishable from ''godai'' by the fact that the functional phases of wood and metal within ''gogyo'' are replaced by the formative elements of void and the wind (air) in ''godai''. similar to the classical Greek philosophical elements''. Godai'' attributed to esoteric Japanese Buddhism during the eleventh century CE in relation to the idea of ''gorin'' (the "five wheels" or the "five rings"). ''Godai'' and ''gorin'' are also seen within the practice of ''ninjutsu'', where these principles became an essential aspect of the esoteric ninja teachings (the '' ninpo-mikkyo''); whereas the theory of ''gogyo'' moved into the functional theory of traditional Japanese medicine and exoteric Buddhism.

The elements

The ''godai'' is a static or inert philosophical understanding of the traditional Japanese elements and study. The four main elements or building blocks are Earth, Water, Fire, and Wind, while Void is non substantial.

As such, these may describe an individual's response to direct confrontation, such as in martial arts associations with physical center, footwork.
# Chi: stability/stubbornness; holding ground and using strength and presence (source: strength)
# Sui: flexibility/emotionalism; defensive angling and footwork to overextend the attacker before counterattacking (source: power)
# Ka: Using high energy attacks defensively (source: energy)
# Fu: Evasive, elusive methods that redirect attacks away from their targets (source: resiliency)
# Ku: Spontaneous and inventive fighting

Earth

地 ''Chi'' (sometimes ''ji'') or ''tsuchi'', meaning "Earth", represents the hard, solid objects of Earth. The most basic example of ''chi'' is in a stone. Stones are highly resistant to movement or change, as is anything heavily influenced by ''chi''. In people, the bones, muscles and tissues are represented by ''chi''. Emotionally, ''chi'' is predominantly associated with collectiveness, stability, physicality, and gravity. It is a desire to have things remain as they are; a resistance to change. In the mind, it is confidence when under the influence of this ''chi'' mode or "mood", we are aware of our own physicality and sureness of action. This is a separate concept from the energy-force, pronounced in Chinese as ''qì'' (also written ''ch'i'') and in Japanese as ''ki'', and written alternatively as 気, 氣, or 气.

Water

水 ''Sui'' or ''mizu'', meaning "Water", represents the fluid, flowing, and the formless things in the world. Outside of the obvious example of rivers and the lake, plants are also categorized under ''sui'', as they adapt to their environment, growing and changing according to the direction of the sun and the changing seasons. Blood and other bodily fluids are represented by ''sui'', as are mental or emotional tendencies towards adaptation and change. ''Sui'' can be associated with thought, defensiveness, adaptability, flexibility, suppleness, and magnetism.

Fire

火 ''Ka'' or ''hi'', meaning "Fire", represents the energetic, forceful, moving things in the world. Animals, capable of movement and full of forceful energy, are primary examples of ''ka'' objects. Bodily, ''ka'' represents our metabolism and body heat, and in the mental and emotional realms, it represents drive and passion. ''Ka'' can be associated with security, motivation, desire, intention, and an outgoing spirit.

Wind

風 ''Fū'' or ''kaze'', meaning "Wind", represents things that grow, expand, and enjoy freedom of movement. Aside from air, smoke and the like, ''fū'' can in some ways be best represented by the human mind. As we grow physically, we learn and expand mentally as well, in terms of our knowledge, our experiences, and our personalities. ''Fū'' represents breathing, and the internal processes associated with respiration. Mentally and emotionally, it represents an "open-minded" attitude and carefree feeling. It can be associated with will, elusiveness, evasiveness.

Void (Aether)

空 ''Kū'' or ''sora'', most often translated as "Void", but also meaning "sky", "heaven" or environment, it represents those things beyond and within our everyday comprehension, particularly those things composed of pure energy before they manifest; the emptiness that the energy is made up of. Bodily, ''kū'' represents spirit, thought and creative energy. It represents the creation of phenomena. It can also be associated with the potential of power, creativity, spontaneity and inventiveness.

''Kū'' is of particular importance as the highest of the elements. In martial arts, particularly in fictional tales where the fighting discipline is blended with magic or the occult, one often invokes the power of the Void to connect to the quintessential creative energy of the world. A warrior properly attuned to the Void can sense their surroundings and act without using the mind, and without using their "physical senses".

Representations of the ''godai''

The most common representations today of the five elements, outside of martial arts and fictional references, are found in Buddhist architecture.

Japanese (from 'five', 'ring shape', and 'tower') can be seen in Zen gardens and Buddhist temples, represented as ''stupas''. They have five divisions to represent the five elements, although the five segments can be hard to discern. Touching the ground, the bottom-most piece represents ''chi''; the next section represents ''sui''; ''ka'' is represented by the middle section, while ''fū'' and ''kū'' are represented by the top-most two sections, pointing towards the sky. A ''gorintō'' is composed, from bottom to top, of a cube, a sphere, a pyramid, a crescent, and a shape resembling a lotus flower. These shapes also relate to the meanings described above.

The stone lanterns or , which are similar in form to the ''gorintō'', are stone towers of modest size put on a center line for the approach mainly to the Buddhist temples and cemeteries. The function of the toro is different from the ''gorintō'': they are intended to illuminate the approach to the temple like lighthouses, with a flame encased in the section representing ''ka'', for Buddhist ceremonies taking place at night.

See also

*Chinese Buddhist canon
*Classical element
*Feng shui
* Gogyo
* Pancha Bhoota
*Onmyōdō
*Wuxing (Chinese philosophy)

Sources

External links

* Miller, Jeff (June 1996).
5 Element Codes Part 1
" Ninjutsu – Ura & Omote.
* Deon de Jongh (2003).
Touhkondo: The Way of the Fighting Spirit
', p. 27. iUniverse. .
* Yin Yang Five Element Medicin
''Inyo'' Gogyo ''setsu''
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Classical elements
Five elements (Japanese philosophy)
Japanese philosophy
Buddhist philosophical concepts