Five Day Locker Piece
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''Five Day Locker Piece'' was a 1971 performance by
Chris Burden Christopher Lee Burden (April 11, 1946 – May 10, 2015) was an American artist working in performance art, sculpture, and installation art. Burden became known in the 1970s for his performance art works, including ''Shoot (Burden), Shoot'' (1971) ...
in which he stayed in a student locker for five days as part of his
UC Irvine UC may refer to: Education In the United States * University of California system * University of Charleston, West Virginia * University of Chicago, Illinois * University of Cincinnati, Ohio * Upsala College, East Orange, New Jersey (''defunct ...
Master's thesis.


Description

For his
UC Irvine UC may refer to: Education In the United States * University of California system * University of Charleston, West Virginia * University of Chicago, Illinois * University of Cincinnati, Ohio * Upsala College, East Orange, New Jersey (''defunct ...
Master of Fine Arts A Master of Fine Arts (MFA or M.F.A.) is a terminal degree in fine arts, including visual arts, creative writing, graphic design, photography, filmmaking, dance, theatre, other performing arts and in some cases, theatre management or arts admi ...
thesis, performance artist
Chris Burden Christopher Lee Burden (April 11, 1946 – May 10, 2015) was an American artist working in performance art, sculpture, and installation art. Burden became known in the 1970s for his performance art works, including ''Shoot (Burden), Shoot'' (1971) ...
entered an art building student locker (2 ft × 2 ft × 3 ft) for five days, from April 26–30, 1971. He had some room to wiggle but not unbend. In the lockers above and below him, Burden put a five-gallon water container and an empty container for urine with hoses for each. He fasted for several days in advance and consulted with doctors, who warned of potential blood clots and paralysis. Outside the locker, students and teachers argued about the project's merits. The campus police considered ending the performance early for Burden's safety. Towards the end, Burden said, the dean's office heard about the performance and considered ending it in light of their responsibility but ultimately decided to let it finish. Near the end, Burden himself began to fear his vulnerability and what someone could do to him.


Analysis and legacy

The performance began Burden's career as a "durational daredevil" and led to polarized opinions about his masochistic oeuvre. It established several themes that would recur in his work: risk of death, endurance, and the audience's moral dilemma. ''New York Magazine'' compared the performance to
Eusebius of Vercelli Eusebius of Vercelli (c. 2 March 283 – 1 August 371) was a bishop from Sardinia and is counted a saint. Along with Athanasius, he affirmed the divinity of Jesus against Arianism. Biography Eusebius was born in Sardinia, in 283. After his father' ...
's ordeal of confinement. The work had a confessional quality, as people came to see the performance and would speak in confidence when they could not see the artist.


References


Bibliography

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Further reading

* * {{Portal bar, Visual arts 1970s photographs April 1971 in the United States Endurance art performances Works by Chris Burden