Etymology and definitions
The term "filk" (originally a typographical error) predates 1955. (See also below.) Interfilk, a charity registered in California to " romotecultural exchange through filk music", offered multiple sources of definitions, without summary, for filk music , but since relies almost entirely on an article by Jordin Kare titled "Filk Music", originally published by '' Sing Out!'' magazine, for their definition. Kare quotes Nick Smith of the Los Angeles Filkharmonics as stating:It is a mixture of song parodies and original music, humorous and serious, about subjects like science fiction, fantasy, computers, cats, politics, the space program, books, movies, TV shows, love, war, death...and summarizes that "almost anything goes at a filksing". Filk has been defined as what is sung or performed by the network of people who originally gathered to sing at science fiction or fantasy conventions. Another definition focuses on filking as a community of those who are interested in filk music and who form part of the social network self-identified with filking. As described later in this article, the origins of filk in science fiction conventions and its current organization emphasizes the social-network aspect of filking. The social aspect of filk as contrasted with the "performer vs. audience" dichotomy of much of modern music was described in a speech by ethnomusicologist Sally Childs-Helton.
Styles and subjects
The range of topics in filk songs stems from its cultural roots in fandom. Many songs honor specific works in science fiction, fantasy, orHistory
In the early 1950s, the term ''filk music'' started as a misspelling of ''folk music'' in an essay by Lee Jacobs, "The Influence of Science Fiction on Modern American Filk Music". Wrai Ballard, then editor of the Spectator Amateur Press Society refused to publish it for fear that the article's bawdy content could get them into trouble with theFilk circles
Physical layout
Musical instruments
A wide range of instruments can be found in a filk circle, although the most common is theTypes
Bardic
The advantage of the bardic circle is that it has a clear structure, which enforces politeness. It ensures everyone in the circle gets their turn so that even shy people can have a chance to request or perform. There are disadvantages, however. A bardic circle with large numbers of participants will take a long time to traverse the entire circle, making people wait too long for their turn. Such a circle was lamented in a filk by Suzette Haden Elgin: "I've been here with my song at the ready since day before yesterday night."Chaos
In a chaos circle, there is no sequential organization. Any performer can simply begin playing a song after the prior song is finished, or any participant can shout out a request. Care must be taken to prevent two songs from starting at the same time. Frequently the word "follower!" is shouted in a chaos circle; this means that a performer believes they have the perfect song to follow the prior song, and they wish to immediately play it. The chaos circle's advantage is its spontaneity and energy. "Runs" of songs will frequently get started, with each new song intended to make some sort of connection to or commentary on the prior song's topic. The disadvantage is that it takes concentration and effort to be polite and respectful in a chaos circle: It is easy to accidentally interrupt another performer who's trying to start up a song of their own, especially in a very large circle where one might not be able to easily hear the other performer on the opposite side of the room. Chaos circles thus have a reputation of favoring bold, loud performers who can command attention. One countermeasure to such conflicts is for someone, generally not one of the current/starting-up performers, to shout "Filker up!", possibly pointing to the one being interrupted. This alerts the room, and specifically the (usually unintentional) interrupter, to be quiet and pay attention to the filker who has started performing.Token bardic
A token bardic circle, also known as a "poker-chip" bardic circle, attempts to combine the enforced politeness of the bardic circle with the freeform nature of the chaos circle. A container full of some type of token such as poker chips is supplied for the circle. Each person participating in the circle is given a fixed number of tokens when they enter the room (frequently two tokens) and can throw a token into the center of the circle at any time to claim a pick or play turn. When all the active tokens in the circle are used up, they are scooped up and redistributed for the next round.Etiquette
The etiquette of the filk circle begins with a respect for all music, including (and perhaps especially) amateur music and amateur performers. Everyone is encouraged to perform, regardless of their skill level. No one is criticized except to occasionally give tips or suggestions.Cultural perspective
At a deep level, the folk culture of filk validates creative arts in the midst of an explicitly technological culture. When accepting induction into the Filk Hall of Fame in 2003, ethnomusicologist Sally Childs-Helton said, "We have taken our right to be creative and to literally 'play' in the best sense of that word." Filk combines folk roots, live music circles, and dominant acoustical instrumentation, on the one hand, with high-tech cultural maintenance, on the other hand—a dense network of filkers' web pages, recordings, sound reinforcement at filk conventions, e-mail lists, and so on. The eclectic content of filk frequently contains that assertion of human creativity, especially in connection with technology. (See for example Leslie Fish's " Hope Eyrie".) While there are significant numbers of memorial songs, The exact date is taken from thPegasus Awards
The OVFF convention committee solicits nominations for finalists for the Pegasus Awards (the nominating ballot) during the late spring and summer. There is an opinion poll that runs during the year as well to help interested folk brainstorm ideas for the nominating ballot. The finalist ballot is distributed in the early fall and must be returned by the opening night of OVFF. Voting can be done online—either to nominate finalists or to vote for the finalists themselves. The final round of voting happens at OVFF itself, where handwritten ballots are collected after the annual Pegasus concert. The entire process is administered by the OVFF convention committee.Filk Hall of Fame
The Filk Hall of Fame was created by David Hayman in 1995 as a complement to the Pegasus Awards. Anyone may make a nomination.See also
* *References
Further reading
* * *External links