
Filippo Parodi (1630 – 22 July 1702) was an Italian sculptor of the
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
period, "Genoa's first and greatest native Baroque sculptor".
Biography
Born in
Genoa into a family of sculptors, Parodi developed his facility with wood, then transferred his mastery to marble in the 1670s. His two extended sojourns in Rome refined his style; he joined the studio of
Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his ...
as an assistant (1655–1661), although he appears to have been influenced by
Algardi
Alessandro Algardi (July 31, 1598 – June 10, 1654) was an Italian high- Baroque sculptor active almost exclusively in Rome, where for the latter decades of his life, he was, along with Francesco Borromini and Pietro da Cortona, one of the maj ...
and his pupil
Ercole Ferrata. Later on returning to Genoa, he met the French Baroque sculptor
Pierre Puget, who stayed in Genoa from 1661–1666. Parodi developed a large studio to handle a large number of commissions.
In Genoa during the 1661-1670s, he completed an ''Ecstasy of Saint Martha'' for Santa Marta, a ''Saint John'' for
Santa Maria di Carignano
Santa Maria Assunta is a Renaissance church in Genoa, Italy. It is located in a residential sector called Carignano located on the hills just above the city center, thus the church is also known as ''Santa Maria Assunta di Carignano''.
Structure a ...
, and a ''Virgin and Child'' for
Santi Vittore e Carlo.
In 1691 he was called to
Padua, where he and his studio were responsible for the six white marble sculptures of saints and the ''Glory of Saint Anthony'' (1689–97) in the polychrome marble setting of the ''Cappella del Tesoro'' ("Chapel of the Treasure") at the
Basilica of Saint Anthony of Padua. The cornice is crowded with celebrative angels by a ''stuccador'' from Lugano,
Pietro Roncaioli
Pietro is an Italian masculine given name. Notable people with the name include:
People
* Pietro I Candiano (c. 842–887), briefly the 16th Doge of Venice
* Pietro Tribuno (died 912), 17th Doge of Venice, from 887 to his death
* Pietro II Can ...
.
In
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 ...
, he completed the elaborate funeral ''Monument of Bishop
Francesco Morosini'' (1678), in
San Nicolò da Tolentino
Nicholas of Tolentino ( la, S. Nicolaus de Tolentino, (c. 1246September 10, 1305), known as the ''Patron of Holy Souls'', was an Italian saint and Mysticism, mystic. He is particularly invoked as an advocate for the souls in Purgatory, especial ...
.
For
Johann Adam Andreas I von Liechtenstein of Vienna, he produced two allegorical busts: ''Vice'' and ''Virtue'', which remain in the
Liechtenstein collection
The Liechtenstein Museum is a private art museum in Vienna, Austria. It contains much of the art collection of its owners, the Princely Family of Liechtenstein, rulers of the principality of Liechtenstein. It includes important European works of ar ...
, Vienna. The expressive bust o
''Vice''has a specific Bernini source in Bernini'
His sculptures commissioned by Eugenio Durazzo in 1679 during the renovation of the
Palazzo Balbi Durazzo, Genoa, remain ''in situ'' (the present
Palazzo Reale
This is a list of royal palaces, sorted by continent.
Africa
* Abdin Palace, Cairo
* Al-Gawhara Palace, Cairo
* Koubbeh Palace, Cairo
* Tahra Palace, Cairo
* Menelik Palace
* Jubilee Palace
* Guenete Leul Palace
* Imperial Palace- Massa ...
); they are a sentimental
Christ at the Column' for the chapel and a set of four mythological figures from
Ovid's ''
Metamorphoses'' (Venus, Clytie, Adonis, and Hyacinth) for the garden. The statues are emotive and often witty reworkings of sculptures by
Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his ...
.
Parodi also worked with
Giacomo Antonio Ponsonelli
Giacomo Antonio Ponsonelli (1654–1735) was an Italian late- Baroque sculptor.
Born in Massa Carrara, where he first worked under his father, Giovanni Ponsonelli, a sculptor, in Finale Liguria and Savona. He worked in Genoa under his father-in ...
(1654–1735) an Italian late-Baroque sculptor who was also his son-in-law. Parodi's son,
Domenico Parodi
Domenico Parodi (1672 – 19 December 1742, in Genoa) was an Italian painter, as well as a sculptor and architect, of the late-Baroque. He was the son of the famous Genoese sculptor Filippo Parodi and the older brother of the Baroque painter Gi ...
(1672–1742), was a painter of some merit, initially apprenticed with
Sebastiano Bombelli
Sebastiano Bombelli (October 1635; 4 May 1719) was an Italian painter, mainly active in Venice, during the Baroque period.
Biography
He was born in Udine on 14 or 15 October 1635 (baptized on the 15th), educated and trained under the guidance ...
, then, in the early 1690s, working in the studios of
Carlo Maratta and then his pupil
Paolo Girolamo Piola
Paolo Gerolamo Piola (1666–1724) was an Italian painter of the Baroque period active mainly in Genoa. His father was the prominent Genoese painter Domenico Piola. Paolo Gerolamo was very active painting sacred subjects and frescoes.
He was se ...
. Other pupils of Parodi were
Angelo de' Rossi
Angelo de Rossi (1671 – June 12, 1715) was an Italian sculptor. Born in Genoa, he was apprenticed to Filippo Parodi in 1680; Parodi's influence is clear in his first pre-1689 work, a ''Small Satyr'' in marble. Nearly unavoidably, he was also in ...
,
Andrea Brustolon
Andrea Brustolon (20 July 1662 – 25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures.
Biography
He was trained in a vigorous local tradition of sculpture in hi ...
, the brothers
Francesco
Francesco, the Italian (and original) version of the personal name " Francis", is the most common given name among males in Italy. Notable persons with that name include:
People with the given name Francesco
* Francesco I (disambiguation), sev ...
,
Francesco Bonanni, and
Bernardo Schiaffino
Bernardo Schiaffino (1678 – 6 May 1725) was an Italian sculptor of the Baroque period, active mainly in his natal city of Genoa.
He was one of two sculptors in his family, along with his younger brother Francesco Maria Schiaffino. He trained w ...
.
Other works
*''Glory of the Magdalene'', high altar, S. Maria delle Vigne, Geno
*''Boy with a Skull (Vanitas)''
Hermitage Museum, Saint Petersburg
*''Sleeping Christ Child'' (
Cleveland Museum of Art)
*''Winter'' from a set of Seasons (
Cleveland Museum of Art).
Notes
References
*
*
External links
Web Gallery of Art
{{DEFAULTSORT:Parodi, Filippo
1630 births
1702 deaths
Artists from Genoa
17th-century Italian sculptors
Italian male sculptors