''Figure with Meat'' is a 1954 painting by the Irish-born artist
Francis Bacon
Francis Bacon, 1st Viscount St Alban (; 22 January 1561 – 9 April 1626), also known as Lord Verulam, was an English philosopher and statesman who served as Attorney General and Lord Chancellor of England. Bacon led the advancement of both ...
. The figure is based on the
Pope Innocent X
Pope Innocent X ( la, Innocentius X; it, Innocenzo X; 6 May 1574 – 7 January 1655), born Giovanni Battista Pamphilj (or Pamphili), was head of the Catholic Church and ruler of the Papal States from 15 September 1644 to his death in Januar ...
portrait by
Diego Velázquez
Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the ...
; however, in the Bacon painting the Pope is shown as a gruesome figure and placed between two bisected halves of a cow.
The carcass hanging in the background is likely derived from
Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally co ...
's ''
Slaughtered Ox
''Slaughtered Ox'', also known as ''Flayed Ox'', ''Side of Beef'', or ''Carcass of Beef'', is a 1655 oil on beech panel still life painting by Rembrandt. It has been in the collection of the Louvre in Paris since 1857. A similar painting is in K ...
'', 1655. The painting is in the permanent collection of the
Art Institute of Chicago
The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 mil ...
.
Description
According to Mary Louise Schumacher of the ''Milwaukee Journal Sentinel'', "Bacon appropriated the famous portrait, with its subject, enthroned and draped in satins and lace, his stare stern and full of authority. In Bacon's version, animal carcasses hang at the pope's back, creating a raw and disturbing Crucifixion-like composition. The pope's hands, elegant and poised in Velázquez's version, are rough hewn and gripping the church's seat of authority in apparent terror. His mouth is held in a scream and black striations drip down from the pope's nose to his neck.
The fresh meat recalls the lavish arrangements of fruits, meats and confections in 17th-century
vanitas paintings, which usually carried subtle moralizing messages about the impermanence of life and the spiritual dangers of sensual pleasures. Sometimes, the food itself showed signs of being overripe or spoiled, to make the point. Bacon weds the imagery of
salvation
Salvation (from Latin: ''salvatio'', from ''salva'', 'safe, saved') is the state of being saved or protected from harm or a dire situation. In religion and theology, ''salvation'' generally refers to the deliverance of the soul from sin and its c ...
, worldly decadence, power and carnal sensuality, and he contrasts those things with his own far more palpable and existential view of
damnation
Damnation (from Latin '' damnatio'') is the concept of divine punishment and torment in an afterlife for actions that were committed, or in some cases, not committed on Earth.
In Ancient Egyptian religious tradition, citizens would recite ...
".
[Batman, the Joker, and Francis Bacon's Figure with Meat](_blank)
''Chronological Snobbery'', Retrieved on March 17, 2010.
Influence
The painting is featured in
Tim Burton
Timothy Walter Burton (born August 25, 1958) is an American filmmaker and animator. He is known for his gothic fantasy and horror films such as ''Beetlejuice'' (1988), ''Edward Scissorhands'' (1990), ''The Nightmare Before Christmas'' (1993), ...
's 1989 film ''
Batman
Batman is a superhero appearing in American comic books published by DC Comics. The character was created by artist Bob Kane and writer Bill Finger, and debuted in the 27th issue of the comic book '' Detective Comics'' on March 30, 1939 ...
''. Criminals led by the
Joker break into an art museum and vandalize various works of art; but upon seeing ''Figure with Meat'', the Joker orders it spared and left intact, remarking "I kind of like this one
..Leave it."
Craig Shaw Gardner's novelization explains that it was in that art that Joker saw "A black-and-white figure, screaming with pain and anguish and madness, a creature both pitiful and terrifying in its intensity, as if it contained all the pain and anguish and madness in the world."
[Gardner, Craig Shaw. ''Batman''. Warner Books, 1989. pg 106]
Citations
External links
''Figure with Meat'' at The Art Institute of Chicago
{{Francis Bacon (artist)
1954 paintings
Paintings in the collection of the Art Institute of Chicago
Paintings by Francis Bacon
Cattle in art