''Fantasie for Solo Clarinet'' is a solo instrumental work by Jörg Widmann and was composed in 1993. It is a showpiece. It offers a Romantic melodious sound with dance, klezmer and jazz music elements in a "Harlequin spirit".

History

The ''Fantasie for Solo Clarinet'', composed in 1993, is one of Widmann's earliest compositions. He was inspired by Igor Stravinsky's '' Three Pieces for Solo Clarinet'' (1919) and Pierre Boulez's '' Dialogue de l'ombre double'' (1985) for clarinet and tape. Widmann had in mind the Harlequin figure from the Italian

commedia dell'arte (; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Charact ...

. The piece was premiered by the composer on 1 March 1994 at Bayerischer Rundfunk in Munich.

Music

Widmann wrote the ''Fantasie'', when he was just twenty years old. It's an expression of "youthful exuberance" with "virtuoso flourishes". He combines conventional playing with extended techniques (multiphonics, flutter-tonguing, key clicks), and non-pitched sounds. Widmann's skills in clarinet playing helped him in composing his ''Fantasie''. The piece is full of extremes in dynamic, tempo, and character. Widmann disproved with a sustained four-note chord, that the clarinet is only a one-voice instrument. According to Widmann, the opening multiphonic of the ''Fantasie'' is being a parody of new music, since many new works of that time begin in a similar manner. Widmann identifies harmony as the central theme of the work. A typical sound are

glissando In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the co ...

s in the upper registers, in a

klezmer Klezmer ( yi, קלעזמער or ) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for l ...

or "exaggeratedly jazzy" style. Silences are important, Widmann notates them as a breath mark, a breath mark with a fermata, and an actual rest. Near the beginning the composer cites a melody from '' The Rite of Spring''.

Structure

Sections: # Free, rhapsodically # Fast, brilliant # Presto possible # Tempo come prima, ma poco più mosso

Reception

The ''Fantasie'' is one of Widmann's most frequently performed works and is standard repertory of unaccompanied works for clarinet. Zachary Woolfe from '' The New York Times'' wrote: "...sounding like the most beautiful circus music ever written."

Recordings

* Bettina Aust and Robert Aust, Bettina Aust – Deutscher Musikwettbewerb, Laureate 2015, Clarinet, Recorded at Ehemalige Sendestelle des Deutschlandradios, 16–19 October 2015, GENUIN classics, GEN 16432, 2016, compact disc. *

Eduard Brunner Eduard Brunner (14 July 1939 – 27 April 2017) was a classical music, classical clarinetist. He began his musical education in Basel (Switzerland) where he was born, continuing his studies at the Paris Conservatoire with Louis Cahuzac. For thi ...

, Music for Solo Clarinet, Recorded in Studio 2, Bayerischer Rundfunk, Munich, 14–15 December 2009, Naxos, 8.572470, 2011, compact disc. * Stefan Neubauer, Solitary Changes, Recorded between 2012 and 2013, Orlando Records, or 0006, 2013.

Notes

References

Sources

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