Fang Ganmin ( zh, s=方干民, t=方幹民; 15 February 1906 - January 1984) was a Chinese French-trained painter, sculptor and educator, who was educated in Paris and spent most of his adult life in China. Regarded as one of the pioneers of Chinese oil painting, Fang was born in the
Wenling
Wenling ( Wenling dialect: Ueng-ling Zy ; ) is a coastal county-level city in the municipal region of Taizhou, in southeastern Zhejiang province, China. It borders Luqiao and Huangyan to the north, Yuhuan to the south, Yueqing to the west, lo ...
county,
Zhejiang
)
, translit_lang1_type2 =
, translit_lang1_info2 = ( Hangzhounese) ( Ningbonese) (Wenzhounese)
, image_skyline = 玉甑峰全貌 - panoramio.jpg
, image_caption = View of the Yandang Mountains
, image_map = Zhejiang i ...
province. He began studying painting in 1924 and went to Paris in 1925, enrolling in the
École nationale supérieure des Beaux-Arts
École or Ecole may refer to:
* an elementary school in the French educational stages normally followed by secondary education establishments (collège and lycée)
* École (river), a tributary of the Seine
The Seine ( , ) is a river in nor ...
, making him one of the first-generation Chinese painters to study abroad in France. Upon returning to China, he taught at the
National Arts Academy,
Hangzhou
Hangzhou, , Standard Mandarin pronunciation: ; formerly romanized as Hangchow is a sub-provincial city in East China and the capital of Zhejiang province. With a population of 13 million, the municipality comprises ten districts, two counti ...
, becoming a professor at the Western Painting Department. During the
Cultural Revolution
The Cultural Revolution, formally known as the Great Proletarian Cultural Revolution, was a Social movement, sociopolitical movement in the China, People's Republic of China (PRC). It was launched by Mao Zedong in 1966 and lasted until his de ...
, Fang was shamed and tortured by the
Red Guards
The Red Guards () were a mass, student-led, paramilitary social movement mobilized by Chairman Mao Zedong in 1966 until their abolition in 1968, during the first phase of the Cultural Revolution, which he had instituted.Teiwes
According to a ...
, and his works were destroyed. He died in 1984. His students include
Zao Wou-Ki,
Chu Teh-Chun and
Wu Guanzhong.
Timeline
In 1906, Fang Ganmin was born in Wenling, Zhejiang on February 15. His father, Fang Yue (also known as Xun Cheng), was an official literary degree holder, who majored in the study of written characters and published several books including "A Simple Approach to The Study of The Six Classes of Characters".
In 1920, Fang attended Andin High School in Hangzhou, gradually showing his talent in art.
In 1924, he went to Shanghai in the summer to apply for the Shanghai Academy of Fine Arts and was accepted to the second level where he was educated with a solid drawing foundation under the direction of Russian teacher V. Podgursky.
In 1925, he left Shanghai for France to further his studies.
In 1926, after learning the French language at a town outside Paris for six months, Fang was accepted into an art school in Lyon where he took "Paster Casts" and "Future drawing" classes.
In 1927, Fang attended École des Beaux-Arts de Paris and joined
Jean-Paul Laurens' studio, together with
Yan Wenliang. Apart from taking drawing lessons at the studio, he was also a frequent visitor of galleries and museums and developed a strong interest in post-impressionism.
In 1929, he married Ms. Ai Lan Su, his fellow schoolmate at École des Beaux-Arts, in Paris. He returned to China in the winter and was hired by the Shanghai Private Xin Hua Fine Arts Academy, but later transferred to Shanghai Fine Arts University and Shanghai Academy of Fine Arts. Fang met Su Ailan at the Beaux-Arts in the Humbert Studio (the only one authorised to receive female students).
Career
Fang Ganmin studied in Shanghai Meizhuan and under
Jean-Pierre Laurens (1875–1932), son of
Jean-Paul Laurens (1838 – 1921), at the École nationale supérieure des Beaux-Arts, from 1926 to 1929, together with Chinese artists such as
Yan Wenliang. He taught in Xinhua AFA, Shanghai, and Hangzhou Academy.
In or around 1930, Fang Ganmin, along with artists such as Xu Shaozeng, Guo Guni, Li Jingfa and Zhu Yingpeng, founded the Changfeng Society for the Study of Western Paintings.
In 1951 and 1952, a campaign against modernist art, condemned in Soviet terms as both bourgeois and formalist, had forced
Lin Fengmian and Wu Dayu to leave the art academy in Hangzhou and return to Shanghai.
Realism was deemed the progressive style. Fang Ganmin managed to remain, but was nonetheless marginalised and condemned for his modern styles.
During the
Cultural Revolution
The Cultural Revolution, formally known as the Great Proletarian Cultural Revolution, was a Social movement, sociopolitical movement in the China, People's Republic of China (PRC). It was launched by Mao Zedong in 1966 and lasted until his de ...
, Fang, branded an anti-revoluntary for his modernist artistic style, was paraded around the National Academy of Art in Hangzhou, ink and paint poured over him as students beat and denounced him. Fang was also imprisoned by the
Red Guards
The Red Guards () were a mass, student-led, paramilitary social movement mobilized by Chairman Mao Zedong in 1966 until their abolition in 1968, during the first phase of the Cultural Revolution, which he had instituted.Teiwes
According to a ...
for long periods.
Lin Fengmian, Wu Dayu and Fang Ganmin, and their students
Chu Teh-Chun,
Wu Guanzhong, and
Zao Wou-Ki, have been collectively referred to the "West Lake" school of artists (西湖畫派).
Works
Of Fang's early paintings, two are particularly noteworthy. They are exercises in the
Cubist
Cubism is an early-20th-century avant-garde art movement which began in Paris. It revolutionized painting and the visual arts, and sparked artistic innovations in music, ballet, literature, and architecture.
Cubist subjects are analyzed, broke ...
manner, and give to their subject, both nudes, the geometrical and sculptural, but not the fragmented, effect of a picture by
Braque
Georges Braque ( ; ; 13 May 1882 – 31 August 1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he play ...
. One of them is "Melody in Autumn" (1934). The other is "White Doves" (1932), which portrays geometric shapes suggestive of Cubism, but with an Art Deco-like structural undertone.
In jest, his students called his style fang (‘square’), punning on his surname Fang, which also happens to be one of the characters of the Chinese word for ‘cubic’.
Notable students
*
Chu Teh-chun
*
Wu Guanzhong
*
Zao Wou-ki
* Min Xiwen
References
{{authority control
1906 births
1984 deaths
Academic staff of the École des Beaux-Arts
Academic staff of China Academy of Art
Victims of the Cultural Revolution
People from Taizhou, Zhejiang
Artists from Zhejiang
Chinese art educators
20th-century Chinese painters
Chinese expatriates in France