Emily Coonan (25 March 1885 – 23 June 1971)
was a Canadian
impressionist
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passag ...
and
post-impressionist
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction aga ...
painter, born in the
Pointe-Saint-Charles
Pointe-Saint-Charles (also known in English as Point Saint Charles, and locally as The Point, or "PSC") is a neighbourhood in the borough of Le Sud-Ouest in the city of Montreal, Quebec, Canada. Historically a working-class area, the creation of ...
area of
Montreal
Montreal ( ; officially Montréal, ) is the second-most populous city in Canada and most populous city in the Canadian province of Quebec. Founded in 1642 as '' Ville-Marie'', or "City of Mary", it is named after Mount Royal, the triple- ...
. As a member of the
Beaver Hall Group, Coonan mostly did figure paintings. Influenced by
William Brymner
William Brymner, (December 14, 1855 – June 18, 1925) was a Canadian figure and landscape painter and educator. In addition to playing a key role in the development of Impressionism in Canada, Brymner taught numerous artists who became leadin ...
and
James Wilson Morrice in early years
and later on by work done in Europe, Coonan’s work has features that are related both to impressionism and
modernism
Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, ...
.
Early life
The daughter of William Coonan, a machinist for the
Grand Trunk Railway
The Grand Trunk Railway (; french: Grand Tronc) was a railway system that operated in the Canadian provinces of Quebec and Ontario and in the American states of Connecticut, Maine, Michigan, Massachusetts, New Hampshire, and Vermont. The rai ...
, and Mary Anne Fullerton, she was born in the
Pointe-Saint-Charles
Pointe-Saint-Charles (also known in English as Point Saint Charles, and locally as The Point, or "PSC") is a neighbourhood in the borough of Le Sud-Ouest in the city of Montreal, Quebec, Canada. Historically a working-class area, the creation of ...
neighbourhood of
Montreal
Montreal ( ; officially Montréal, ) is the second-most populous city in Canada and most populous city in the Canadian province of Quebec. Founded in 1642 as '' Ville-Marie'', or "City of Mary", it is named after Mount Royal, the triple- ...
and was educated at the nearby St. Ann's Academy for Girls.
Emily was encouraged to study art early on when she was enrolled in art classes at the Conseil des Arts & Manufactures around 1898, with the instructors
Edmond Dyonnet, Joseph Charles Franchere, Joseph Saint-Charles, and Charles Gill.
She then studied at the
Art Association of Montreal with
William Brymner
William Brymner, (December 14, 1855 – June 18, 1925) was a Canadian figure and landscape painter and educator. In addition to playing a key role in the development of Impressionism in Canada, Brymner taught numerous artists who became leadin ...
between 1901-1905.
Brymner was the primary instructor for the members of the Beaver Hall Group,
in which Coonan took part, and he was especially open to her exploration into the styles of impressionism and
post-expressionism,
while also supporting her development of a more modernist style.
Artistic career

In 1907, once enrolled into the
Art Association of Montreal, Coonan started exhibiting her work in the institute, where she would continue to show her work until 1933.
Her first award-winning piece, ''Eva and Daisy'' (1907), was a figure study of the Coonan sisters, which won her first place in the annual Art Association of Montreal student show of 1907.
In 1913, the
National Gallery of Canada
The National Gallery of Canada (french: Musée des beaux-arts du Canada), located in the capital city of Ottawa, Ontario, is Canada's national art museum. The museum's building takes up , with of space used for exhibiting art. It is one of the ...
awarded her with their first travelling bursary, which was a prize that was given to the art student that exemplified the most potential to study and practice in Europe. Due to the onset of the
First World War
World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fig ...
, Coonan’s trip was postponed to 1920. During her stay abroad, she started to use a stylized version of European modernism in her work and began creating landscape paintings.
Once she returned to Canada in 1921, she became a member of the
Beaver Hall Group.
Unlike the other members of the Beaver Hall Group who were members of Montreal's
Protestant upper class, Coonan was a devout
Roman Catholic
Roman or Romans most often refers to:
*Rome, the capital city of Italy
*Ancient Rome, Roman civilization from 8th century BC to 5th century AD
*Roman people, the people of ancient Rome
*''Epistle to the Romans'', shortened to ''Romans'', a letter ...
from a working-class background. As a member of the Beaver Hall Studios, Coonan participated in a few of the four shows that the group put on before the group went their separate ways in 1922. Coonan gained international acclaim as her piece ''Girl in Dotted Dress'' (1923) was selected to show in the British Empire Exhibition in England.
She took inspiration from the French
impressionist
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passag ...
s and
James Wilson Morrice.
After her instructor, Brymner, died, Coonan created and exhibited fewer works, opting out of participating in the Royal Canadian Academy’s spring exhibition and then only taking part in three more spring shows in her life.
Although she continued to paint later in life, Coonan stopped participating in public exhibitions after 1933.
Late life
Coonan did not stop painting altogether after 1933, but she ceased to produce for the public sphere. Due to harsh criticism for her progressive style and the death of Brymner, her mentor, and then her father, Coonan painted only for her family and friends for the remainder of her life.
Although Coonan never married and preferred to live and work in solitude, the majority of her works represented her close ones.
Coonan lived in her childhood home until 1966. She died in 1971 at the age of 86 while living with her niece Patricia Coonan in Montreal.
Works
Coonan's works are included in the collection of the
Musée national des beaux-arts du Québec
The Musée national des beaux-arts du Québec ( en, National Museum of Fine Arts of Quebec), abbreviated as MNBAQ, is an art museum in Quebec City, Quebec, Canada. The museum is situated in Battlefield Park and is a complex consisting of four bui ...
and the
National Gallery of Canada
The National Gallery of Canada (french: Musée des beaux-arts du Canada), located in the capital city of Ottawa, Ontario, is Canada's national art museum. The museum's building takes up , with of space used for exhibiting art. It is one of the ...
.
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References
{{DEFAULTSORT:Coonan, Emily
1885 births
1971 deaths
Canadian women painters
Artists from Montreal
20th-century Canadian painters
20th-century Canadian women artists