Emilio Savonanzi, nicknamed il Reniano (1580 – 1666) was an Italian painter of the

Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...

period, active mainly in and around his native

Bologna Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nat ...

. He trained under

Guido Reni Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious ...

, hence his nickname. He painted a ''Scene from the Life of Santa Lucia'' for the church of San Martino in

Sant'Anatolia di Narco Sant'Anatolia di Narco is a ''comune'' (municipality) in the Province of Perugia in the Italian region Umbria, located about 60 km southeast of Perugia, in the middle Valnerina valley. It is a medieval town commanded by a 12th-century castle, ...

. He painted frescoes about the ''Life of the Virgin'' in the church of Santa Maria della Grazia in Camerino. He painted a ''Deposition'' now in the

Accademia Carrara The Accademia Carrara, (), officially Accademia Carrara di Belle Arti di Bergamo, is an art gallery and an academy of fine arts in Bergamo, in Lombardy in northern Italy. The art gallery was established in about 1780 by , a Bergamasco collect ...

in Bergamo. Luigi Lanzi describes him as an erudite, eclectic, wealthy and peripatetic, but not assembling his knowledge into excellence:The History of Painting in Italy from the Period of the Revival of the Fine Arts to the end of the Eighteenth Century
Volume 3, Luigi Lanzi, translated by Thomas Roscoe, Editor Henry Bohn, 1854, page 48.

Savonanzi, a Bolognese noble, attached himself to the art when nearly arrived at manhood, but he attended Cremonini more than Calvart; and strongly addicted to changing masters, entered the school of
Lodovico Caracci Ludovico (or Lodovico) Carracci (21 April 1555 – 13 November 1619) was an Italian, early-Baroque painter, etcher, and printmaker born in Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light th ...
, next that of Guido at Bologna, of
Guercino Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666),Miller, 1964 better known as Guercino, or il Guercino , was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vig ...
at Cento, and finally the studio of
Algardi Alessandro Algardi (July 31, 1598 – June 10, 1654) was an Italian high- Baroque sculptor active almost exclusively in Rome, where for the latter decades of his life, he was, along with Francesco Borromini and Pietro da Cortona, one of the maj ...
, a sculptor at Rome. By such means he became a good theorist and an able lecturer, applauded in every particular of his art; nor was he wanting in good practice, uniting many styles in one, in which however that of Guido most prevails. Still he was not equally correct in all his pieces, even betraying feebleness of touch, and not scrupling to denominate himself an artist of many hands. He resided at
Ancona Ancona (, also , ) is a city and a seaport in the Marche region in central Italy, with a population of around 101,997 . Ancona is the capital of the province of Ancona and of the region. The city is located northeast of Rome, on the Adriatic S ...
, next at Camerino, at which places, as well as in the adjacent districts, he left a variety of works.

References

{{DEFAULTSORT:Savonanzi, Emilio 1580 births 1666 deaths Painters from Bologna Italian male painters 17th-century Italian painters Italian Baroque painters