Elva Nampeyo
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Elva Nampeyo (1926–1985) (also known as Elva Tewaguna) was an American studio potter.


Biography

Elva Nampeyo was born 1926 in the
Hopi-Tewa The Hopi-Tewa (also Tano, Southern Tewa, Hano, Thano, or Arizona Tewa) are a Tewa Pueblo group that resides on the eastern part of the Hopi Reservation on or near First Mesa in northeastern Arizona. Synonymy The name ''Tano'' is a Spanish bo ...
Corn Clan atop
Hopi The Hopi are Native Americans who primarily live in northeastern Arizona. The majority are enrolled in the Hopi Tribe of Arizona and live on the Hopi Reservation in northeastern Arizona; however, some Hopi people are enrolled in the Colorado ...
First Mesa, Arizona. Her parents were
Fannie Nampeyo Fannie Nampeyo (1900–1987) (also known as Fannie Lesou Polacca and Fannie Nampeyo Polacca) was a modern and contemporary fine arts potter, who carried on the traditions of her famous mother, Nampeyo of Hano, the grand matriarch of modern Hopi ...
and Vinton Polacca. Her grandmother
Nampeyo Nampeyo (1859Other sources cite 1860 or 1868. – 1942) was a Hopi-Tewa potter who lived on the Hopi Reservation in Arizona. Her Tewa name was also spelled Num-pa-yu, meaning "snake that does not bite". Her name is also cited as "Nung-beh-yong," ...
had led a revival of ancient traditional pottery and established a family tradition of pottery making. As a child Elva would watch her grandmother make pottery and later her mother taught Elva and her siblings the craft of pottery making. Nampayo went on to marry Richard Tewaguna and had five children, four of whom, Neva, Elton, Miriam and Adelle followed in the family pottery making tradition. All sign their work with their first names followed by "Nampeyo" and an ear of corn. Nampayo became an expert at decorating and painting pottery. She specialized in black and red on yellow bowls and jars with traditional migration designs and eagle motifs. Her pieces most often resembled the works of her mother and grandmother. On occasion she could be persuaded to break from tradition and try some designs of her own invention. Elva took great pleasure in making pottery and could form as many as eight pots a day. During her later years, her daughter Adelle would assist her in polishing, decorating and firing her pottery. Nampeyo signed her pottery as "Elva Nampeyo" followed by the corn clan symbol which was initiated by her mother Fannie.


References

* Schaaf, Gregory – Hopi-Tewa Pottery: 500 Artist Biographies. 1998.


External links


Elva Nampeyo at the Holmes Museum of Anthropology

"Elva Nampeyo Pottery" search
at Google Images {{DEFAULTSORT:Nampeyo, Elva 1926 births 1985 deaths Hopi women artists Hopi potters Ceramists from Arizona 20th-century American artists 20th-century American women artists Native American women potters Native American potters American women potters American potters 20th-century American ceramists 20th-century Native American artists 20th-century Native American women Native American people from Arizona