Elsa Stansfield
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Elsa Stansfield (1945–2004) was a Scottish artist, known for her video art and installations. She was born in Glasgow on 12 March 1945, and died in Amsterdam in 2004. From 1962-1965 Stansfield studied at the Glasgow School of Art. After that she studied photography and film at the Ealing School of Art & Design in London and Film studies at the Slade, University College London. In 1980 the artist moved to The Netherlands where she became head of the Time Based Media Department at the Jan van Eyck Academy in Maastricht until 1991. In 1972 the artist started to collaborate with Madelon Hooykaas with whom, over the course of thirty years, until Stansfield’s death, she made videotapes, video-installations, video-sculptures, sound sculptures and interactive installations and outdoor sculptural works.


Early years

Elsa Alexandra Stansfield was born on 12 March 1945 in Glasgow of Canadian-Scottish and Swiss parentage. After what could be called a difficult start to life, a harmony was found in the home of a Glasgow family, the Stansfields. At 16 she was awarded a place as a full-time student in the
Glasgow School of Art The Glasgow School of Art (GSA; ) is a higher education art school based in Glasgow, Scotland, offering undergraduate degrees, post-graduate awards (both taught and research-led), and PhDs in architecture, fine art, and design. These are all awa ...
(1962–1965). After 3 years of study in drawing and painting, she decided to specialise in photography and film. With the help of a grant, she moved to London, where she continued her studies at the Ealing School of Photography (1965–1967). In this college she made her first film, an interpretation on the Aesop's fable ''
The Ant and the Grasshopper The Ant and the Grasshopper, alternatively titled The Grasshopper and the Ant (or Ants), is one of Aesop's Fables, numbered 373 in the Perry Index. The fable describes how a hungry grasshopper begs for food from an ant when winter comes and is ...
'', a 15 min. colour and monochrome experimental film of the fable in today's city. Advised by Peter Montagnon (then Head of BBC Open University) and with the support of Professor
Thorold Dickinson Thorold Barron Dickinson (16 November 1903 – 14 April 1984) was a British film director, screenwriter, film editor, film producer, and Britain's first university professor of film. Dickinson's work received much praise, with fellow direct ...
, Stansfield studied film at the
Slade School of Fine Art The UCL Slade School of Fine Art (informally The Slade) is the art school of University College London (UCL) and is based in London, England. It has been ranked as the UK's top art and design educational institution. The school is organised as ...
, London, from 1967 to 1969. In the last year of college she worked as assistant in film production and editing. Also during the same year Elsa was curating film programmes and running the
Arts Lab The Arts Lab was an alternative arts centre, founded in 1967 by Jim Haynes at 182 Drury Lane, London. Although only active for two years, it was influential in inspiring many similar centres in the UK, continental Europe and Australia, includ ...
. cinema in Drury Lane London, the first experimental laboratory for film and theatre in England. At the age of 24, Stansfield worked as producer for an American backed film ‘Journey to the East’, spending 3 months in India setting the production and later co-ordinating it back to London. On returning to London (1970) she established the ‘Eight, Nine and Ten’ Studio with the film director and editor Patricia Holland, and Electrophon Music with
Delia Derbyshire Delia Ann Derbyshire (5 May 1937 – 3 July 2001) was an English musician and composer of electronic music. She carried out notable work with the BBC Radiophonic Workshop during the 1960s, including her electronic arrangement of the theme ...
and
Brian Hodgson Brian Hodgson (born 1938) is a British television composer and sound technician. Born in Liverpool in 1938, Hodgson joined the BBC Radiophonic Workshop in 1962 where he became the original sound effects creator for the science fiction programm ...
. The Studio meant to be a place for film editing with post-production facilities. This project involved the gradual conversion of a Covent Garden warehouse at 8, 9 and 10 Neal's Yard. In this studio some of Stansfield's works were produced. These include: * ‘The Yak’, a series of animated children's films for television: Camera and sound for nos. 1 to 6 * ‘Space’, a 20 min. colour documentary on the problems of studio spaces for artists: production, sound and editing * ‘Red, Red, Red’, a 20 min. film on commune life in Devon, B.F.I. Production: production and sound * ‘Bridget Riley’, a 35 mm colour film on the artist's retrospective at the Hayward Gallery: production and direction * ‘Behind the veil" by Eve Arnold, a 50 min. colour documentary on women in the Middle East, B.B.C. production: sound * ‘Circle of Light’ by Antony Roland, a 30 min. colour documentary on the work of Pamela Bone: soundtrack in collaboration with
Delia Derbyshire Delia Ann Derbyshire (5 May 1937 – 3 July 2001) was an English musician and composer of electronic music. She carried out notable work with the BBC Radiophonic Workshop during the 1960s, including her electronic arrangement of the theme ...
.


Collaboration with Madelon Hooykaas

In 1972 Stansfield also started an intensive collaboration in the field of film with the Dutch photographer and filmmaker
Madelon Hooykaas Else Madelon Hooykaas (born 28 September 1942, in Maartensdijk) is a Dutch video artist, photographer and film maker. She makes films, sculptures, audio-video installations and has published several books. Biography Madelon Hooykaas grew up ...
in London and Amsterdam. Their first movie, ‘Een van die dagen’ (One of Those Days) was broadcast by Dutch public TV in 1973. It was also shown at festivals in London, Toronto and New York. After that followed ‘Overbruggen’ (About Bridges) (1975), which was shown in several festivals including Cork, Rotterdam, and Grenoble. Under the name Stansfield/Hooykaas they made their first video installations from 1975 onwards including ‘What’s It to You?’ (1975), Journeys (1976), Just Like That (1977) and ‘Split Seconds’ (1979). In 1975 Stansfield moved her studio from Covent Garden to Wapping in East London. In 1978 she was awarded the first video Bursary of the Arts Council of Britain at
Maidstone College of Art The Kent Institute of Art & Design (KIAD, often ) was an art school based across three campuses in the county of Kent, in the United Kingdom. It was formed by the amalgamation of three independent colleges: Canterbury College of Art, Maidstone Co ...
, Kent, which was established by David Hall, ‘the Godfather of British video art’.


Moving to the Netherlands in 1980

In 1980 Stansfield was asked to create a Time Based Media Department at the
Jan van Eyck Academy The Van Eyck – Multiform Institute for Fine Art, Design, and Reflection (formerly known as “Jan van Eyck Academie”) is a post-academic institute for research and production in the fields of fine art, design and art theory, based in Maastrich ...
, Maastricht. This was the first media department in a postgraduate academy in the Netherlands. She also started to build a video collection for the Academy. For this reason she moved from London to Maastricht, in the South of the Netherlands. International participants included David Garcia, Annie Wright, Paul Landon en Roos Theuws. She organized several seminal symposiums including ‘Video Maart’ (1981), and the symposium for the exhibition ‘The Luminous Image’ (1984), which included videotapes and installations by
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and Ulay,
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, Michel Cardena,
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, Thierry Kuntzel, Marie-Jo Lafontaine, Mary Lucier, Marcel Odenbach,
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, Al Robbins, Lydia Shouten, Elsa Stanfield and Madelon Hooykaas, Francesc Torres,
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, and Robert Wilson, in collaboration with the Stedelijk Museum in Amsterdam. In 1986 Stansfield moved to Amsterdam while she worked as a Professor at the Jan van Eyck Academy until 1991. Stansfield and Hooykaas’ work deals with the relation between nature and spirituality and explores scientific principles and natural forces such as radio waves and magnetic fields. They make use of contemporary technology such as film, audio and video in combination with organic materials such as sand, glass and copper. In their work they show that everything that exists is animated by movement and change. For thirty-two years Stansfield and Hooykaas worked together and produced over hundred and fifty works, until Elsa Stansfield died unexpectedly in 2004. British video art pioneer David Hall commented on Stansfield's death: "Elsa was the first artist to be awarded an Arts Council bursary to work with video in my department at Maidstone College of Art in the mid-seventies. Later, from 1980, as head of time-based media at the Jan van Eyck Academy, Maastricht, Holland, she enthusiastically organised international seminars and exhibitions. Her work in association with Madelon Hooykaas will be remembered as of profound importance in the developing European video art scene". Tate Britain acquired ''Journeys'' (1976) by Hooykaas/Stansfield in 2018.


References


External links


Stansfield / HooykaasMadelon Hooykaas
* ttps://web.archive.org/web/20160303234725/http://lux.org.uk/collection/artists/elsa-stansfield Elsa Stansfield - Artists - LUX Collectionbr>Elsa Stansfield
{{DEFAULTSORT:Stansfield, Elsa 1945 births 2004 deaths Artists from Glasgow Alumni of the Glasgow School of Art British video artists Women video artists Scottish artists Artists from London Artists from Amsterdam