Ellen Dissanayake
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Ellen Dissanayake (born Ellen Franzen), an
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anthropologist An anthropologist is a scientist engaged in the practice of anthropology. Anthropologists study aspects of humans within past and present societies. Social anthropology, cultural anthropology and philosophical anthropology study the norms, values ...
and writer focusing on art and culture. She lives in
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,
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, and is affiliated with the
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.


Biography

Dissanayake's birth name was Ellen Franzen; she was born in
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and raised in Walla Walla, Washington, where her father was an engineer and her mother a homemaker. She received a B.A. degree from
Washington State University Washington State University (WSU, or colloquially Wazzu) is a Public university, public Land-grant university, land-grant research university in Pullman, Washington, United States. Founded in 1890, WSU is also one of the oldest Land-grant uni ...
in 1957 (Humanities: Music and Philosophy) and an M.A. from the University of Maryland in 1970. (Art History)Crain, Caleb (2001)
"The Artistic Animal"
(a profile of Ellen Dissanayake and her work), ''Lingua Franca'', October, 2001. Online version retrieved November 27, 2007.
For her work she has received an Honorary Doctorate of Humane Letters from the
Maryland Institute College of Art The Maryland Institute College of Art (MICA) is a Private university, private art school, art and design college in Baltimore, Maryland. Founded in 1826 as the Maryland Institute for the Promotion of the Mechanic Arts, it is regarded as one of ...
(MICA), Baltimore, in 2013. She cites "lived experience" abroad where she observed first-hand the cultural differences and attitudes toward art and culture amongst this variety of peoples as the inspiration for her work. She spent time in
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,
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,
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,
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, and
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. She has taught at the
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in
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, the
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in
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,
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, the National Arts School in
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, and the
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in
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. In 1997 she was a visiting professor at
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in
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, and the following year taught at the
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in
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, Canada.


''Homo Aestheticus: Where Art Comes From and Why''

In her book ''Homo Aestheticus: Where Art Comes From and Why'' (first printed in 1992), Dissanayake argues that art was central to the emergence, adaptation and survival of the human species, that aesthetic ability is innate in every human being, and that art is a need as fundamental to our species as food, warmth or shelter. She views art as the product of "making things special", and these things may be objects as well as behaviors. That is to say, art evolved to make certain events, tentatively important for survival or social cohesion, more salient, pleasurable, and memorable. Artifacts of art are also said to result from efforts to deal with uncertainties of nature by exerting control over it. It is claimed that art experiences are physically pleasurable, and distinctively so because one appreciates how the creators of art have shaped the raw materials. However, Dissanayake also contends that some of these raw materials may be pleasurable in themselves, i.e. "protoaesthetic" (p. 54), as may be the process of creation or some percepts in themselves without symbolic meaning, e.g. by means of obeying the Gestalt Principles. In general, the process of "making things special" is described as drawing on those aspects of the world that evolution had led us to find attractive: visual signs of health, youth and vitality, as well as a balance between uniformity and asymmetries. The chapter ''The Arts as Means of Enhancement'' is a collection of cross-cultural evidence for instances that fall under Dissanayake's definition of art; a criticism of narrow European-centered notions of art in the 19th and 20th century. This criticism is developed further in the books' last chapter that advocates the necessity to promote art in education and everyday life, as it is said to be a universal, biologically rooted human behavior. The book has been favorably reviewed by
Denis Dutton Denis Laurence Dutton (9 February 1944 – 28 December 2010) was an American philosopher of art, web entrepreneur, and media activist. He was a professor of philosophy at the University of Canterbury in Christchurch, New Zealand. He was also a ...
in 1994 who states that it "calls for a counter-revolution in our thinking about art. Its message is timely, provocative, and immensely valuable.″Philosophy and Literature 18 (1994) also availabl
here.


Bibliography


Books

* * * * *''Art and Intimacy: How the Arts Began'' (2000)


Articles

* "Art as a human behavior: Toward an ethological view of art", ''Journal of Aesthetics and Art Criticism'' 38/4, 397–404. (1980) * "Aesthetic experience and human evolution", ''Journal of Aesthetics and Art Criticism'' 41/2, 145–55. (1982) * "Does art have selective value?" ''Empirical Studies of the Arts II'', 1:35-49. (1984) * "Art for life’s sake", ''Art Therapy: Journal of the
American Art Therapy Association The American Art Therapy Association (AATA) is a U.S. not-for-profit 501(c)(3), non-partisan national professional association of approximately 5,000 practicing art therapy professionals, including students, educators, and related practitioners ...
'' 9/4, 169–178. (1992) * "Chimera, spandrel, or adaptation: Conceptualizing art in human evolution". ''Human Nature'' 6:2, 99–118. (1995) * "The pleasure and meaning of making", ''American Craft 55'',2: 40–45. (1995) * "Reflecting on the past: Implications of prehistory and infancy for art therapy", ''ARTherapy'' 12, 1: 17–23. (1995) * "Darwin meets literary theory: Critical discussion", ''Philosophy and Literature'' 20:1, 229- 239. (1996) * "Komar and Melamid discover Pleistocene taste". ''Philosophy and Literature'' 22, 2: 486- 496. (1998) * "The beginnings of artful form", ''Surface Design Journal'' 22:2, 4–5. (1998) * "Aesthetic Incunabula", ''Philosophy and Literature'' 25:2, 335–346. (2001) * "Art in Global Context: An Evolutionary/Functionalist Perspective for the 21st Century", ''International Journal of Anthropology'' 18:4, 245–258. (2003) * "If music is the food of love, what about survival and reproductive success?", ''Musicae Scientiae'', Special issue, 169–195. (2008) * "The Artification Hypothesis and Its Relevance to Cognitive Science, Evolutionary Aesthetics, and Neuroaesthetics", ''Cognitive Semiotics'' 5:148-173. (2008) * "The Deep Structure of Pleistocene Rock Art: The 'Artification Hypothesis'". Papers from IFRAO Congress, September 2010 – Symposium: Signs, symbols, myth, ideology... (Pre-Acts) http://www.ellendissanayake.com/publications/index.php#journals (2010) * "Doing Without the Ideology of Art", ''New Literary History'', 42: 71–79. (2011)


References


External links


Ellen Dissanayake's websiteExcerpt from her 1995 book ''Homo Aestheticus'' (PDF 249K)
{{DEFAULTSORT:Dissanayake, Ellen Year of birth missing (living people) Living people 21st-century American anthropologists American women anthropologists American anthropology writers Human evolution theorists Academics of the University of Edinburgh Ball State University faculty Academic staff of the University of Alberta Independent scholars Washington State University alumni American women academics 21st-century American women