''El derecho de vivir en paz'' (The right to live in peace) is the sixth studio album by Chilean singer-songwriter
Víctor Jara
Víctor Lidio Jara Martínez (; 28 September 1932 – 16 September 1973) was a Chilean teacher, theater director, poet, singer-songwriter and Communist political activist. He developed Chilean theater by directing a broad array of works, ran ...
released in 1971 on DICAP and
Odeon Records
Odeon Records is a record label founded in 1903 by Max Straus and Heinrich Zuntz of the International Talking Machine Company in Berlin, Germany. The label's name and logo come from the Odéon-Théâtre de l'Europe in Paris.
History
Straus a ...
labels.
Composition and recording
The title song was written by Jara in 1969, as he worked in the "Vietrock" play by Megan Terry.
It is a
protest song
A protest song is a song that is associated with a movement for social change and hence part of the broader category of ''topical'' songs (or songs connected to current events). It may be folk, classical, or commercial in genre.
Among social mov ...
dedicated to the Vietnamese communist leader
Ho Chi Minh, and criticism against
Vietnam War
The Vietnam War (also known by #Names, other names) was a conflict in Vietnam, Laos, and Cambodia from 1 November 1955 to the fall of Saigon on 30 April 1975. It was the second of the Indochina Wars and was officially fought between North Vie ...
. Its recording was in the RCA Studios in Santiago,
and for the song, Victor invited the Chilean rock group
Los Blops
Los Blops were a Chilean rock band, regarded as one of the foremost bands in the country.
The band originally formed in the town of Isla Negra in 1964 to perform cover versions of pop hits in local clubs. They took their name from characters in a ...
to play electric guitar, and organ.
It also used electric bass and drums, combined with progressions and scales typical of Andean music, in addition to incorporating other folk instruments such as the charango, the quena, the tarka and others. At first, the group was not well seen by the
Popular Unity until Victor decided to record with them. The title track was first performed live in 1971 at the Teatro Marconi (current Teatro Nescafé de las Artes).
"Abre la ventana" was addressed to a woman from the towns, and also counted on the collaboration of Los Blops. Victor musicalized the poem by
Miguel Hernández, "El niño yuntero".
Peruvian composer
Celso Garrido Lecca—member of the ''Generación del '50''—helped Victor in the composition of "Vamos por ancho camino" and "B.R.P.", the latter is a tribute song to the ''Brigada Ramona Parra'', composed together with Víctor Rojas. It also included a Peruvian traditional song, "A la molina no voy mas". "Las casitas del barrio alto" was based on
Little Boxes
"Little Boxes" is a song written and composed by Malvina Reynolds in 1962, which became a hit for her friend Pete Seeger in 1963, when he released his cover version.
The song is a social satire about the development of suburbia, and associa ...
by American singer-songwriter
Malvina Reynolds
Malvina Reynolds (August 23, 1900 – March 17, 1978) was an American folk/ blues singer-songwriter and political activist, best known for her songwriting, particularly the songs "Little Boxes", " What Have They Done to the Rain" and " Morningt ...
. "El alma llena de banderas" was dedicated to the student Miguel Ángel Aguilera, who was 18 years old, was a member of the ''Brigada Ramona Parra'' and died in a demonstration in favor of the
Popular Unity. Victor sang it for the second ''Festival of the Nueva Canción Chilena''.
In "Ni chicha ni limoná", he called on all those who had not yet committed themselves to the government to join the revolution "where the potatoes burn". According to Roberto Ampuero, the song attacked
Christian Democracy
Christian democracy (sometimes named Centrist democracy) is a political ideology that emerged in 19th-century Europe under the influence of Catholic social teaching and neo-Calvinism.
It was conceived as a combination of modern democratic ...
, because "we saw there a division between reformist-reactionaries and progressive reformists. Víctor Jara sang that the DC was «ni chicha ni limoná», and what we aspired to was to divide the DC to get the political center of the country to support the construction of socialism."
"Plegaria a un labrador" was premiered it with the live support of the Chilean group
Quilapayún at the first ''Festival of the Nueva Canción Chilena'', held in July 1969, it won first place. In the song "a worker of the land was emboldened in solidarity towards a better future, placing him at the center of his uplifting work, whose contact with nature made his job acquire mystical edges."
The song begins as a "slow-tempo reflective piece" and then grows into a "fast-paced, fat-textured anthem." It was described as a "worker's prayer" and "a song crying out for democracy."
Release
''El derecho de vivir en paz'' was released in 1971 on DICAP and
Odeon Records
Odeon Records is a record label founded in 1903 by Max Straus and Heinrich Zuntz of the International Talking Machine Company in Berlin, Germany. The label's name and logo come from the Odéon-Théâtre de l'Europe in Paris.
History
Straus a ...
labels. In 1977, it was reissued by Movieplay. In 2017, the album was reissued in vinyl format along with others by Jara such as ''Victor Jara'' (1966), ''
Pongo en tus manos abiertas'' (1969), ''
La Población'' (1972) and ''
Manifiesto'' (1974).
Legacy
After the
Pinochet regime took power in Chile, Victor Jara was subsequently tortured and murdered. In the wake of Jara’s death, "El derecho de vivir en paz" has since served as a chilling memento for the Chilean people. The song was widely sung by protesters during the
2019 Chilean protests
Nineteen or 19 may refer to:
* 19 (number), the natural number following 18 and preceding 20
* one of the years 19 BC, AD 19, 1919, 2019
Films
* ''19'' (film), a 2001 Japanese film
* ''Nineteen'' (film), a 1987 science fiction film
Music ...
including by a people's ensemble of almost a thousand guitarists. Subsequently to lend their support to the protesters, Chilean musicians living around the world released their own version on Facebook. Another rendition of the song was released by a Chilean all-stars ensemble with artists including
Francisca Valenzuela,
Mon Laferte and
Gepe to show their support for the Chilean resistance.
Track listing
Side one
Side two
References
Bibliography
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{{DEFAULTSORT:El Derecho De Vivir En Paz
Víctor Jara albums
1971 albums
Andean music
Odeon Records albums
Albums produced by Víctor Jara
Nueva canción albums