''Efuru'' is a
novel
A novel is a relatively long work of narrative fiction, typically written in prose and published as a book. The present English word for a long work of prose fiction derives from the for "new", "news", or "short story of something new", itsel ...
by
Flora Nwapa
Florence Nwanzuruahu Nkiru Nwapa (13 January 1931 – 16 October 1993), was a Nigerian author who has been called the mother of modern African Literature. She was the forerunner to a generation of African women writers, and the first African w ...
which was published in 1966 as number 26 in Heinemann's
African Writers Series
The African Writers Series (AWS) is a collection of books written by African novelists, poets and politicians. Published by Heinemann, 359 books appeared in the series between 1962 and 2003.
The series has provided an international audience for ...
, making it the first book written by a
Nigerian
Nigerians or the Nigerian people are citizens of Nigeria or people with ancestry from Nigeria. The name Nigeria was taken from the Niger River running through the country. This name was allegedly coined in the late 19th century by British jour ...
woman, in fact, any African woman, to be published internationally. The book is about Efuru, an
Igbo
Igbo may refer to:
* Igbo people, an ethnic group of Nigeria
* Igbo language, their language
* anything related to Igboland, a cultural region in Nigeria
See also
* Ibo (disambiguation)
* Igbo mythology
* Igbo music
* Igbo art
*
* Igbo-Ukwu, a t ...
woman who lives in a small village in
colonial
Colonial or The Colonial may refer to:
* Colonial, of, relating to, or characteristic of a colony or colony (biology)
Architecture
* American colonial architecture
* French Colonial
* Spanish Colonial architecture
Automobiles
* Colonial (1920 a ...
West Africa
West Africa or Western Africa is the westernmost region of Africa. The United Nations defines Western Africa as the 16 countries of Benin, Burkina Faso, Cape Verde, The Gambia, Ghana, Guinea, Guinea-Bissau, Ivory Coast, Liberia, Mali, Mau ...
. Throughout the story, Efuru wishes to be a mother, though she is an independent-minded woman and respected for her trading ability. The book is rich in portrayals of the Igbo culture and of different scenarios, which have led to its current status as a feminist and cultural work.
Plot summary
The story is set in West African Igbo rural community. The protagonist, Efuru, is a strong and beautiful woman. She is the daughter of Nwashike Ogene, a hero and leader of his tribe. She falls in love with a poor farmer called Adizua and runs away with him, upsetting her people because he did not even perform the traditional wine-carrying and pay her bride price. She supports her husband financially and is very loyal to him, which makes her mother-in-law and aunt by marriage very fond of her. At this point, she accepts to be helped around her house by a young girl named Ogea in order to help her parents who are in financial difficulty. However, Adizua soon abandons Efuru and their daughter Ogonim, as his own father has done in the past.
After her daughter dies, Efuru discovers that he has married another woman and had a child with her. Her in-laws try to convince her to stay with him, i.e. remain in waiting in their marital house. Efuru then tries to look for him, but after failing, she leaves his house and goes back to the house of her father, who receives her happily, since she can care for him better than others.
Efuru then meets Gilbert, an educated man in her age group. He asks to marry her and follows tradition by visiting her father, and she accepts. The first year of their marriage is a happy one. However, Efuru is unable to conceive any children, so this begins to cause trouble. She is later chosen by the goddess of the lake,
Uhamiri, to be one of her worshippers, Uhamiri being known to offer her worshippers wealth and beauty but few children. Efuru's second marriage eventually also fails, as her husband mistreats her in favour of his second and third wives.
Characters in ''Efuru''
*Efuru – The protagonist. Born into the highly respected Nwashike Family, Efuru is raised solely by her father, Nwashike Ogene. The novel portrays her as a beautiful, kind-hearted, strong-willed, understanding, clever, and relatively more free-spirited female character compared to the other female characters. In certain scenarios, Efuru does not follow the traditions of her people, for example, she marries Adizua although he cannot pay her dowry. However, she undergoes the customary circumcision although it is unsafe and painful. Overall, Efuru does not completely try to rebel against her society's constructs and mentality but slowly breaks away from what a reader of this century would deem as "anti-feminist" ideas.
*Nwashike Ogene – Efuru's father. He is a highly respected member of their society because of his own father, who fought against the
Aro people
The Aro people or Aros are an Igbo subgroup that originated from the Arochukwu kingdom in present-day Abia state, Nigeria. The Aros can also be found in about 250 other settlements mostly in the Southeastern Nigeria and adjacent areas. The Aro ...
, and also due to the fact that he was an excellent fisher and farmer, abilities valued among his people, when he was younger. He is praised for being wise and understanding but surprises people with how lenient he is with his daughter when she does not follow traditions. He gives up on trying to bring Efuru home after he is told that she is happy with Adizua and after the marriage falls apart, Nwashike Ogene still lets his daughter return home.
*Adizua – Efuru's first husband. He is portrayed as a lazy, irresponsible character unlike Efuru who is willing to continue her trade after only one month of “feasting”, i.e. eating in order to heal after her circumcision, because of the little money they had. He is deemed unworthy to marry Efuru because of his unknown father who did not achieve anything to bring honor to the family. Within this context, he becomes even less worthy when he eventually elopes with another woman. He does not even return for their daughter's funeral. Efuru eventually leaves him although it is customary to wait for the return of the wrongdoing husband.
*Ajanapu – Adizua's aunt and Efuru's aunt-in-law. A sensitive, strong, and talkative mother of seven who acts as a mother-figure to Efuru. Throughout the story, Ajanupu does not hesitate to give advice and a majority of the time her advice is helpful to Efuru. The author comments on how she could be a midwife, which is convincing, because of the clear expertise she shows when it is Efuru's time to deliver her baby.
*Ossai – Adizua's mother and Efuru's mother-in-law. Her quiet and reserved persona is most noticeable when she is with her sister, Ajanupu, showing readers the contrast between the two. Although her son does not follow pre-marital customs, she treats Efuru well.
*Nwosu – Ossai's cousin. He is known as a great farmer but the flood ruins his harvest, causing him to fall into debt and to beg Efuru to take his daughter, Ogea as a maid and borrow ten pounds. He and his wife have trouble paying back the ten pounds but Efuru's patient character prevents any tension to form among them.
*Nwabata – Ogea's mother. She is an uneducated, hardworking farmer who works with her husband on their rented plot of land. Her love for her husband and ignorance become apparent when she cried after she heard that her husband needed surgery.
*Ogea – Efuru's maid, Nwabata and Nwosu's daughter. She started living and working at Efuru's house at the age of ten. Ogea helps Efuru take care of Ogonimy, resulting in a deep bond between the characters, which is why Ogea's reaction to Ogonim's passing is justified despite how present side-characters at the funeral told her to stop.
*Ogonim – Efuru's firstborn daughter. A healthy baby girl until the age of two, when she becomes ill and dies.
*Gilbert – He is Efuru's childhood friend and, later on, her second husband. His Igbo name is Enerberi but it changed to Gilbert after he was baptized. He is one of the few characters to receive an education, although he had to stop at standard five due to a lack of funds .
*Amede – Gilbert's mother. A neutral and quiet character who happily accepts Efuru as her daughter-in-law.
*Omirima – One of the women who criticizes Gilbert and Efuru's public displays of affection, pointing them out to Amede. In fact, she seems to be the main source of gossip in the novel.
*Dr Uzaru – Efuru lived with Dr. Uzaru and his mother until the age of fifteen. He treats Nwosu and Nnona under Efuru's request.
*Nkoyeni – She is Gilbert friend's sister whom he knows since childhood. She later becomes his second wife and has a baby boy.
*Nnona – The gate-woman with an infected leg. Efuru helps her by arranging an appointment with Dr. Uzaru. Later, she receives surgery and made a full recovery.
Reception and controversy
The novel ''Efuru'' is recognized as a substantial stepping stone in
Nigerian literature
Nigerian literature may be roughly defined as the literary writing by citizens of the nation of Nigeria for Nigerian readers, addressing Nigerian issues. This encompasses writers in a number of languages, including not only English but Igbo, Ur ...
and in the
feminist movement in Nigeria, for it was “the first novel published by a Nigerian woman in English.” As a result, Nwapa was awarded the title “Ogbuefi”, which translates into “killer of cow”. This title is of high importance, for it is usually acquired by men. Furthermore, Nwapa gained even more recognition for her work, as the Nigerian government granted her several prestigious awards after ''Efuru'' was released.
After ''Efuru''’s first publication, it received mixed reviews. For instance, Kenyan author
Grace Ogot
Grace Emily Ogot (née Akinyi; 15 May 1930 – 18 March 2015) was a Kenyan author, nurse, journalist, politician and diplomat. Together with Charity Waciuma she was the first Anglophone female Kenyan writer to be published.Mike Kuria, ed. ''Tal ...
spoke positively of the novel in a review which appeared in the ''East Africa Journal'' in 1966, stating that “of the many novels that are coming out of Nigeria, ''Efuru'' is one of the few that portrays vividly the woman's world, giving only peripheral treatment to the affairs of men.” Nwapa's male counterparts, however, were not as fond of the book. Literary critic
Eldred Jones
Professor Eldred Durosimi Jones (6 January 1925 – 21 March 2020)''Africa Who's Who'', London: Africa Journal for Africa Books Ltd, 1981, p. 537. was a Sierra Leonean academic and literary critic, known for his book ''Othello's Countrymen: A Stud ...
and author Eustace Palmer both represent the opinion of some Nigerian male writers at the time, most of whom criticize Nwapa for focusing on the affairs of women. Later critics of ''Efuru'', however, commend Nwapa for creating an image of female protagonists unlike that created by Nigerian male writers. Author Rose Acholonu describes Nwapa and certain other African female writers as "pathfinders", who were able to "break the seals of silence and invisibility on the female protagonist by the early traditionalist male writers." Christine N. Ohale, a professor at the department of English, Communications, Media Arts and Theater in
Chicago State University
Chicago State University (CSU) is a predominantly black public university in Chicago, Illinois. Founded in 1867 as the Cook County Normal School, it was an innovative teachers college. Eventually the Chicago Public Schools assumed control o ...
, mentions that Nwapa's "efforts to present brand-new, assertive and individualistic females have helped to salvage the lop-sided image that male writers have created", which is mainly one of passiveness.
Furthermore, critics such as Naana Banyiwe-Horne praise the use of dialogue as a stylistic element of the novel; in discussing ''Efuru'', Banyiwe-Horne states: "The constant banter of women reveals character as much as it paints a comprehensive, credible, social canvas against which Efuru's life can be assessed." Many reviewers of the novel agree that the "dialogic style established in ''Efuru'' is even more central to the novel’s thematic concerns". Through the dialogue that Nwapa uses, she is able to paint an accurate picture of what life for Igbo women is like. Critics such as Christine Loflin point out that the use of dialogue in ''Efuru'' allows a sense of African feminism to emerge, free of Western imposed values. Other critics however, reprimand the excessive use of dialogue, considering the novel too "gossipy".
References
{{Reflist, 30em
1966 debut novels
1966 Nigerian novels
African Writers Series
Feminist novels
Nigerian English-language novels
Novels set in colonial Africa