Edward Toner Cone (May 4, 1917 – October 23, 2004) was an American composer,

music theorist Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. '' The Oxford Companion to Music'' describes three interrelated uses of the term "music theory": The first is the " rudiments", that ...

, pianist, and philanthropist.

Life and career

Cone was born in

Greensboro, North Carolina Greensboro (; ) is a city in Guilford County, North Carolina, United States, and its county seat. At the 2020 United States census, 2020 census, its population was 299,035; it was estimated to be 307,381 in 2024. It is the List of municipalitie ...

. He studied composition under

Roger Sessions Roger Huntington Sessions (December 28, 1896March 16, 1985) was an American composer, teacher, and writer on music. He had started his career writing in a neoclassical style, but gradually moved towards complex harmonies and postromanticism, a ...

Princeton University Princeton University is a private university, private Ivy League research university in Princeton, New Jersey, United States. Founded in 1746 in Elizabeth, New Jersey, Elizabeth as the College of New Jersey, Princeton is the List of Colonial ...

, receiving his bachelor's in 1939 (Latin

salutatorian Salutatorian is an academic title given in Armenia, the Philippines, Canada, Afghanistan and the United States to the second-highest-ranked graduate of the entire graduating class of a specific discipline. Only the valedictorian is ranked higher. ...

and the first Princeton student to submit a musical composition as his senior thesis). Cone and

Milton Babbitt Milton Byron Babbitt (May 10, 1916 – January 29, 2011) was an American composer, music theorist, mathematician, and teacher. He was a Pulitzer Prize and MacArthur Fellowship recipient, recognized for his serial and electronic music. Biography ...

were the first to earn graduate degrees in musical composition from Princeton (MFA, 1942). He studied piano with Karl Ulrich Schnabel and Edward Steuermann. During the Second World War, Cone served first in the army (as a pianist) and later in the Office of Strategic Services. Beginning in 1946, he taught at Princeton. He was the co-editor of the journal ''

Perspectives of New Music ''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. ''The Oxford Companion to Musi ...

'' between 1965 and 1969. Cone, known for his contributions to music criticism and analysis, also composed a significant body of music. His scholarly work addressed musical form and aesthetics, particularly questions of rhythm and

musical phrasing Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the in ...

. He died in

Princeton, New Jersey The Municipality of Princeton is a Borough (New Jersey), borough in Mercer County, New Jersey, United States. It was established on January 1, 2013, through the consolidation of the Borough of Princeton, New Jersey, Borough of Princeton and Pri ...

, aged 87. Cone was the companion of Princeton philosophy professor George Pitcher for nearly 48 years. Cone's students include Michael Dellaira, Hobart Earle, Alan Fletcher, Robert Greenberg, John Heiss,

David Lewin David Benjamin Lewin (July 2, 1933 – May 5, 2003) was an American music theorist, music critic and composer. Called "the most original and far-ranging theorist of his generation", he did his most influential theoretical work on the development ...

, Gilbert Levine, Mathilde McKinney, Robert P. Morgan, Mario Pelusi, Malcolm Peyton,

Harold Powers Harold Stone Powers (August 5, 1928 – March 15, 2007) was an American musicologist, ethnomusicologist, and music theorist. Career Born in New York City on August 5, 1928, he earned his B.Mus. in piano from Syracuse University in 1950 and an ...

, Victor Rosenbaum, John Solum, Richard Aaker Trythall, Beth Wiemann, and Edgar Warren Williams. Cone was a member of both the

American Philosophical Society The American Philosophical Society (APS) is an American scholarly organization and learned society founded in 1743 in Philadelphia that promotes knowledge in the humanities and natural sciences through research, professional meetings, publicat ...

and the

American Academy of Arts and Sciences The American Academy of Arts and Sciences (The Academy) is one of the oldest learned societies in the United States. It was founded in 1780 during the American Revolution by John Adams, John Hancock, James Bowdoin, Andrew Oliver, and other ...

Composition

Instrumental works

Orchestra

*''Elegy'' (1953) *''Music for Strings'' (1964) *''An Overture for the War (Prelude to Victory)'' (1942) *''Symphony'' (1953) *''Variations for Orchestra'' (1968)

Solo instrument and orchestra

*''Cadenzas'' (1979) for violin, oboe, and string orchestra *''Concerto for Violin and Small Orchestra'' (1959) for violin and orchestra *''Nocturne and Rondo for Orchestra and Piano'' (1957) for piano and orchestra

Small ensemble (3–14 players)

*''Capriccio for String Quartet'' (1981) for 2 violins, viola, and cello *''Clarinet Quintet'' (1941) for clarinet, 2 violins, viola, and cello *''Divertimento for Woodwinds'' (1940–46) for flute, oboe, English horn, 2 clarinets, and bassoon *''Fanfare'' (1948) for 6 trumpets, 3 horns, 3 trombones, and 2 tubas *''Funeral Stanzas'' (1965) for flute, oboe, clarinet, horn, and bassoon *''Music for a Film'' (1951) for clarinet, 2 violins, viola, and cello *''Ostinato, Cadenza and Finale'' (1990) for viola, cello, and piano *''Quartet for Strings and Piano'' (1983) for violin, viola, cello, and piano *''Quintet for Piano and Strings'' (1960) for 2 violins, viola, cello, and piano *''Serenade'' (1975) for flute, violin, viola, and cello *''String Quartet (#1)'' (1939) for 2 violins, viola, and cello *''String Quartet (#2)'' (1949) for 2 violins, viola, and cello *''String Sextet'' (1966) for 2 violins, 2 violas, and 2 cellos *''String Trio'' (1973) for violin, viola, and cello *Trio (1951) for violin, cello, and piano *''Variations on a Fan-Fair'' (1965) for 2 trumpets, horn, and trombone

Duos

*''Cavatina'' (1976) for treble viol and harpsichord *''Duo for Violin & Clarinet'' (1969) for clarinet and violin *''Duo for Violin & Harp'' (1959) for violin and harp *''Duo for Violin and 'Cello'' (1963) for violin and cello *''Elegy'' (1946) for violin and piano *''Fantasy for Two Pianos'' (1965) for 2 pianos *''Nocturne for 'Cello and Piano'' (1946) for cello and piano *''Pastoral Variations for Flute and Harp'' (1996) for flute and harp *''Prelude and Variations for Piano Four-Hands'' (1946) for piano four-hands *''Rhapsody'' (1947) for viola and piano *''Sonata for Violin and Piano (#1)'' (1940) for violin and piano *''Sonata for Violin and Piano (#2)'' (1948) for violin and piano *''Wedding Music'' (1977) for 2 trumpets

Solo strings

*''Sonata for Unaccompanied Violin'' (1961) for violin solo *''Sonata for Violoncello Solo'' (1955) for cello solo *''Variations for Solo Viola'' (after 1996) for viola solo

Solo keyboard

*''Another Page from a Diary'' (1985) for piano *''Etude for Either Hand, or Both'' (1963) for piano *''Fantasy'' (1950) for piano *''Fantasy on a Hebrew Theme'' (1947) for organ *''Fantasy on an Advent Hymn'' (1948) for organ with optional TBB chorus *''In Memoriam – R. D. W.'' (1951) for piano *''Page from a Diary'' (1977) for piano *''Piano Sonata'' (1947) for piano *''Prelude, Passacaglia and Fugue'' (1957) for piano *''Sphinxes'' (1974) for piano *''Twelve Bagatelles on the Triads'' (1959) for piano *''Twelve Tonal Studies'' (1962) for piano *''Twenty-One Little Preludes'' (1940) for piano *''Two Fugues for J. Merrill Knapp'' (1940) for organ

Cadenzas

*''Cadenza for Bach's Concerto for Four Harpsichords, Strings & Continuo in A Minor (after Vivaldi, RV 580), BWV 1065'' (1989) for 4 pianos *''Cadenzas for Mozart Concerto for 2 Pianos & Orchestra, E-flat Major, K. 365'' (1997) for 2 pianos *''Cadenzas for Mozart Piano Concerto No. 21 in C major, K. 466'' (1981) for piano

Completions

*''Completion of a Cadenza for Beethoven's Piano Concerto in C Major, Opus 15'' (1984) for piano *''Completion of Bach's Unfinished Fugue in C Minor'' (1974) for keyboard

Choral and solo vocal works

Chorus and orchestra

*''Two Psalms for Chorus and Orchestra'' (1948) for SSATBB and orchestra

Chorus, solo voice, and orchestra

*''The Hollow Men'' (1950) for TTBB, tenor & baritone soloists, winds, and percussion *''The Lotos-Eaters'' (1946) for TTBB, tenor & bass soloists, and orchestra

Chorus and small ensemble

*''Around the Year'' (1956) for SATB, 2 violins, viola, and cello. Text by

Walter de la Mare Walter John de la Mare (; 25 April 1873 – 22 June 1956) was an English poet, short story writer and novelist. He is probably best remembered for his works for children, for his poem "The Listeners", and for his psychological horror short fi ...

Chorus and keyboard

*''Fantasy on an Advent Hymn'' (1948) for organ with optional TBB *''In the Last Days'' (1957) for SATB and piano *''Let Us Now Praise Famous Men'' (1946) for TTBB, tenor solo, and organ *''A Memory'' (1947) for TTBB and piano *''Veni Creator Spiritus'' (1950) for TBB and organ

A capella chorus

*''Excursions'' (1946) for SSATBB *''Petit Chant de Noel'' (1955) for SATBB. Text by

Gabriel Vahanian Gabriel Vahanian (in Armenian Գաբրիէլ Վահանեան; 24 January 1927 – 30 August 2012) was a French Protestant Christian theologian who was most remembered for his pioneering work in the theology of the "death of God" movement within ...

. *''Songs of Innocence and Experience'' (after 1996) for SATB. Text by

William Blake William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake has become a seminal figure in the history of the Romantic poetry, poetry and visual art of the Roma ...

*''Three Miniatures'' (1948) for TTBB. Text by James Stephens *''Two Limericks'' (1965) for SATB *''Two Songs from Shakespeare'' (1972) for SATB

Solo voice and orchestra

*''Dover Beach'' (1941) for baritone and orchestra *''The Duchess of Malfi'' (1954) for contralto, tenor, bass, and orchestra *''La Figlia che Piange'' (1962) for tenor and chamber orchestra

Solo voice and small ensemble

*''Four Lyrics from Yeats'' (after 1996) for medium voice, 2 violins, viola, and cello. Text by

W. B. Yeats William Butler Yeats (, 13 June 186528 January 1939), popularly known as W. B. Yeats, was an Irish poet, dramatist, writer, and literary critic who was one of the foremost figures of 20th-century literature. He was a driving force behind the ...

. *''Ozymandias'' (1989) for soprano, oboe, clarinet, bassoon, and piano *''Philomela'' (1970) for soprano, flute, viola, and piano *''Scarabs'' (1948) for soprano, 2 violins, viola, and cello. Text by R. P. Blackmur. *''Two Gardens'' (1986) for soprano, 2 violins, viola, cello, and piano. Text by

Joyce Carol Oates Joyce Carol Oates (born June 16, 1938) is an American writer. Oates published her first book in 1963, and has since published 58 novels, a number of plays and novellas, and many volumes of short stories, poetry, and nonfiction. Her novels ''Black ...

Solo voice and single instrument

*''Bells in Tower at Evening Toll'' (1940) for voice and piano *''Cover Me Over, Clover'' (n.d.) for voice and piano. Text by Richard Eberhart *''Dover Beach'' (1941) for baritone and piano *''An Epitaph'' (1940) for voice and piano *''Four Songs from Mythical Story'' (1961) for soprano and piano *''If It Chance Your Eye Offend You'' (1940) for voice and piano *''In the Morning'' (1940) for voice and piano *''Into My Heart'' (1940) for voice and piano *'' Loveliest of Trees'' (1940) for voice and piano *''Mona Lisa'' (1940) for voice and piano *''New Weather'' (1993) for tenor or soprano and piano. Text by

Paul Muldoon Paul Muldoon is an Irish poet. He has published more than thirty collections and won a Pulitzer Prize for Poetry and the T. S. Eliot Prize. At Princeton University he has been both the Howard G. B. Clark '21 University Professor in the Humani ...

. *''Nine Lyrics from Tennyson's "In Memoriam"'' (1978) for baritone and piano. Text by

Alfred Tennyson Alfred Tennyson, 1st Baron Tennyson (; 6 August 1809 – 6 October 1892) was an English poet. He was the Poet Laureate during much of Queen Victoria's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of ...

*''Parta Quies'' (1940) for voice and piano *''Psalm CXXI'' (1973) for soprano and organ *''The Shell'' (1948) for contralto and piano *''Silent Noon'' (1959) for soprano and piano *''Sir Thomas' House'' (1948) for soprano and flute. Text by

John Berryman John Allyn McAlpin Berryman (born John Allyn Smith, Jr.; October 25, 1914 – January 7, 1972) was an American poet and scholar. He was a major figure in American poetry in the second half of the 20th century and is considered a key figure in th ...

. *''Solace'' (1990) for soprano and piano. Text by Richard Eberhart. *''The Street Sounds to the Soldier's Tread'' (1940) for voice and piano *''Three Songs from Pippa Passes'' (after 1996) for mezzo-soprano and piano. Text by

Robert Browning Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose dramatic monologues put him high among the Victorian literature, Victorian poets. He was noted for irony, characterization, dark humour, social commentar ...

. *''Triptych'' (1950) for tenor or soprano and piano. Text by

. *''Two Women'' (1987) for soprano and piano *''With Rue My Heart is Laden'' (1940) for voice and piano

Books

*''Musical Form and Musical Performance'' (New York, 1968) *''The Composer's Voice'' (Berkeley, 1974) *''Music: a View from Delft'' (Chicago, 1989) *''Hearing and Knowing Music: The Unpublished Essays of Edward T. Cone'' (Princeton, NJ, 2009)

Edited volumes

*(ed., with

Benjamin Boretz Benjamin Aaron Boretz (born October 3, 1934) is an American composer and Music theory, music theorist. Life and work Benjamin Boretz was born in Brooklyn, New York, to Abraham Jacob Boretz and Leah (Yullis) Boretz. He graduated with a degree in ...

) ''Perspectives on Schoenberg and Stravinsky'' (Princeton, NJ, 1968, Revised 2nd ed. 1972) *(ed.) ''

Hector Berlioz Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'' ...

: Fantastic Symphony'' (New York, 1971) (annotated score) *(ed., with B. Boretz) ''Perspectives on American Composers'' (New York, 1971) *(ed., with B. Boretz) ''Perspectives on Contemporary Music Theory'' (New York, 1972) *(ed., with B. Boretz) ''Perspectives on Notation and Performance'' (New York, 1976) *(ed.) ''Roger Sessions on Music'' (Princeton, NJ, 1979) *(ed., with Edmund Keeley and Joseph Frank) "The Legacy of R. P. Blackmur: Essays, Memoirs, Texts" (New York, 1987)

Articles and reviews

1940–49 *"Roger Sessions' String Quartet." ''Modern Music'' 18, no. 3 (1941): 159–63. *"The Creative Artist in the University." ''American Scholar'' 16, no. 2 (1947): 192–200. *Review of

Paul Bowles Paul Frederic Bowles (; December 30, 1910November 18, 1999) was an American expatriate composer, author, and translator. He became associated with the Moroccan city of Tangier, where he settled in 1947 and lived for 52 years to the end of his ...

: Six Preludes for Piano. Notes. 4. 4 (1947). *Review of

Paul Creston Paul Creston (born Giuseppe Guttoveggio; October 10, 1906 – August 24, 1985) was an American composer of classical music. He composed six symphonies and several concertante works for violin, piano, accordion, marimba and saxophone. Biography B ...

: Review of Five Two-Part Inventions for the Piano. Notes. 4. 2 (1947): 191–192. *Review of David Diamond: Review of Sonatina for Piano. Notes. 4. 4 (1947). 1950–59 *Review of Carlos Riesco: Canzona E Rondo, for Violin and Piano. Notes. 11. 1 (1953): 155. *Review of Tibor Serly: Sonata in Modus Lascivus, for Solo Violin. Notes. 11. 1 (1953): 155.
Review of Berlioz: Romeo and Juliet, Complete Orchestral Score
(N. Y. Philharmonic-Symphony Orch., Mitropoulos) ''

The Musical Quarterly ''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including C ...

''. 39. 3 (1953): 475–478.
Review of Berlioz: The Trojans in Carthage
(Ensemble Vocal de Paris, André Jouve, Hermann Scherchen, Orchestre de la Société des Concerts du Conservatoire) ''

''. 39. 1 (1953): 138–141. *"The Old Man's Toys:

Verdi Giuseppe Fortunino Francesco Verdi ( ; ; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto, a small town in the province of Parma, to a family of moderate means, recei ...

's Last Operas." Perspectives USA 6 (1954): 114–33. Reprinted in Cone, ''Music: A View from Delft'', 159–75. *"Words into Music: The Composer's Approach to the Text." In ''Sound and Poetry'', edited by

Northrop Frye Herman Northrop Frye (July 14, 1912 – January 23, 1991) was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century. Frye gained international fame with his first book, ''Fearful Symmetr ...

, 3–15. English Institute Essays, 1956; New York, 1957. Reprinted in Cone, ''Music: A View from Delft'', 115–23.
Review of Robert Ward: Symphony No. Three; Stein: Three Hassidic Dances
(Cincinnati Symphony Orchestra, Thor Johnson, Robert Ward, and Stein) ''

''. 42. 3 (1956): 423–425.
Review of Roger Sessions: Second String Quartet; Colin McPhee: Concerto for Piano with Wind Octette Accompaniment
(New Music Quartet, Grant Johannesen,

Carlos Surinach Carlos Lund (or Carles Suriñach)
i Wrokona (; March 6, 1915 – November 12, 1997) was a Spanish-born

) ''

''. 43. 1 (1957): 140–142.
Review of Berlioz: L'Enfance Du Christ
(Boston Symphony Orchestra, Charles Munch, Cesare Valletti, Florence Kopleff, Gérard Souzay, Giorgio Tozzi, New England Conservatory Chorus, Lorna Cooke de Varon) ''

''. 44. 2 (1958): 259–261. *"Musical Theory as a Humanistic Discipline." ''Juilliard Review'' 5, no. 2 (1957–58): 3–12. Reprinted in Cone, ''Music: A View from Delft'', 29–37. 1960–69
"Analysis Today."
''

'' 46, no. 2 (1960): 172–88. Reprinted in ''Problems of Modern Music'', edited by Paul Henry Lang, 34–40. New York, 1960. Also reprinted in Cone, ''Music: A View from Delft'', 39–54.
"Music: A View from Delft."
''

'' 47, no. 4 (1961): 439–53. Reprinted in ''Perspectives on Contemporary Music Theory'', edited by Benjamin Boretz and Edward T. Cone, 57–71. New York, 1972. Also reprinted in Cone, ''Music: A View from Delft'', 13- 27. *"The Not-So-Happy Medium." ''The American Scholar'' 30, no. 2 (1961): 254–67. Reprinted in ''Essays Today'', vol. 5, edited by Richard Ludwig, 87- 96. New York, 1962. *"

Stravinsky Igor Fyodorovich Stravinsky ( – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential composers of ...

: The Progress of a Method." ''Perspectives of New Music'' 1, no. 1 (1962): 18–26. Reprinted in ''Perspectives on Schoenberg and Stravinsky'', edited by Benjamin Boretz and Edward T. Cone, 155–64. New York, 1972. Also reprinted in Cone, ''Music: A View from Delft'', 293–301.
"The Uses of Convention: Stravinsky and His Models."
''

'' 48, no. 3 (1962): 287–99. Reprinted in ''Stravinsky: A New Appraisal of His Work'', edited by Paul Henry Lang, 21- 33. New York, 1963. Also reprinted in Cone, ''Music: A View from Delft'', 281–92. *"From Sensuous Image to Musical Form." ''American Scholar'' 33, no. 3 (1964): 448- 62. *"A Budding Grove." ''Perspectives of New Music'' 3, no. 2 (1965): 38–46. *"On the Structure of 'Ich folge dir.'" ''College Music Symposium'' 5 (1965): 77–85. *"Toward the Understanding of Musical Literature." ''Perspectives of New Music'' 4, no. 1 (1965): 141–51. *"Conversations with Roger Sessions." ''Perspectives of New Music'' 4, no. 2 (1966): 29–46. Reprinted in ''Perspectives on American Composers'', edited by Benjamin Boretz and Edward T. Cone, 90–107. New York, 1971. *"The Power of The Power of Sound." Introductory essay in Edmund Gurney, ''The Power of Sound'', i–xvi. New York, 1966. *"Beyond Analysis." ''Perspectives of New Music'' 6, no. 1 (1967): 33–51. Reprinted in ''Perspectives on Contemporary Music Theory'', edited by Benjamin Boretz and Edward T. Cone, 72–90. New York, 1972. Also reprinted in ''Music: A View from Delft'', 55–75.
"Webern's Apprenticeship."
''

'' 53, no. 1 (1967): 39–52. Reprinted in ''Music: A View from Delft'', 267–80. *"What is a Composition?" ''Current Musicology'' 5 (1967): 101–7. *Review of Eric Walter White: Stravinsky – The Composer and His Works. ''Perspectives of New Music''. 5. 2 (1967): 155–161.
Review of Josef Rufer: Arnold Schönberg: Sämtliche Werke.
Abteilung I, Reihe A, Band 1, Lieder Mit Klavierbegleitung. ''

''. 53. 3 (1967): 416–420. *"Conversation with

Aaron Copland Aaron Copland (, ; November 14, 1900December 2, 1990) was an American composer, critic, writer, teacher, pianist, and conductor of his own and other American music. Copland was referred to by his peers and critics as the "Dean of American Compos ...

." ''Perspectives of New Music'' 6, no. 2 (1968): 57–72. Reprinted in ''Perspectives on American Composers'', edited by Benjamin Boretz and Edward T. Cone, 131–46. New York, 1971. *"

Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire ...

New-Born." ''American Scholar'' 38, no. 3 (1969); 389–400. *Review of Donald N. Ferguson: The Why of Music. Notes. 26. 2 (1969): 258–260. 1970–79
"Schubert's Beethoven."
''

'' 56, No.4 (1970): 779–93. *Review of

Reinhold Brinkmann Reinhold Brinkmann (21 August 1934, Wildeshausen, Oldenburg, Lower Saxony – 10 October 2010, Eckernförde, Rendsburg-Eckernförde, Schleswig-Holstein) was a German musicologist. Brinkmann was born in Wildeshausen and studied at Freiburg im Bre ...

: Arnold Schönberg: Drei Klavierstücke Op. 11. Studien Zur Frühen Atonalität Bei Schönberg." Notes. 27. 2 (1970): 267–268. *"Radical Traditionalism." ''Listener'' 2229 (1971); 849. *"Inside the Saint's Head; The Music of Berlioz." ''Musical Newsletter'' 1, no. 3 (July 1971); 3–12; 1, no. 4 (October 1971); 16–20; 2, no. 1 (January 1972); 19–22. Reprinted in ''Music: A View from Delft'', 217–48. *"In Honor of Roger Sessions." ''Perspectives of New Music'' 10, no. 2 (1972); 130–41. *"Editorial Responsibility and Schoenberg's Troublesome 'Misprints.'" ''Perspectives of New Music'' 11, no. 1 (1972); 65- 75. *Review of Roger Sessions: Review of Questions About Music. ''Perspectives of New Music''. 10. 2 (1972): 164–170. *"The Miss Etta Cones, the

Steins Steins may refer to: People * Kārlis Šteins, Latvian astronomer * Walter Steins, Dutch Jesuit priest Astronomy * 2867 Šteins, a small main-belt asteroid Video games * ''Steins;???'' See also * Stein (disambiguation) * Stynes, surn ...

, and M'sieu

Matisse Henri Émile Benoît Matisse (; 31 December 1869 – 3 November 1954) was a French visual arts, visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a drawing, draughtsman, printmaking, printmaker, ...

." ''The American Scholar'' 42, no. 3 (1973); 441- 60. *"

Bach Johann Sebastian Bach (German: �joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific output across a variety of instruments and forms, including the or ...

's Unfinished Fugue in C minor." In ''Studies in Renaissance and Baroque Music in Honor of

Arthur Mendel Arthur Mendel (June 6, 1905 – October 14, 1979) was an American musicologist, known as a Bach scholar. He was born in Boston and died in Newark, New Jersey. Education He graduated from Harvard University in 1925 before going to study with N ...

'', edited by Robert L. Marshall, 149–55. London, 1974. *"Sound and Syntax: An Introduction to Schoenberg's Harmony." ''Perspectives of New Music'' 13, no. 1 (1974): 21–40. Reprinted in ''Music: A View from Delft'', 249–66. *Review of Leonard B. Meyer: Explaining Music: Essays and Explorations." ''Journal of the American Musicological Society''. 27. 2 (1974): 335–338. *"In Defense of Song: The Contribution of Roger Sessions." ''Critical Inquiry'' 2, No.1 (1975): 93–112. Reprinted in ''Music: A View from Delft'', 303–22. *"Sessions' Concertino." ''Tempo'' 115 (1975): 2–10. *"Yet Once More, 0 Ye Laurels." ''Perspectives of New Music'' 14, no. 2; 15, no. 1 (1976): 294–306. *"Beatrice et Benedict." Boston Symphony Program (October 1977): 9–15. *"Beethoven's Experiments in Composition: The Late Bagatelles." In ''Beethoven Studies'', vol. 2, edited by Alan Tyson, 84–105. London, 1977. Reprinted in ''Music: A View from Delft'', 179–200. *"One Hundred Metronomes." ''The American Scholar'' 46, no. 4 (1977): 443–59. *"Three Ways of Reading a Detective Story-Or a

Brahms Johannes Brahms (; ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid- Romantic period. His music is noted for its rhythmic vitality and freer treatment of dissonance, often set within studied ye ...

Intermezzo." ''Georgia Review'' 31, no. 3 (1977): 554–74. Reprinted in Cone, ''Music: A View from Delft'', 77- 93. *Review of Hector Berlioz: Review of New Edition of the Complete Works, 9: Grande Messe Des Morts. Notes. 36. 2 (1979): 464–465. 1980–89 *" Aunt Claribel's 'Blue Nude' Wasn't Easy to Like." ''Art News'' 79, no. 7 (1980): 162–63. *"Berlioz's Divine Comedy: The Grande messe des morts." ''19th-Century Music'' 4, no. 1 (1980): 3–16. Reprinted in Cone, ''Music: A View from Delft'', 139–57. *"The Authority of Music Criticism." ''Journal of the American Musicological Society'' 34, no. 1 (1981): 1–18. Reprinted in Cone, ''Music: A View from Delft'', 95–112. *"On the Road to Otello: Tonality and Structure in Simon Bocanegra." Studi Verdiana 1 (1982): 72–98. *"Roger Sessions: Symphony No.6." San Francisco Symphony Stagebill (May 1982): v–ix. *"Schubert's Promissory Note: An Exercise in Musical Hermeneutics." ''19th Century Music'' 5, no. 3 (1982): 233- 41. Revised version reprinted in ''Schubert: Critical and Analytical Studies'', edited by Walter Frisch, 13–30. Lincoln, 1986. *"The Years at Princeton." ''The Piano Quarterly'' 119 (

Robert Casadesus Robert Marcel Casadesus (; 7 April 1899 – 19 September 1972) was a renowned 20th-century France, French pianist and composer. He was the most prominent member of a Casadesus, distinguished musical family, being the nephew of Henri Casadesus an ...

issue, 1982): 27–29. *"A Cadenza for Op. 15." In ''Beethoven Essays: Studies in Honor of

Elliot Forbes Elliot Forbes (August 20, 1917, Cambridge, Massachusetts – January 9, 2006, in Cambridge), known as "El", was an American conductor and musicologist noted for his Beethoven scholarship. Life and career Forbes came from a Boston Brahmin family ...

'', edited by Lewis Lockwood and Phyllis Benjamin, 99–107. Cambridge, 1984. *"Schubert's Unfinished Business." ''19th-Century Music'' 7, no. 3 (1984): 222- 32. Reprinted in Cone, ''Music: A View from Delft'', 201- 16. *"Musical Form and Musical Performance Reconsidered." ''Music Theory Spectrum'' 7 (1985): 149–58. *"A Tribute to Roger Sessions." ''Kent Quarterly'' 5, no. 2 (1986): 29–31. *"Twelfth Night." Musiktheorie 1 (1986): 41–59. Reprinted in original English version in ''Journal of Musicological Research'' 7, nos. 2–3 (1987): 131–56. *"Brahms: Songs with Words and Songs without Words." Integral 1 (1987): 31–56. *"Dashes of Insight: Blackmur as Music Critic." In ''The Legacy of R. P. Blackmur'', edited by Edward T. Cone, Joseph Frank, and Edmund Keeley, 10–12. New York: Ecco Press, 1987. *"Music and Form." In ''What Is Music? An Introduction to the Philosophy of Music'', edited by Philip Alperson, 131–46. University Park: Pennsylvania State University Press, 1994 (1987). *"On Derivation: Syntax and Rhetoric." Music Analysis 6, no. 3 (1987): 237- 56. *"The World of Opera and Its Inhabitants." In Cone, ''Music: A View from Delft'', 125- 38. *"Responses" (to "The Composer's Voice: Elaborations and Departures"). College Music Symposium 29 (1989): 75–80. 1990–99 *"Harmonic Congruence in Brahms." In ''Brahms Studies'', edited by George S. Bozarth, 165–88. Oxford, 1990. *"Poet's Love or Composer's Love?" In ''Music and Text'', edited by S. P. Scher, 177- 92. Cambridge, 1992. *"Ambiguity and Reinterpretation in Chopin." In ''Chopin Studies'' 2, edited by John Rink and

Jim Samson Thomas James Samson, FBA (born 6 July 1946), commonly known as Jim Samson, is a musicologist and retired academic. Described as "a leading authority on the music of Chopin", his research extends to Romantic music, early 20th-century classical ...

, 140- 60. Cambridge, 1994. *"Thinking (about) Music." ''Proceedings of the American Philosophical Society'', 138, no. 4 (1994): 469–75. *"Edward T. Cone Makes a Plea for Good Citizenship." Musical Times 135, no. 12 (December 1994): 734–38. *Review of

Nicholas Cook Nicholas Cook, (born 5 June 1950COOK, Prof. Nicholas (John)’, Who's Who 2012, A & C Black, 2012; online edn, Oxford University Press, Dec 2011; online edn, Nov 201accessed 9 April 2012/ref>) is a British musicologist and writer born in Athens, ...

: Music, Imagination, and Culture." ''Music Theory Spectrum''. 16. 1 (1994): 134–138. *"The Pianist as Critic." In ''The Practice of Performance: Studies in Musical Interpretation'', edited by John Rink, 241–53. Cambridge, 1995. *"Attacking a Brahms Puzzle." ''Musical Times'' 136, no. 2 (February 1995): 72- 77. *"Adding Up Beauty and Truth" (Article Review of Edward Rothstein: Emblems of Mind: The Inner Life of Music and Mathematics). ''Yale Review'' 83, no. 4 (October 1995): 121- 34. *"'Am Meer' Reconsidered: Strophic, Binary, Ternary." In ''Schubert Studies'' 5, edited by Brian Newbould, 112- 26. Aldershot, 1998. 2000–09 *"Repetition and Correspondence in Schwanengesang." In ''Companion to Schubert's Schwanengesang'', edited by Martin Chusid, 53- 89. New Haven, 2000.

References

*Paula Morgan. "Edward T. Cone". ''

The New Grove Dictionary of Music and Musicians ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and t ...

'' online. *Biographical Memoirs: Edward T. Cone. ''Proceedings of the American Philosophical Society'' Vol. 151, No. 1, March 2007. https://web.archive.org/web/20111018041937/http://www.amphilsoc.org/sites/default/files/151110.pdf. *Edward T. Cone Papers, 1924–1996 (bulk 1939–1996) Finding Aid C1027. https://web.archive.org/web/20110610174947/http://diglib.princeton.edu/ead/getEad?id=ark%3A%2F88435%2Fdz010q062. *The Music of Edward T. Cone: A Brief Catalog. http://music.princeton.edu/The_Music_of_Edward_T_Cone.pdf. *Edward T. Cone, music professor, pianist and composer, dies. http://www.princeton.edu/pr/news/04/q4/1026-cone.htm. *Edward T. Cone: Not Theory, Practice..., New Music Box, April 1, 2003. https://nmbx.newmusicusa.org/edward-t-cone-not-theory-practice/. *Edward T. Cone, 87, Music Professor, Dies. Margalit Fox, ''The New York Times'', October 30, 2004. https://www.nytimes.com/2004/10/30/arts/30Cone.html/. *Edward Cone: Composer, pianist and musicologist of 'unparalleled' eloquence, Martin Anderson, ''The Independent'', November 29, 2004

*Obituary, EdCone.com, October 23, 2004. http://edcone.typepad.com/wordup/2004/10/edward_t_cone_d.html. *Edward T. Cone – CRI CD 737, Review, Michael Dellaira. https://web.archive.org/web/20081121115543/http://www.michaeldellaira.com/2004/Texts/Reviews/ETCONE.htm *Notes for Edward T. Cone – CRI CD 737, http://www.newworldrecords.org/uploads/filed9m09.pdf.

External links

Princeton Symphony Program Notes
for An Overture for the War – Prelude to Victory and Elegy. {{DEFAULTSORT:Cone, Edward 1917 births 2004 deaths American music theorists American male classical composers 20th-century American classical composers Pupils of Roger Sessions Musicians from Greensboro, North Carolina 20th-century American musicologists 20th-century American male musicians Members of the American Philosophical Society