Dwijavanthi

Jaijaivanti or Jaijaiwanti is a Hindustani classical ''raga'' belonging to Khamaj Thaat. According to the Guru Granth Sahib, this ''raga'' is a mixture of two others: Bilaval and Sorath. The ''raga'' appears in the latter section in Gurbani, as only four hymns were composed by Guru Tegh Bahadur, the ninth Sikh guru. These hymns were added by his son and successor Guru Gobind Singh in 1705 A.D. This ''raga'' is not mentioned in any Indian classical scriptures on music nor in the ''Ragmala''.

According to Guru Granth Sahib, Jaijaivanti (ਜੈਜਾਵੰਤੀ) expresses the feeling of happiness and satisfaction of achievement, while simultaneously conveying the sadness of losing. An apt simile for this Raag is that of a king winning a battle, however, he is then told that his son has perished on the battlefield. This Raag conveys a sense of having to put duty first. The duality of the emotions of joy and sorrow prevents overreacting to good or bad news. Raga Jaijaiwanti bears the closest resemblance to raga: Gara.

Composition

Aaroh

Avroh

Pakad

It is classified as a "Paramel Praveshak Raga", i.e. a ''raga'' that has the characteristics of a particular m''ela'' or ''thaat'' and that has additional notes that allow it to qualify under another ''mela'' or ''thaat''. Jaijaivanti has both ''Shuddha'' Ga and ''Komal'' Ga. It also has ''Shuddha'' Ni and ''Komal'' Ni usage as well. If more stress or focus is put on the ''Shuddha'' Ga and Ni notes, the ''raga'' shows the characteristics of the Khamaj ''thaat''. Whereas if more focus is applied to the Komal Ga and Komal Ni notes in the same raga, the characteristics of the Kafi Thaat are highlighted.

Possible notes

::Ni Sa Dha Ni (komal) Re, Re Ga (komal) Re Sa.
::Pa Re Ga (komal) Re Sa, Ma Pa Ni (shuddha) Re (tar saptak) Ni (komal) Dha Pa, Dha Ma Ga Re, Re Ga (komal) Re Sa.

In Carnatic music

Jaijaivanthi :

ārohanam : , , , *

avarohanam : * , *

It is a janya ragam of the 28th melakarta ragam Harikambhoji.

Jeeva swaram : and

Anya swaram : * and *

Dwijavathi :

ārohanam :

avarohanam : *

Jeeva swaram : and

Anya swaram : *

It is a janya ragam of the 28th melakarta ragam Harikambhoji. It is also known as Jujāvanti (formerly)/''Dwijavanthi''(modern name)(pronounced Dvijāvanti) in the Carnatic tradition and in the ''Yakshagana'' theatre tradition.
It is said to have been borrowed by Muthuswami Dikshitar from Hindustani music into Carnatic, who then composed his famous Kritis, ''Akilandeswari Rakshamam and Chetah Sri Balakrishnam Bhajare''. It rubs shoulders with Sahana(carnatic), in certain phraseology. Desh ang or Sorath ang is not used in dwijavanti.There is absolutely no use or very less use of * . Rendition of Dwijavanti is usually done with incorporating shades of Sahana and Bageshri and with its signature phrase : .

Compositions

*Chetah Sri Balakrishnam Bhajare and Akilandeswari Rakshamam by Muthuswami Dikshitar
*Ramachandrudithadu by Annamacharya
*Prasanna Gopalakrishnam by Oothukkadu Venkata Kavi
*Taruni Njan(Padam) by Maharaja Swathi Thirunal
*Kumara Gurupara(Thiruppugazh) by Arunagirinathar tuned by Dr. Lalgudi Jayaraman

Film songs

Language :

Hindi

Tamil

Language :

Telugu

Language :

Urdu

Albums

Tamil

Urdu

* Ghazal: "Ghuncha-e-Shoq, Laga Hai Khilnay" (Singer: Ustad Mehdi Hasan, Notes: Re ga (komal) Re Sa Ma)
* Ghazal: "Dost Ban Kar Bhi Nahin" (Singer: Ustad Ghulam Ali)

Malayalam

* "Oruneram Enkilum" (Singers: Yesudas, Chitra)

Performance

"Jaijaivanti" is sung during the first prahar of the night—from 6:00 to 9:00  pm. It is generally recited in the summer or ''grishma''. "Jaijaivanti" is sung by 2 aangs, i.e. the Desh aang and the Bageshri aang.

References

{{Rāgas as per Performance Time

Hindustani ragas
Ragas in the Guru Granth Sahib