''Drawing the Line'' is a 2013 play by

Howard Brenton Howard John Brenton FRSL (born 13 December 1942) is an English playwright and screenwriter. While little-known in the United States, he is celebrated in his home country and often ranked alongside contemporaries such as Edward Bond, Caryl Chur ...

, centred on

Cyril Radcliffe Cyril John Radcliffe, 1st Viscount Radcliffe, (30 March 1899 – 1 April 1977) was a British lawyer and Law Lord best known for his role in the Partition of India. He served as the first chancellor of the University of Warwick from its foundatio ...

and his part in the

partition of India The Partition of British India in 1947 was the Partition (politics), change of political borders and the division of other assets that accompanied the dissolution of the British Raj in South Asia and the creation of two independent dominions: ...

in 1947. It premiered from 3 December 2013 to 11 January 2014, in a production directed by Howard Davies at London's Hampstead Theatre.

Storyline

Set in 1947, the play tells the story of Cyril Radcliffe and the boundary commission for the

Punjab Punjab (; Punjabi: پنجاب ; ਪੰਜਾਬ ; ; also romanised as ''Panjāb'' or ''Panj-Āb'') is a geopolitical, cultural, and historical region in South Asia, specifically in the northern part of the Indian subcontinent, comprising ...

portion of the eponymous Radcliffe Line. “Ignorant of India, mathematics or map-reading, the principled Radcliffe finds himself the victim of despair, as well as Delhi belly, and enmeshed in a whole series of escalating conflicts.”

Production history

The debut run of the play was completely sold out. Thousands of people from more than 80 countries also tuned in to watch the final performance streamed on the web in association with ''

The Guardian ''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Gu ...

''.

Critical reception

Reviews were generally positive though there were critiques of some embellishments to the story. Compliments included "brilliantly staged", "absorbing", and "giv nga vivid picture of the pressures of the time". Criticisms included that the play "fails to soar" and "brushes the boundaries of caricature". In a review for ''

The Independent ''The Independent'' is a British online newspaper. It was established in 1986 as a national morning printed paper. Nicknamed the ''Indy'', it began as a broadsheet and changed to tabloid format in 2003. The last printed edition was publis ...

'', Paul Taylor praised the "lucid, elegant production" and said "Not all of it works (the handling of Gandhi feels stilted) but it's a fascinating play which views colonial culpability from an unexpected and singularly revealing angle." The set design, by Tim Hatley, drew particular praise. Louise Burns, reviewing its online screening in April 2020, gave the 2014 production four stars. She said: "Hatley’s clever set design uses tall, patterned wood partitions to indicate a world of India and aside from strategically placed desks, chairs and props the space is sparse, allowing the story to unfold through precise acting and sharply constructed dialogue." In a four-starred review for the ''

Financial Times The ''Financial Times'' (''FT'') is a British daily newspaper printed in broadsheet and published digitally that focuses on business and economic current affairs. Based in London, England, the paper is owned by a Japanese holding company, Nik ...

'', Sarah Hemming said: "Brenton is a masterly storyteller and the play expertly draws you into the maelstrom. Howard Davies’s skilful production, focused on the interiors (suggested by designer Tim Hatley through elegant filigree screens) in which the decisions will be made, makes you constantly aware of the turbulence outside". Reviewing the 2020 online screening for

The Arts Desk ''The Arts Desk'' (theartsdesk.com) is a British arts journalism website containing reviews, interviews, news, and other content related to music, theatre, television, films, and other art forms written by journalists from a variety of tradition ...

, Marianka Swain said that "The fleet-footed, elegant production is marshalled by the late Howard Davies, who maintains a fluidity to this series of short scenes by stressing the claustrophobia of the trapped Radcliffe, hemmed in by giant filigree screens (evocative design by Tim Hatley). Davies also strikes exactly the right tone for this dark farce: simultaneously ridiculous and horrifying."

Portrayal of historical figures

In a live webchat, Howard Brenton answered questions about his acclaimed play and his career. Defending his portrayal of Cyril Radcliffe as a man who struggled with his conscience, Brenton said “There were clues that Radcliffe had a dark night of the soul in the bungalow: he refused to accept his fee, he did collect all the papers and draft maps, took them home to England and burnt them. And he refused to say a word, even to his family, about what happened. My playwright’s brain went into overdrive when I discovered these details.”

References

External links