Early life and education
Apel was born on January 22, 1952, inAcademic career
*Part-time faculty, Wayne State University, 1994-1999 *Holder of W. Hawkins Ferry Endowed Chair in Modern and Contemporary Art History, Wayne State University 1999—present (as Assistant Professor 1999-2003, Associate Professor 2005-2013, Professor 2013-2019. Professor Emerita 2019–present).Critical reception
Her books have been reviewed at length in various publications. A review published in PopMatters points out that her first book, ''Memory Effects: The Holocaust and the Art of Secondary Witnessing'' (2002), explored the work of artists who chose the Holocaust as their topic although they did not personally experience it, whereas ''Calling Memory into Place'' (2020) used her own family's Holocaust-related experiences during and after World War II, which "...strips away the academic analysis to get down to the way history hurts not in the abstract, but as embodied in the flesh." A review of ''Beautiful Terrible Ruins'' describes Apel's take on "ruin lust," and the contrast between viewing decaying stone structures of past cultures as examples of our superiority, versus seeing the acute decline of a modern city, Detroit, as an anxiety-inducing fear of our own possible future.Works
Books
* (2020) ''Calling Memory into Place''. New Brunswick: Rutgers University Press. * (2015) ''Beautiful Terrible Ruins: Detroit and the Anxiety of Decline''. New Brunswick: Rutgers University Press. * (2012) ''War Culture and the Contest of Images''. New Brunswick: Rutgers University Press. * (2008) ''Lynching Photographs''. Co-authored with Shawn Michelle Smith. Ed. Anthony Lee. Berkeley: University of California Press. * (2004) ''Imagery of Lynching: Black Men, White Women, and the Mob''. New Brunswick: Rutgers University Press. * (2002) ''Memory Effects: The Holocaust and the Art of Secondary Witnessing''. New Brunswick: Rutgers University Press.Selected articles and essays
*(2020) ''Farah Al Qasimi—Between Two Worlds: Arab Americans in Detroit'' *''Thirsty Cities: Who Owns the Right to Water?'' In The Routledge Companion to Urban Imaginaries, 25-40. Ed. Christoph Lindner and Miriam Meissner. New York: Routledge, 2018. *(2015) ''The Ruins of Capitalism'' *''‘Hands Up, Don’t Shoot’: Surrendering to Liberal Illusions, Theory and Event'' 17:3 (2014). Special Issue on “Ferguson and the Tragic Presence of the Past” *''Violence and Historical Reenactment: From the American Civil War to the Moore’s Ford Lynching''. IN: ''Violence and Visibility in Modern History'', 241-261. Ed. Juergen Martschukat and Silvan Niedermeier. New York: Palgrave Macmillan, 2013. *''The Public Display of Torture Photos''. IN: ''Representations of Pain in Art and Visual Culture'' (Routledge Advances in Art and Visual Studies), 203-213. Ed. James Elkins and Maria-Pia Di Bella. New York: Routledge, 2012.Awards and honors
* (2008) American Library Association: Outstanding Academic Title in Art and Architecture for ''Lynching Photographs''References
External links