Background
The concrete structure was formally opened in 1982 or 1983 (sources vary) and it was one of Joan Miró's last large sculptures which he constructed with the help of his friend and collaborator Joan Gardy Artigas. Miró was not able to attend the opening as he was too ill and he died less than a year later. It was Miró's design but Artigas was responsible for adding the tiles as he had done for Miró's earlier mural inDescription
The work uses some of Miró's recurring themes of women and birds. In Catalan the word for a "bird" (''ocell'') can be used as slang for penis. This might be reflected in the phallic shape of the main form which has a hole through the glans. The sculpture is decorated in primary colours and it has a vulva-shaped split down the side of the shaft which is lined with blackish tiles. The idea for the sculpture is not new and examples of placing vulva on a model penis and a hole in the glans have been found on Roman sculpture from the second or third century.The park
The park The park where the sculpture is installed covers four blocks of the Barcelona road grid near the Plaça d'Espanya. The park is a popular area to relax. The park, which is on one side of the road Carrer de Tarragona, is also known as ''Parc de l'Escorxador'', which translates as ''Slaughterhouse Park'' as this was the previous use for the site. The park is divided into two distinct areas. The lower area contains plants which includes flowers as well as eucalyptus, pine and palm trees. The higher area is paved, and has an artificial lake from which the sculpture rises at one corner.References
{{DEFAULTSORT:Dona i Ocell Sculptures by Joan Miró 1983 sculptures 1983 works 1983 in Catalonia Concrete sculptures Surrealist works Sculptures of women in Spain Sculptures of birds in Spain Outdoor sculptures in Barcelona Tourist attractions in Barcelona