''Dom Sébastien, Roi de Portugal'' (''Don Sebastian, King of Portugal'') is a French

grand opera Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and Orchestra, orchestras. The original productions consisted of spectacular design and stage effects with plots normally based on o ...

in five acts by

Gaetano Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian Romantic music, Romantic composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the ''be ...

. The

libretto A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to th ...

was written by

Eugène Scribe Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of man ...

, based on Paul Foucher's play ''Don Sébastien de Portugal'' which premiered at the Théâtre de la Porte-Saint-Martin on 9 November 1838. It is a historic-fiction about King Sebastian of Portugal (1554–1578) and his ill-fated 1578 expedition to Morocco. The opera premiered on 13 November 1843 at the Salle Le Peletier of the Paris Opéra. This was the last opera that Donizetti completed before going insane as a result of

syphilis Syphilis () is a sexually transmitted infection caused by the bacterium ''Treponema pallidum'' subspecies ''pallidum''. The signs and symptoms depend on the stage it presents: primary, secondary, latent syphilis, latent or tertiary. The prim ...

. At the time, Donizetti was attempting to compose an opera competitive with similar historical operas by

Daniel Auber Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally whe ...

, Fromental Halévy and

Giacomo Meyerbeer Giacomo Meyerbeer (born Jakob Liebmann Meyer Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Wolfgang Amadeus Mozart, Mozart and Richard Wa ...

. One critical description of the nature of ''Dom Sébastien'' is "a funeral in five acts". By contrast,

Winton Dean Winton Basil Dean (18 March 1916 – 19 December 2013) was an English musicologist of the 20th century, most famous for his research on the life and works—in particular the operas and oratorios—of George Frideric Handel, as detailed in his bo ...

has described the main characteristic of the opera as "uncompromising dramatic honesty" in his comments on unusual dramatic facets of the work. Mary Ann Smart has prepared a

critical edition Textual criticism is a branch of textual scholarship, philology, and literary criticism that is concerned with the identification of textual variants, or different versions, of either manuscripts (mss) or of printed books. Such texts may range i ...

of the opera in French, which includes appendices with variants and additions that Donizetti made for a production in German at the Vienna Hofoper in 1845. Mary Ann Smart (Ed.), Critical edition of the opera. Retrieved 27 January 2013

Roles

Synopsis

:Time: 16th century :Place: Lisbon and Morocco

Act 1

''Lisbon'' The Christian king, Dom Sébastian, leaves his uncle Dom Antonio to rule Portugal while he goes on a crusade against the Moors of

Africa Africa is the world's second-largest and second-most populous continent after Asia. At about 30.3 million km2 (11.7 million square miles) including adjacent islands, it covers 20% of Earth's land area and 6% of its total surfac ...

. Sébastian's entourage includes the idealistic poet Camoëns and the Moor princess Zayda, whom he had rescued from being burnt at the stake for trying to escape the monastery she had resided in since her conversion to Christianity (''O mon Dieu, sur la terre''). He intends to return her to her father Ben-Selim.

Act 2

''Fez, Morocco'' The reunion between Zayda and Ben-Selim is dampened by her refusal to marry the Moorish chief Abayaldos. ''A battlefield in Morocco'' Abayaldos led the Moors to battle against Sébastian's forces and mostly wiped them out. The wounded Sébastian's life is saved only when his lieutenant Dom Henrique presents himself to Abayaldos as Sébastian, before expiring from his own wounds, and Zayda pleads for "the Christian's" life (the real Sébastian) in return for her consent to marry Abayaldos, reasoning that her life was saved by a Christian during her captivity in Portugal and that the favor must be returned. Sébastian is left on the battlefield a broken man (''Seul sur la terre'').

Act 3

''A public square, Lisbon'' Camoëns has survived the battle and returned to Lisbon (''O Lisbonne, o ma patrie''!) where he learns that Antonio has aligned himself with the Spanish Grand Inquisitor Dom Juan de Sylva and usurped the throne. He runs into Sébastian, just as the funeral procession for the supposedly dead king passes by. Camoëns causes a commotion in his outrage, and Sébastian is recognized by the people when he intervenes. Abayaldos, for his part, recognizes the lowly "Christian" whose life he had spared. Sébastian is jailed as an imposter.

Act 4

''A court of law, Lisbon'' At Sébastian's trial, Zayda proves her love for him by testifying to his true identity and how he escaped death. Abayaldos accuses her of infidelity, and now both Sébastian and Zayda are jailed, she for treason.

Act 5

''The Lisbon Court'' Eager to legitimize his deal with Spain, Antonio offers to spare Sébastian's life if Zayda can convince Sébastian to sign the official instrument selling Portugal to Spain. After first refusing, Sébastian signs. Free but distraught, Zayda runs out to drown herself. ''A tower guarding the entrance to Lisbon Harbor'' (anachronistically the Belém Tower, the symbol of Portuguese independence) Sébastian catches up with Zayda at the top of the tower. They see Camoëns in a boat attempting to rescue them. Sébastian and Zayda climb down a rope to the boat but are discovered halfway down; they plunge to their deaths when the rope is slashed. Camoëns is killed by gunfire and, at the curtain, the Spanish fleet emerges on the horizon. Portugal has lost its independence.

Recordings

References

Notes Sources *Allitt, John Stewart (1991), ''Donizetti: in the light of Romanticism and the teaching of Johann Simon Mayr'', Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(USA) * Ashbrook, William (1982), ''Donizetti and His Operas'', Cambridge University Press. * Ashbrook, William (1998), "Donizetti, Gaetano" in

Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition ...

(Ed.), ''

The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. The dictionary was first published in 1992 by Macmillan Reference, L ...

'', Vol. One. London: Macmillan Publishers, Inc. *Ashbrook, William and Sarah Hibberd (2001), in Holden, Amanda (Ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam. . pp. 224–247. *Black, John (1982), ''Donizetti's Operas in Naples, 1822—1848''. London: The Donizetti Society. * Donizetti, Gaetano; Smart, Mary Ann, editor. (2005). ''Dom Sébastien, Rei de Portugal. Opéra in five acts by Eugéne Scribe'' (reduction for voice and piano based on the critical edition of the orchestral score). Milan: Ricordi. . *Foucher, Paul (1838)
View ''Don Sébastien de Portugal''
Paris: J. N. Barba; Delloye; Bezou. *Loewenberg, Alfred (1970). ''Annals of Opera, 1597–1940'', 2nd edition. Rowman and Littlefield * * Sadie, Stanley, (Ed.); John Tyrrell (Exec. Ed.) (2004), ''

The New Grove Dictionary of Music and Musicians ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and t ...

''. 2nd edition. London: Macmillan. (hardcover). (eBook). *Smart, Mary Ann (Ed.), Gaetano Donizetti (2004)
"''Dom Sebastien, rei de Portugal'': Opera in Five Acts by Eugène Scribe"
''The Critical Edition of the Operas of Gaetano Donizetti''. Chicago: University of Chicago Press. * Weinstock, Herbert (1963), ''Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century'', New York: Pantheon Books.

External links

*

* * * Parker, Roger
"Donizetti and Paris"
lecture on ''Dom Sébastien'' at Gresham College, 16 April 2007 (available for download as video or audio files) {{DEFAULTSORT:Dom Sebastien Grand operas French-language operas Operas by Gaetano Donizetti Libretti by Eugène Scribe Operas 1843 operas Opera world premieres at the Paris Opera Operas set in Portugal Operas set in Africa Operas based on plays