Dig (composition)
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"Dig" is a
bebop Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerou ...
jazz standard Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive List ...
attributed to
Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music, 20th-century music. Davis ado ...
by
Prestige Records Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City which issued recordings in the mainstream, bop, and cool jazz idioms. The company recorded hundreds of albums by many of the leading jazz music ...
without Davis' knowledge. It was recorded on October 5, 1951 and first released on his album '' The New Sounds''. Its chord sequence is almost identical to that of "
Sweet Georgia Brown "Sweet Georgia Brown" is a jazz standard composed in 1925 by Ben Bernie and Maceo Pinkard, with lyrics by Kenneth Casey. History Reportedly, Bernie came up with the concept for the song's lyrics – although he is not the credited lyricist ...
" by
Ben Bernie Benjamin Anzelevitz, known professionally as Ben Bernie (May 30, 1891 – October 20, 1943),DeLong, Thomas A. (1996). ''Radio Stars: An Illustrated Biographical Dictionary of 953 Performers, 1920 through 1960''. McFarland & Company, Inc. . P ...
and
Maceo Pinkard Maceo Pinkard (June 27, 1897 – July 21, 1962) was an American composer, lyricist, and music publisher. Among his compositions is " Sweet Georgia Brown", a popular standard for decades after its composition and famous as the theme of the Harlem ...
, making it a
contrafact A contrafact is a musical work based on a prior work. The term comes from classical music and has only since the 1940s been applied to jazz, where it is still not standard. In classical music, contrafacts have been used as early as the parody m ...
. Davis' second recording of the tune on May 9 the following year, this time for
Blue Note Blue Note Records is an American jazz record label now owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by German-Jewish emigrants Alfred Lion and Max Margulis, it derived its name from the blue no ...
, was called "Donna" and credited to
Jackie McLean John Lenwood McLean (May 17, 1931 – March 31, 2006) was an American jazz alto saxophonist, composer, bandleader, and educator. He is one of the few musicians to be elected to the ''DownBeat'' Hall of Fame in the year of their death. Bio ...
, the original composer, who played alto saxophone on both sessions ('' Young Man with a Horn'' and '' Miles Davis Volume 1'').cf. Jack Chambers, ''Milestones: The Music and Times of Miles Davis'', Da Capo Press, Cambridge, Massachusetts, 1998 (unabr. paperback ed.), pt. 1, p.158: "''Dig'', credited to Davis, was recorded seven month later as ''Donna'' and credited to McLean; by either title and author, it is a bebop line superimposed on the chord sequence of ''Sweet Georgia Brown''."; Chambers (1998), p.164f: "''Donna'' is a peculiarly methodical reading of the bouncy tune recorded under the title ''Dig'' for Prestige..." "Dig" has also been played by numerous other artists such as
Sonny Rollins Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American retired jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, Rollins recorded over sixt ...
,
Woody Herman Woodrow Charles Herman (May 16, 1913 – October 29, 1987) was an American jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roo ...
,
Donald Byrd Donaldson Toussaint L'Ouverture Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter, composer and vocalist. A sideman for many other jazz musicians of his generation, Byrd was one of the few h ...
,
Archie Shepp Archie Shepp (born May 24, 1937) is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz. Biography Early life Shepp was born in Fort Lauderdale, Florida, but ...
,
Joey DeFrancesco Joey DeFrancesco (April 10, 1971August 25, 2022) was an American jazz organist, trumpeter, saxophonist, and occasional singer. He released more than 30 albums under his own name, and recorded extensively as a sideman with such leading jazz perfo ...
, and Fred Firth.


See also

*
List of jazz contrafacts __NOTOC__ A contrafact is a musical composition built using the chord progression of a pre-existing piece, but with a new melody and arrangement. Typically the original tune's progression and song musical form, form will be reused but occasionally ...


Notes

1951 compositions 1950s jazz standards Compositions by Miles Davis Hard bop jazz standards Bebop jazz standards {{1950s-jazz-composition-stub