Dhanasree is a

raga A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...

. It prominently appears in the

Sikh Sikhs (singular Sikh: or ; , ) are an ethnoreligious group who adhere to Sikhism, a religion that originated in the late 15th century in the Punjab region of the Indian subcontinent, based on the revelation of Guru Nanak. The term ''Si ...

tradition from northern India and is part of the

Guru Granth Sahib The Guru Granth Sahib (, ) is the central holy religious scripture of Sikhism, regarded by Sikhs as the final, sovereign and eternal Guru following the lineage of the ten human gurus of the religion. The Adi Granth (), its first rendition, w ...

. Raga Dhanashree appears in the

Ragmala Ragmala, alternatively spelt as Raagmala or Ragamala ( Punjabi: ਰਾਗਮਾਲਾ ; pronounced rāgmālā,) is a composition of twelve verses (sixty lines) that names various raga''.'' These raga appear in the ''saroops'' of Guru Granth Sa ...

as a ragini of

Malkauns Malkauns, known also as rag Malkosh, is a raga in Indian classical music. It is one of the oldest ragas of Indian classical music. The equivalent raga in Carnatic music is called Hindolam, not to be confused with the Hindustani Hindol. Accor ...

and currently is a member of the

Kafi Kafi is a classical form of Sufi music in the Punjabi and Sindhi languages that originated from the Punjab and Sindh regions of South Asia. Some well-known Kafi poets are Baba Farid, Bulleh Shah, Shah Hussain, Shah Abdul Latif Bhittai, Sa ...

thaat A ''thaat'' () is a "parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term '' Melakartha raga'' of Carnatic music. The concept of the ''thaat'' is not exactly equivalent to the western musical scal ...

. It closely resembles

Bhimpalasi Bhimpalasi or Bheempalasi (also known as Bhimpalas or Bheempalas) is a Hindustani classical raga. The Carnatic Music equivalent of this raga is Abheri. Raga Bhimpalasi belongs to the Kafi Thaat. Theory * Aaroha: * Avaroha: The raga has k ...

in musical content but the vadis and moods are different (Described Below). Dhanashree is performed in the early afternoon and presents a cheerful, happy mood. It provided the setting for hymns by

Guru Nanak Gurū Nānak (15 April 1469 – 22 September 1539; Gurmukhi: ਗੁਰੂ ਨਾਨਕ; pronunciation: , ), also known as ('Father Nanak'), was an Indian spiritual teacher, mystic and poet, who is regarded as the founder of Sikhism and is t ...

Guru Amar Das Guru Amar Das (Gurmukhi: ਗੁਰੂ ਅਮਰ ਦਾਸ, pronunciation: ; 5 May 1479 – 1 September 1574), sometimes spelled as Guru Amardas, was the third of the Ten Gurus of Sikhism and became Sikh Guru on 26 March 1552 at age 73. Befor ...

Guru Ram Das Guru Ram Das (Gurmukhi: ਗੁਰੂ ਰਾਮ ਦਾਸ, pronunciation: ; 24 September 1534 – 1 September 1581), sometimes spelled as Guru Ramdas, was the fourth of the ten Sikh gurus. He was born to a family based in Lahore, who ...

Guru Arjan Guru Arjan (Gurmukhi: ਗੁਰੂ ਅਰਜਨ, pronunciation: ; 15 April 1563 – 30 May 1606) was the fifth of the ten total Sikh Gurus. He compiled the first official edition of the Sikh scripture called the Adi Granth, which later expande ...

and

Guru Tegh Bahadar Guru Tegh Bahadur (Punjabi language, Punjabi: ਗੁਰੂ ਤੇਗ਼ ਬਹਾਦਰ (Gurmukhi); ; 1 April 1621 – 11 November 1675) was the ninth of ten Sikh gurus, gurus who founded the Sikhism, Sikh religion and was the leader of Sik ...

for a total of 101 hymns. The following represents the order of notes that can be used on the ascending and descending phase of the composition and the primary and secondary notes: * Aroh: ni Sa ga Ma Pa ni Sa * Avroh: Sa ni Dha Pa Ma Pa ga Re Sa * Vadi: Sa * Samvadi: Pa * Jaati : Audava – sampurana * samay : Third pehar of the day * Thaat : Kafi This Raag is almost exactly the same as the Classical Raga

, only that the Vadi/Samvadi are switched. So in Bhimpalasi, the Vadi is Ma and Samvadi is Sa. Pa is given considerable emphasis and Ni and Pa receive sliding approaches, a characteristic of this raga. The pentatonic ascent provides some of the melodic features of this raga. The Carnatic Equivalent of this raga is ''

Abheri Abheri (pronounced ābhēri) is a raga in Carnatic music (musical scale of South Indian classical music). It is a ''Janya'' raga (derived scale), whose ''Melakarta'' raga (parent, also known as ''janaka'') is ''Kharaharapriya'', 22nd in the 72 ...

References

External links

Sikh Kirtan Community

Gurmat Sangeet Project

Raj Academy of Asian Music

Sikhnet: Shabad for Printing

{{Sikh Ragas Hindustani ragas Ragas in the Guru Granth Sahib

See also

References

External links