David Woodard

David James Woodard (; born April6, 1964) is an American conductor and writer.

Los Angeles memorial services at which Woodard has served as conductor or music director include a 2001 civic ceremony held at the Angels Flight funicular railway honoring mishap casualty Leon Praport and his injured widow Lola. He has conducted wildlife requiems, including for a California brown pelican on the berm crest of a beach where the animal had fallen. He is reputed to favor colored inks in preparing a score.

Woodard's replicas of the Dreamachine have been exhibited in art museums throughout the world. His contributions to Adam Parfrey's ''Apocalypse Culture'' book series, and to literary journals such as '' Der Freund'', include writings on interspecies karma, plant consciousness, ketamine, and the Paraguayan settlement Nueva Germania.

Early life

David Woodard grew up in Santa Barbara, California, the youngest child of a Canadian Mennonite mother, part of the Kleine Gemeinde, and an American Hussite father. His irenic parents owned and operated Woodard Communications, a public relations firm. Woodard was educated privately and at The New School for Social Research.

Career

From 1989 to 2007 Woodard built replicas of the Dreamachine, a mildly psychoactive lamp or stroboscopic device created by Brion Gysin and Ian Sommerville, involving a slotted cylinder made of copper or paper encircling an electric lamp on a motorized base constructed of cocobolo or pine. Woodard maintained that, observed with closed eyes, the machine could trigger mental states comparable to substance intoxication or dreaming.

Agreeing to contribute a Dreamachine to William S. Burroughs' 1996 LACMA visual retrospective ''Ports of Entry'', Woodard also befriended the elderly author and presented him with a paper and pine "Bohemian model" Dreamachine on the occasion of his 83rd and final birthday. Sotheby's auctioned the former machine to a private collector in 2002, and the latter machine remains on extended loan from Burroughs' estate to the Spencer Museum of Art in Lawrence, Kansas. In a 2019 critical study, Beat scholar Raj Chandarlapaty evaluates Woodard's "idea-shattering" approach to reviving the near-forgotten Dreamachine.

Prequiems

During the 1990s Woodard coined the term ''prequiem'', a portmanteau of preemptive and requiem, to describe his Buddhist practice of composing dedicated music to be rendered during or slightly before the death of its subject.

Timothy McVeigh asked Woodard to conduct a prequiem Mass on the eve of his 2001 execution in Terre Haute, Indiana. Acknowledging McVeigh's horrible deed, yet intending to provide comfort, Woodard consented by premiering the coda section of his composition ''Ave Atque Vale'' (Hail and Farewell) with a local brass choir at St. Margaret Mary Church, near USP Terre Haute, before an audience that included the following morning's witnesses. Archbishop Daniel M. Buechlein and later Cardinal Roger Mahony petitioned Pope John Paul II to bless Woodard's full score.Woodard, D., "Musica lætitiæ comes medicina dolorum", trans. S. Zeitz, ''Der Freund'', Nr. 7, March 2006, pp. 34–41.

Nueva Germania

In 2003 Woodard was elected councilman in Juniper Hills (Los Angeles County), California. In this capacity he proposed a sister city relationship with Nueva Germania, Paraguay Capanna, P.
"Los parientes de Nietzsche"
'' Página 12'', October 3, 2009., which had been originally founded as a "racially pure utopian settlement" for Germans. Woodard, who denies that he is a white supremacist, states that he was "drawn to the idea of an Aryan vacuum in the middle of the jungle". To research his idea he traveled to the settlement and met with its municipal leadership. Following an initial visit, having encountered a population "in moral and intellectual decline", Woodard chose not to pursue the relationship but had found in the community an object of study for later writings. What particularly interested him were the proto-transhumanist ideas of speculative planner Richard Wagner and Elisabeth Förster-Nietzsche, who along with her husband Bernhard Förster founded and lived in Nueva Germania from 1886 to 1889.

In 2004, acknowledging sustainable aspects of Nueva Germania's founding ideals, namely compassion, self-denial and Lutheranism, Woodard composed the choral anthem "Our Jungle Holy Land".

From 2004 to 2006 Woodard led numerous expeditions to Nueva Germania, winning support from then U.S. Vice President Dick Cheney. Epstein, J.
"Rebuilding a Pure Aryan Home in the Jungle"
''San Francisco Chronicle'', March 13, 2005
Archived
from the original on October 9, 2016. In 2011 Woodard granted Swiss writer Christian Kracht license to publish some of their private correspondence, largely concerning Nueva Germania, under University of Hanover imprint Wehrhahn Verlag. Of the correspondence ''FAZ'' relates, " he authorsobliterate the boundary between life and art." ''Der Spiegel'' posits that ''Five Years'' constitutes "the spiritual preparatory work" of Kracht's subsequent novel ''Imperium''.

According to Andrew McCann in 2015, Woodard embarked on "a trip to what is left of the place, where descendants of original settlers live under drastically reduced circumstances" and was moved to "advance the cultural profile of the community, and to build a miniature Bayreuth opera house on the site of what was once Elisabeth Förster-Nietzsche's family residence."McCann, A. L.
"Allegory and the German (Half) Century"
'' Sydney Review of Books'', August 28, 2015. In recent years Nueva Germania has tempered into a more genial destination, with bed and breakfasts and a makeshift historical museum.

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{{DEFAULTSORT:Woodard, David
Living people
1964 births
21st-century American composers
21st-century American conductors (music)
21st-century American male musicians
American male composers
American male conductors (music)
American male writers
American Mennonites
American people of Canadian descent
American people of English descent
American people of German descent
American postmodern writers
Kleine Gemeinde
Mennonite musicians
Mennonite writers
Musicians from Santa Barbara, California
The New School alumni
Writers from Santa Barbara, California