David Park (art Historian)
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David William Park FSA (born 23 May 1952) is a professor at the
Courtauld Institute of Art The Courtauld Institute of Art (), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. The art collection is known particularly for ...
, University of London, where he is Director of the Conservation of Wall Painting Department. Park is a graduate of
Manchester University The University of Manchester is a public university, public research university in Manchester, England. The main campus is south of Manchester city centre, Manchester City Centre on Wilmslow Road, Oxford Road. The University of Manchester is c ...
and Corpus Christi College,
Cambridge University The University of Cambridge is a Public university, public collegiate university, collegiate research university in Cambridge, England. Founded in 1209, the University of Cambridge is the List of oldest universities in continuous operation, wo ...
and has been a Fellow of the
Society of Antiquaries of London The Society of Antiquaries of London (SAL) is a learned society of historians and archaeologists in the United Kingdom. It was founded in 1707, received its royal charter in 1751 and is a Charitable organization, registered charity. It is based ...
since 1986.Professor David Park.
The Courtauld Institute, 2013. Retrieved 23 April 2013
Archived here.
/ref>List of Fellows.
Society of Antiquaries of London, 2013. Retrieved 26 April 2013
Archived here.
/ref>


Selected publications

*‘The earliest
Holy Kinship The Holy Kinship was the extended family of Jesus descended from his maternal grandmother Saint Anne from her ''trinubium'' or three marriages. The group were a popular subject in religious art throughout Germany and the Low Countries, especially ...
image, the Salomite controversy, and a little known centre of learning in northern England in the twelfth century’ (with M. Naydenova-Slade), ''Journal of the Warburg and Courtauld Institutes'', 71 (2008), 95–119. *‘Mural painting in
Transcaucasia The South Caucasus, also known as Transcaucasia or the Transcaucasus, is a geographical region on the border of Eastern Europe and West Asia, straddling the southern Caucasus Mountains. The South Caucasus roughly corresponds to modern Armenia, ...
’, in ''Mural Paintings of the
Silk Road The Silk Road was a network of Asian trade routes active from the second century BCE until the mid-15th century. Spanning over , it played a central role in facilitating economic, cultural, political, and religious interactions between the ...
: Cultural Exchanges between East and West'' (Proceedings of the 29th International Symposium on the Conservation and Restoration of Cultural Property, Tokyo, January 2006), ed. K. Yamauchi, Y. Taniguchi and T. Uno, London 2007, 3-8 (also published in the Japanese version of the Proceedings). *‘The painted decoration of
Ewenny Priory Ewenny Priory (), in Ewenny in the Vale of Glamorgan, Wales, was a monastery of the Benedictine order, founded in the 12th century. The priory was unusual in having extensive military-style defences and in its state of preservation; the architec ...
and the development of Romanesque altar imagery’ (with S. Stewart), in ''Cardiff: Architecture and Archaeology in the Medieval Diocese of Llandaff'' ( British Archaeological Association Conference Transactions, 29), ed. J. R. Kenyon and D. M. Williams, Leeds 2006, 42–59. *'The painted plaster’ (with H. Howard), in ''
Sherborne Abbey Sherborne Abbey, otherwise the Abbey Church of St. Mary the Virgin, is a Church of England church in Sherborne in the English county of Dorset. It was formerly a Saxon Catholic cathedral (705–1075) and a Benedictine abbey church (998–1539) ...
and School Excavations 1972-1976 and 1990'', ed. L. Keen and P. Ellis, Dorchester 2005, 107–16. *'Late medieval paintings at Carlisle’ (with S. Cather), in ''Carlisle and Cumbria: Roman and Medieval Architecture, Art and Archaeology'' (British Archaeological Association Conference Transactions, 27), ed. M. McCarthy and D. Weston, Leeds 2004, 214–31. *'English medieval wall painting in an international context’, in ''Conserving the Painted Past: Developing Approaches to Wall Painting Conservation'' (Post-prints of an English Heritage conference, 1999), eds. R. Gowing and A. Heritage, London 2003, 1–8. *Catalogue entries in ''Gothic: Art for England 1400-1547'', ed. R. Marks and P. Williamson (catalogue of exhibition at the
Victoria & Albert Museum The Victoria and Albert Museum (abbreviated V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.8 million objects. It was founded in 1852 and named after Queen ...
), London 2003.


References

Living people Academics of the Courtauld Institute of Art 1952 births Alumni of Corpus Christi College, Cambridge Alumni of Manchester Metropolitan University Fellows of the Society of Antiquaries of London {{UK-historian-stub