Daniel J. Robbins (

pseudonym A pseudonym (; ) or alias () is a fictitious name that a person assumes for a particular purpose, which differs from their original or true meaning ( orthonym). This also differs from a new name that entirely or legally replaces an individual's o ...

s, Jeremiah Drummer and George Gregory Dobbs; January 15, 1932 – January 14, 1995) was an American

art historian Art history is the study of artistic works made throughout human history. Among other topics, it studies art’s formal qualities, its impact on societies and cultures, and how artistic styles have changed throughout history. Traditionally, the ...

art critic An art critic is a person who is specialized in analyzing, interpreting, and evaluating art. Their written critiques or reviews contribute to art criticism and they are published in newspapers, magazines, books, exhibition brochures, and catalogue ...

, and

curator A curator (from , meaning 'to take care') is a manager or overseer. When working with cultural organizations, a curator is typically a "collections curator" or an "exhibitions curator", and has multifaceted tasks dependent on the particular ins ...

, who specialized in avant-garde 20th-century art and helped encourage the study of it. Robbins' area of scholarship was on the theoretical and philosophical origins of

Cubism Cubism is an early-20th-century avant-garde art movement which began in Paris. It revolutionized painting and the visual arts, and sparked artistic innovations in music, ballet, literature, and architecture. Cubist subjects are analyzed, broke ...

.Dictionary of Art Historians
/ref> His writings centered on the importance of artists such as

Albert Gleizes Albert Gleizes (; 8 December 1881 – 23 June 1953) was a French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on ...

Jean Metzinger Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1 ...

, Henri Le Fauconnier and

Jacques Villon Jacques Villon (July 31, 1875 – June 9, 1963), also known as Gaston Duchamp, was a French Cubist and Abstract art, abstract painter and printmaker. Early life Born Émile Méry Frédéric Gaston Duchamp in Damville, Eure, Damville, Eure, ...

. He was a specialist in early

Modernism Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and Subjectivity and objectivity (philosophy), subjective experience. Philosophy, politics, architecture, and soc ...

, writing on Salon Cubists (the Section d'Or group) and championed contemporaries such as

Louise Bourgeois Louise Joséphine Bourgeois (; 25 December 191131 May 2010) was a French-American artist. Although she is best known for her large-scale sculpture and installation art, Bourgeois was also a prolific painter and printmaker. She explored a varie ...

and the Color Field painters.Kimmelmann, Michael, Daniel Robbins, 62; Was Art Historian And a Modernist, The New York Times, January 18, 1995
/ref> Art historian Peter Brooke referred to Robbins as "the great pioneer of the broader history of Cubism".Peter Brooke, ''On "Cubism" in context'', ''Gleizes, Metzinger and 'Salon Cubism'', online June 2012
/ref>

Biography

Education and career

Daniel Robbins attended the

University of Chicago The University of Chicago (UChicago, Chicago, or UChi) is a Private university, private research university in Chicago, Illinois, United States. Its main campus is in the Hyde Park, Chicago, Hyde Park neighborhood on Chicago's South Side, Chic ...

as an undergraduate, receiving an A.B. in 1951 at age 19. He then attended

Yale University Yale University is a Private university, private Ivy League research university in New Haven, Connecticut, United States. Founded in 1701, Yale is the List of Colonial Colleges, third-oldest institution of higher education in the United Stat ...

receiving an M.A. in Art History in 1955. He had initially applied at Yale to study painting, but switched to art history when he realized the painting department was overshadowed by the painter

Josef Albers Josef Albers ( , , ; March 19, 1888March 25, 1976) was a German-born American artist and Visual arts education, educator who is considered one of the most influential 20th-century art teachers in the United States. Born in 1888 in Bottrop, Westp ...

. After graduating from Yale in 1955 he taught at

Indiana University Indiana University (IU) is a state university system, system of Public university, public universities in the U.S. state of Indiana. The system has two core campuses, five regional campuses, and two regional centers under the administration o ...

for one academic year (1955–1956). He then began doctoral work at New York University Institute of Fine Arts. In 1958, at the instigation of his professor Robert Goldwater, Robbins began writing a PhD dissertation on the Cubist artist and theoretician

. At the time when, writes art historian David Cottington, "the expansionary momentum both of the New York art market and of post-war art-historical scholarship in the USA were creating a favorable climate for the recovery of salon cubism."David Cottington, ''Cubism and Its Histories'', Manchester University Press, 2004
/ref> The year before, a section of Gleizes' memoirs were published, offering insight into the artistic milieu of pre-1914 Paris. One of the most characteristic features of the Salon Cubists who exhibited in the public salons (e.g., Salon d'Automne and

Salon des Indépendants Salon may refer to: Common meanings * Beauty salon, a venue for cosmetic treatments * French term for a drawing room A drawing room is a room in a house where visitors may be entertained, and an alternative name for a living room. The name i ...

), unlike Picasso and Braque, was that they often worked on a large scale, and they had an interest in large "epic" subjects. Daniel Robbins had coined the term ''Epic Cubism'' to distinguish their work from the more intimate painting of Picasso and Braque. Robbins completed his course work for the degree in 1958 in the joint Certificate of Museology program under A. Hyatt Mayor at the

Metropolitan Museum of Art The Metropolitan Museum of Art, colloquially referred to as the Met, is an Encyclopedic museum, encyclopedic art museum in New York City. By floor area, it is the List of largest museums, third-largest museum in the world and the List of larg ...

. Robbins continued to paint, exhibiting under the pseudonym Jeremiah Drummer, and wrote art criticism for the

Village Voice ''The Village Voice'' is an American news and culture publication based in Greenwich Village, New York City, known for being the country's first alternative newsweekly. Founded in 1955 by Dan Wolf, Ed Fancher, John Wilcock, and Norman Ma ...

under the name of George Gregory Dobbs. Following a stay in Paris as a Fulbright scholar at the University of Paris in 1958, Robbins became research assistant to the Chief Curator of the

National Gallery of Art The National Gallery of Art is an art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in ...

in Washington, D.C., in 1959, a position he would hold through 1961. Robbins moved to New York City in 1961 and worked as a curator at the

Solomon R. Guggenheim Museum The Solomon R. Guggenheim Museum, often referred to as The Guggenheim, is an art museum at 1071 Fifth Avenue between 88th and 89th Street (Manhattan), 89th Streets on the Upper East Side of Manhattan in New York City. It hosts a permanent coll ...

. There he curated ''Albert Gleizes, 1881–1953: a Retrospective Exhibition'' and wrote a seminal text on the artist for the exhibition catalogue. He left the Guggenheim to become Director of the Rhode Island School of Design Museum from 1965 to 1971. As director of The RISD Museum he curated shows of new art, notably one called ''Raid the Icebox'', for which

Andy Warhol Andy Warhol (;''Random House Webster's Unabridged Dictionary''"Warhol" born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American visual artist, film director and producer. A leading figure in the pop art movement, Warhol ...

participated in choosing works from the museum's collection. At RISD, Robbins made exhibiting and collecting contemporary art a priority, something the Museum had not done for six decades. He then became director of the

Fogg Museum The Harvard Art Museums are part of Harvard University and comprise three museums: the Fogg Museum (established in 1895), the Busch-Reisinger Museum (established in 1903), and the Arthur M. Sackler Museum (established in 1985), and four research ...

Harvard University Harvard University is a Private university, private Ivy League research university in Cambridge, Massachusetts, United States. Founded in 1636 and named for its first benefactor, the History of the Puritans in North America, Puritan clergyma ...

. At Harvard he continued to champion modern art, including leading the restoration of the

Mark Rothko Mark Rothko ( ; Markus Yakovlevich Rothkowitz until 1940; September 25, 1903February 25, 1970) was an American abstract art, abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular reg ...

murals in the penthouse of Harvard University's Holyoke Center. In the fall of 1972 he conducted a seminar on

, and collaborated with the students to organize the first major Villon retrospective held in the U.S. (at the Fogg Museum) from 17 January to 29 February 1976. After resigning from the directorship of the museum in 1974 he lectured in

Fine art In European academic traditions, fine art (or, fine arts) is made primarily for aesthetics or creative expression, distinguishing it from popular art, decorative art or applied art, which also either serve some practical function (such as ...

at Harvard, completed his dissertation (delayed due to professional demands and responsibilities), and in 1975 received his degree from

New York University New York University (NYU) is a private university, private research university in New York City, New York, United States. Chartered in 1831 by the New York State Legislature, NYU was founded in 1832 by Albert Gallatin as a Nondenominational ...

. Robbins held a professorship at

Dartmouth College Dartmouth College ( ) is a Private university, private Ivy League research university in Hanover, New Hampshire, United States. Established in 1769 by Eleazar Wheelock, Dartmouth is one of the nine colonial colleges chartered before the America ...

from 1975 to 1980 and became a

Senior Fellow A fellow is a title and form of address for distinguished, learned, or skilled individuals in academia, medicine, research, and industry. The exact meaning of the term differs in each field. In learned or professional societies, the term refers ...

at the

National Endowment for the Humanities The National Endowment for the Humanities (NEH) is an independent federal agency of the U.S. government, established by thNational Foundation on the Arts and the Humanities Act of 1965(), dedicated to supporting research, education, preserv ...

(1976). He lectured at a variety of institutions including Yale University (1977),

Williams College Williams College is a Private college, private liberal arts colleges in the United States, liberal arts college in Williamstown, Massachusetts, United States. It was established as a men's college in 1793 with funds from the estate of Ephraim ...

(1978–79),

Hunter College Hunter College is a public university in New York City, United States. It is one of the constituent colleges of the City University of New York and offers studies in more than one hundred undergraduate and postgraduate fields across five schools ...

(1984), the

Institute for Advanced Study The Institute for Advanced Study (IAS) is an independent center for theoretical research and intellectual inquiry located in Princeton, New Jersey. It has served as the academic home of internationally preeminent scholars, including Albert Ein ...

in Princeton, New Jersey, and the

University of Iowa The University of Iowa (U of I, UIowa, or Iowa) is a public university, public research university in Iowa City, Iowa, United States. Founded in 1847, it is the oldest and largest university in the state. The University of Iowa is organized int ...

(1985), where he co-authored a catalogue created for an exhibition of works by Cubist artist

.''Jean Metzinger in Retrospect''
Joann Moser, Daniel Robbins, 1985. Catalogue created for an exhibition of works by Cubist artist Jean Metzinger held at the University of Iowa Museum of Art, Iowa City, Aug. 31–Oct. 13, 1985; Archer M. Huntington Art Gallery, University of Texas at Austin, Nov. 10-Dec. 22, 1985; David and Alfred Smart Gallery, University of Chicago, Jan. 23–Mar. 9, 1986; Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania, Mar. 29–May 25, 1986. With 240 illustrations. In 1980 Robbins accepted a permanent position as the Baker Professor of the Arts at

Union College Union College is a Private university, private liberal arts college in Schenectady, New York, United States. Founded in 1795, it was the first institution of higher learning chartered by the New York State Board of Regents, and second in the s ...

, where he directed a catalogue raisonné on

The history of Cubism

Robbins had not contented himself to merely enrich the historical account of the beginnings of Cubism, as might have art historians John Golding (1929–2012) and Robert Rosenblum (1927–2006). He "challenged its very scope", writes David Cottington. In his PhD on

, with access to the Gleizes published memoirs and unpublished papers, and following from personal interviews with the artists widow, Juliette Roche Gleizes, Robbins began to reveal an account of Cubism that pointed towards other influences within the burgeoning movement than those generally accepted. He boldly charged 'an historical tradition which regards the '' Demoiselles'' as the origin of cubism' to be unhistorical. As pointed out by Cottington, Robbins "insisted on both a distinct set of interests, and a separate artistic genealogy, for the group of artists within which Gleizes' work and ideas developed".

The lack of history consisted in the reductivism and exclusivism of a view that, placing Picasso's picture at the beginning of cubism's formal development, under-acknowledged or ignored the symbolists' interest in geometry, the particular structure and subject matter of neo-impressionism paintings and the parallel concerns of writers and social thinkers, and misread the relation of Braque's fauvism to his subsequent work. (Cottington, 219)

The distinct interests of the artists of Gleizes's circle, writes Cottington, "were registered by the commonalities of subject matter that Robbins identified in their paintings".

These involved the interaction of vast space with speed and action, with simultaneous work, commerce, sport and flight; with the modern city and the ancient country, with the river, the harbor and the bridge and above all, with time, for the sense of time—involving memory, tradition, and accumulated cultural thought—created the reality of the world. (Robbins, 1964)

Robbins argued that such iconography partially explained why there was no period in the work of Gleizes,

Robert Delaunay Robert Delaunay (; 12 April 1885 – 25 October 1941) was a French artist of the School of Paris movement; who, with his wife Sonia Delaunay and others, co-founded the Orphism (art), Orphism art movement, noted for its use of strong colours and g ...

Fernand Léger Joseph Fernand Henri Léger (; February 4, 1881 – August 17, 1955) was a French painting, painter, sculpture, sculptor, and film director, filmmaker. In his early works he created a personal form of cubism (known as "tubism") which he gradually ...

or Henri Le Fauconnier closely corresponding to the analytic cubism of Picasso or Braque. It explained too, as Cottington points out, the move by Gleizes and Delaunay into

abstraction Abstraction is a process where general rules and concepts are derived from the use and classifying of specific examples, literal (reality, real or Abstract and concrete, concrete) signifiers, first principles, or other methods. "An abstraction" ...

, "and their sympathy with the theoretical motions of artists such as Kandinsky and Mondrian". The parallel genealogy Robbins extracted from Gleizes's memoirs was the inspiration generated through post-symbolist literary activity around Alexandre Mercereau, Paul Fort's Parisian review ''Vers et Prose'' and the

Abbaye de Créteil L'Abbaye de Créteil or Abbaye group () was a utopian artistic and literary community founded during the month of October, 1906. It was named after the Créteil Abbey, as most gatherings took place in that suburb of Paris. History In 1905 and ea ...

. The 1964 Guggenheim essay on Gleizes developed these notions that Robbins summarized as:

A synthetic view of the universe, presenting the remarkable phenomena of time and space, multiplicity and diversity, at once was his painted equivalent to the ideals which were verbally realized in the Abbaye poetry. (Robbins, 1964)

Capitalizing on the occasion presented by the first major retrospective of a prominent salon cubist, Robbins' Guggenheim essay greatly opened the field of Cubist studies to novel approaches, and, writes Cottington, his example was invaluable for a rising generation of historians of modernism. Notwithstanding, the impact of Robbins radical conclusions remained somewhat overshadowed by the work of other mainstream art historians, such as Douglas Cooper, whose ''Cubist Epoch'' exhibition and 1970 publication gained in both impact and authority. During the 1980s however, Robbins began a major essay for a retrospective of the work of another key salon cubist:

. This gave him the opportunity to take his thesis beyond the broad generalizations of the Guggenheim text. This text titled ''Metzinger, At the Center of Cubism'', placed Metzinger at the intersection between the gallery cubists and the salon cubists. In a 1910 publication ''Note sur la peinture'' Metzinger explicitly relates, for the first time, the interest in representing objects as remembered from successive and subjective experiences within the context of both space and time. Metzinger's ''Note sur la peinture'' not only highlighted the works of Picasso and Braque, on the one hand, Le Fauconnier and Delaunay on the other, but it was also a tactical selection that highlighted the fact that only Metzinger himself was positioned to write about all four. Metzinger, uniquely, had been closely acquainted with the gallery cubists and the burgeoning salon cubists simultaneously.Jean Metzinger, ''Note sur la peinture'', Pan, Paris, Oct–Nov 1910 Robbins focused on the question of Picasso and Braque's influence, if any, on the work of Gleizes, Metzinger, Le Fauconnier and Delaunay; the group first named as Cubists in 1911. Robbins died on January 14, 1995, at the Dartmouth–Hitchcock Medical Center in

Lebanon, New Hampshire Lebanon ( ) is the only city in Grafton County, New Hampshire, United States. The population was 14,282 at the 2020 United States census, 2020 census, up from 13,151 at the 2010 United States census, 2010 census. Lebanon is in western New Hampshi ...

, shortly before his sixty-third birthday. He was 62 and lived in

Troy, New York Troy is a city in and the county seat of Rensselaer County, New York, United States. It is located on the western edge of the county, on the eastern bank of the Hudson River just northeast of the capital city of Albany, New York, Albany. At the ...

, and Braintree, Vermont. His death was caused by cancer.

Selected publications

* ''Cézanne and structure in modern painting'', Solomon R. Guggenheim Foundation, 1963, ASIN: B0007EMAQQ * ''Contemporary Wall Sculpture'', American Federation of Arts, 1963, ASIN: B003X626UA * ''Albert Gleizes, 1881–1953, a Retrospective Exhibition'', Solomon R Guggenheim Museum, 1964, Published by The Solomon R. Guggenheim Foundation, New York, in collaboration with Musée National d'Art Moderne, Paris; Museum am Ostwall, Dortmund. * ''The Genealogy of the Section d'Or'', in ''Albert Gleizes and the Section D'Or''. Exhibition 28 October – 5 December 1964; Leonard Hutton Galleries, New York, William A. Camfield, Daniel Robbins, Leonard Hutton Galleries (New York, NY), 1964 * ''Jean Xceron'', Guggenheim Museum, 1965, ASIN: B000F5NJNU * ''Painting between the wars, 1918–1940'', McGraw-Hill, 1966, ASIN: B007T4Q072 * ''Fernando Botero'', Galerie Buchholz, 1966 * ''Gilbert Stuart: Portraitist of the Young Republic, 1755–1828'', National Gallery of Art, John Walker, Daniel Robbins, Edgar Preston Richardson, Rhode Island School of Design. Museum of Art, 1967 * ''Early Portraits in Rhode Island, 1700–1850'': An Exhibition to Honor the Seventy-Fifth Anniversary of The National Society of the Colonial Dames of America in the State of Rhode Island and Providence Plantations, Museum of Art, Rhode Island School of Design; 1ST edition, 1967, ASIN: B001A7WW3K * ''Venice in the Eighteenth Century: Prints and Drawings'', Rhode Island School of Design, 1967, ASIN: B0040Y0H6O * ''The Neuberger Collection-an American Collection: Paintings, Drawings, and Sculpture'', Rhode Island School of Design; Smithsonian Institution, 1968, ASIN: B0013GHXTQ * ''The Neuberger Collection – An American Collection: Paintings, Drawings, And Sculpture'', Harry N. Abrams, Inc., New York, 1968, ASIN: B001KS26W6 * ''Visions and Revisions'', Catalogue: Museum of Art, Rhode Island School of Design, Providence, October 18–November 24, 1968, Rhode Island School of Design, 1968, ASIN: B00HG1U0IS * ''The George Waterman Collection'': Exhibition, October 22–November 23, 1969, Daniel Robbins, George Waterman, Museum of Art, Rhode Island School of Design, 1969, ASIN: B0012HPQFY * ''Late Works John Robinson Frazier'' Museum of Art, 1969, ASIN: B002H3GGJC * ''John Robinson Frazier; The Late Works'', Rhode Island School of Design, 1969, ASIN: B000PSYF4E * ''Beyond Minimalism'', George Waterman Collection, Rhode Island School of Design, Museum of Art, Oct 1, 1969 * ''Raid the Icebox 1, with Andy Warhol'': An Exhibition Selected from the Storage Vaults of the Museum of Art, Rhode Island School of Design, Fwd.; Daniel Robbins, David Bourdon, Andy Warhol, Contribs., Dominique De Menil, Rhode Island School of Design Museum of Art, 1969, ASIN: B000GY5RPS * ''Joaquin Torres-Garcia'', 1874–1949, Museum of Art, June 1970, , * ''Jacques Callot 1592–1635'', Daniel Robbins, Juergen Schulz, Department of Art, Brown University, 1970, ASIN: B007KIZX70 * ''The World Between the Ox and the Swine: Dada Drawings by Hans Richter'', Volume 57, Issues 3–4 of Bulletin of Rhode Island School of Design, 1971 * ''New American Graphic Art'': Exhibition September 12–October 28, Harvard University, Cambridge, Mass, Colles Baxter, Daniel Robbins, Fogg Art Museum, Harvard University, 1973 * ''The Formation and Maturity of Albert Gleizes: A Biographical and Critical Study; 1881 Through 1920'', Ph.D. diss. New York University, 1975 * ''Jaques Villon'', 1976, Cambridge, MA: Fogg Art Museum, Harvard University, First Edition, 1976, ASIN: B009Z329KM * ''Folk Sculpture USA'': xhibition ... the Brooklyn Museum, March 6–May 31, 1976, Los Angeles County Museum of Art, July 4–August 29, 1976 Universe Books, May 1976, , * ''André Lhote, 1885–1962'': Cubism, xhibitionOctober 16 Through December 18, 1976, Leonard Hutton Galleries, 1976 * ''Jacques Villon, Sixty Drawings and Watercolors 1894–1954'', Lucien Goldschmidt Inc. New York, 1979 * ''The Vermont State House: A history & guide'', Vermont State House Preservation Committee, 1980, ASIN: B0006E1W16 * ''Picasso's Vollard suite'': from the collection of Dartmouth College Museum & Galleries, Hanover, New Hampshire, Issue 2, Dartmouth College. Museum & Galleries, Daniel Robbins, Trustees of the Dartmouth College, 1980 * ''Henri de Toulouse-Lautrec: A selection of works from the Art Institute of Chicago'', Medaenas monographs on the arts, Pennsylvania State University, Art Institute of Chicago, 1980, ASIN: B0006YXHEG * ''Medaenas Toulouse-Lautrec, The Art of Oral Contraception'', A Selection of Works from The Art Institute of Chicago, 1980, Daniel Robbins, Eugenia S. Robbins * ''Préface'', in ''Du "Cubisme"'', by Jean Metzinger and Albert Gleizes, 1912, 9-16, Sisteron: Edition Présence, 1980 * ''Sources of Cubism and Futurism'', Art Journal, Vol. 41, No. 4, (Winter 1981): pp. 324–27, Published by College Art Association * ''Edward Koren, prints and drawings, 1959–1981'', Volume 1982, Part 1, Art Gallery, University of California, University Art Gallery, State University of New York at Albany, 1982 * ''Cubist drawings, 1907–1929''. Exhibition at the Janie C. Gallery; November 1982–January 1983, by Daniel Robbins, Margit Rowell, The Gallery, 1983, ASIN: B0006EDZQQ * ''Jean Metzinger: At the Center of Cubism'', in ''Jean Metzinger in Retrospect'', Joann Moser, Daniel Robbins, University of Iowa Museum of Art, Iowa City, J. Paul Getty Trust, University of Washington Press, December 1985, , * ''Walter Murch, paintings and drawings'', Judy Collischan, Paul Cummings, Daniel Robbins, Whitney Museum of American Art at Philip Morris, Hillwood Art Gallery, Long Island University, Jun 1, 1986 * ''An Abbreviated Historiography of Cubism''. Art Journal 47, Winter 1988, 277–83 * ''Cubism: Le Fauconnier, Gleizes, Kupka, Marcoussis, Metzinger ... t Al.': February 10 to March 11, 1989, James Goodman Gallery, The Gallery, 1989 * ''The Complete Graphic Legacy of Fernand Leger'': The Edith C. Blum Art Institute, Milton and Sally Avery Center for the Arts, Bard College, Annandale-on-Hudson, New York : September 3–November 19, 1989 * ''Henri le Fauconnier (1881–1946) A Pioneer Cubist'', Daniel Robbins, Salander-O'Reilly Galleries, 1990, ASIN: B00A8ODL8G * ''Larry Poons, Paintings 1963–1990'', Daniel Robbins, John Zinsser, Salander-O'Reilly Galleries, Inc.; First Edition, 1990, ASIN: B000I5M8MA * ''Die Entstehung des Kubismus: eine Neubewertung''. Frankfurt: R. G. Fischer, 1990 * ''Henri Le Fauconnier's Mountaineers Attacked by Bears'', Rhode Island School of Design: Museum Notes, 1996, 24-53 * ''Albert Gleizes: Période impressionniste avant 1907'', Somogy, 1998 * ''Albert Gleizes: catalogue raisonné. 1898–1927, Volume 1'', Fondation Albert Gleizes, Daniel Robbins, Pierre Georgel, Anne Varichon, Somogy, 1998 * ''Albert Gleizes: Abstraction création 1928–1933'', Somogy, 1998 * ''The Drawings of John Butler Yeats, 1839–1922'', Fintan Cullen, William Michael Murphy, Daniel Robbins, Albany Institute of History and Art, March 2003, , ASIN: B007K5AW5G

References

External links