Danger Music
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Danger music is an experimental form of
avant-garde In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable ...
20th- and 21st-century
music Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all hum ...
and performance art. It is based on the concept that some pieces of music can or will harm either the listener or the performer, understanding that the piece in question may or may not be performed.
Kyle Gann Kyle Eugene Gann (born November 21, 1955, in Dallas, Texas) is an American composer, professor of music, critic, analyst, and musicologist who has worked primarily in the New York City area. As a music critic for ''The Village Voice'' (from 1986 ...
describes in his book ''Music Downtown: Writings from the Village Voice'' how Takehisa Kosugi's composition ''Music for a Revolution'' directs the performer to "scoop out one of your eyes 5 years from now and do the same with the other eye 5 years later." Works such as this are also sometimes referred to as anti-music because they seem to rebel against the concept of music itself. Danger music is often closely associated with the
Fluxus Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental performance art, art performances which emphasized the artistic process over the finishe ...
school of composition, especially the work of
Dick Higgins Dick Higgins (15 March 1938 – 25 October 1998) was an American artist, composer, art theorist, poet, publisher, printmaker, and a co-founder of the Fluxus international artistic movement (and community). Inspired by John Cage, Higgins was ...
, who composed a series of works entitled ''Danger Music''.


In performance

As with many forms of concept music and performance art, the lines drawn between tapestries such as "music", "art", "theater", and "social protest" are not always clear or apparent. Danger music consequently has some things in common with the performance art of artists such as Mark Pauline and
Chris Burden Christopher Lee Burden (April 11, 1946 – May 10, 2015) was an American artist working in performance art, sculpture, and installation art. Burden became known in the 1970s for his performance art works, including ''Shoot (Burden), Shoot'' (1971) ...
. For instance, some extreme examples of danger music direct performers to use sounds so loud that they will deafen the participants, or ask performers to throw anti-personnel bombs into the audience. Japanese musician
Yamantaka Eye (born , 13 February 1964) is a Japanese vocalist and visual artist, best known as a member of Boredoms, Hanatarash and Naked City. He has changed his stage name three times, from Yamatsuka Eye, to Yamantaka Eye, to Yamataka Eye, and sometime ...
's
noise Noise is sound, chiefly unwanted, unintentional, or harmful sound considered unpleasant, loud, or disruptive to mental or hearing faculties. From a physics standpoint, there is no distinction between noise and desired sound, as both are vibrat ...
project Hanatarash was notable for its dangerous live shows, the most famous instance being when the Japanese artist drove an
excavator Excavators are heavy equipment (construction), heavy construction equipment primarily consisting of a backhoe, boom, dipper (or stick), Bucket (machine part), bucket, and cab on a rotating platform known as the "house". The modern excavator's ...
through the venue at the back of the stage. There were also reports of audience members being required to fill out waivers before shows to prevent the band or the venue being sued in case of any harm caused to them. Punk metal band G.I.S.M., another Japanese act, reportedly featured violent live shows in regards to the band's frontman, Sakevi, who would perform a variety of dangerous stunts including running toward the crowd with a
chainsaw A chainsaw (or chain saw) is a portable handheld power saw, power saw that cuts with a set of teeth attached to a rotating chain driven along a guide bar. Modern chainsaws are typically gasoline or electric and are used in activities such as t ...
, attacking front rows with a lit
flamethrower A flamethrower is a ranged incendiary device designed to project a controllable jet of fire. First deployed by the Byzantine Empire in the 7th century AD, flamethrowers saw use in modern times during World War I, and more widely in World W ...
, throwing fireworks at the crowd or fighting random concertgoers. Other pieces involve more symbolic forms of "danger", such as
Nam June Paik Nam June Paik (; July 20, 1932 – January 29, 2006) was a South Korean artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" ...
's "Danger Music for Dick Higgins," which directs the performer to "creep into the vagina of a living whale."


See also

* Sonic weapon *
20th-century classical music 20th-century classical music is Western art music that was written between the years 1901 and 2000, inclusive. Musical style diverged during the 20th century as it never had previously, so this century was without a dominant style. Modernism, i ...
*
Contemporary music Contemporary music is whatever music is produced at the current time. Specifically, it could refer to: Genres or audiences * Adult contemporary music * British contemporary R&B * Christian adult contemporary * Christian contemporary hit radio * Con ...
*
Experimental music Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, ...


References


Further reading

*Cope, David ''Techniques of the Contemporary Composer'' () *Friedman, Ken ''The Fluxus Reader'' () *Higgins, Hannah ''Fluxus Experience'' () *Nyman, Michael ''Experimental Music: Cage and Beyond'' () {{DEFAULTSORT:Danger music 20th-century music genres 21st-century music genres Noise music Experimental music genres Fluxus Power electronics (music)