César "Atahualpa" Rodriguez Olcay (August 26, 1889 – March 12, 1972) was a Peruvian poet; a self taught, cultural writer. Born César Augusto Rodríguez Olcay in Arequipa, he took the pseudonym, "Atahualpa", after the Arequipan poet Percy Gibson. During the period of 1908–1913, he spent a lot of time with

José María Eguren José María Eguren Rodríguez (July 7, 1874, Lima – April 19, 1942, Lima) was a Peruvian writer. Although principally known for his poetry, Eguren was also a journalist, painter, photographer and an inventor. Very much a post-modernist writ ...

Manuel González Prada Jose Manuel de los Reyes González de Prada y Ulloa (Lima, 5 January 1844 – Lima, 22 July 1918) was a Peruvian politician and anarchist, literary critic and director of the National Library of Peru. The first writer to criticize the oli ...

and

Abraham Valdelomar Pedro Abraham Valdelomar Pinto (April 27, 1888 – November 3, 1919) was a Peruvian narrator, poet, journalist, essayist and dramatist. He is considered the founder of the avant-garde in Peru, although more for his dandy-like public poses and hi ...

, writers of stature who praised his work and considered him "la nueva expresión de la lírica nacional”- the new expression of the national lyric. At the end of 1916, along with Percy Gibson, Rodriguez founded the group "El Aquelarre" and published four issues of a magazine which bore the same name, initiatives that were an incentive for Arequipa intellectual life. "El Aquelarre" appeared around the same time as that the movement "Colónida" in Lima, the group "Norte" of Trujillo, and "La Tea" of Puno. However, the influence of "El Aquelarre" was especially Modernistic, Symbolistic and Parnassianistic. (See

Parnassianism Parnassianism (or Parnassism) was a group of French poets that began during the positivist period of the 19th century (1860s–1890s), occurring after romanticism and prior to symbolism. The style was influenced by the author Théophile Gauti ...

) In 1917, he was appointed director of the public library of Arequipa, a post he held until 1955. In 1926, Rodriguez's first book, ''La torre de las paradojas'', was published by La Editorial Nuestra América de Buenos Aires. The book preceded one vast work in prose, as in verse and essay. According to Arequipa literary critic Titus Cáceres Cuadros, "Poetry of Rodriguez had enough social emotion and a strong regional accent." In 1966, Congress decorated him with the highest laurels: la Orden del Sol del Perú y la Orden del Congreso, and the municipality of Arequipa awarded him the city gold medal. In the same year, Rodriguez published Sonatas en tono de Silencio, edited by the Ministry of Public Education. Centrally themed on the search for solitude as a means to become the primary source of his philosophical writings, the book brought together poems that are representative of the sophistication of the poet.

Works

*''La torre de las paradojas'' (1926) *''Poemas'' (1940) *''Sonatas en tono de silencio'' (1966) *''Los últimos versos'' (1972).

References

1889 births 1972 deaths 20th-century Peruvian poets People from Arequipa Peruvian male poets 20th-century Peruvian male writers {{Peru-poet-stub