''Cristoforo Colombo'' (''Christopher Columbus'', ) is an
opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libre ...
in four acts and an
epilogue
An epilogue or epilog (from Ancient Greek, Greek ἐπίλογος ''epílogos'', "conclusion" from ἐπί ''epi'', "in addition" and λόγος ''logos'', "word") is a piece of writing at the end of a work of literature, usually used to bring c ...
by
Alberto Franchetti
Alberto Franchetti (18 September 1860 – 4 August 1942) was an Italian composer, best known for the 1902 opera ''Germania''.
Biography
Alberto Franchetti was born in Turin, a Jewish nobleman of independent means. He studied first in Venice, th ...
to an Italian
libretto by
Luigi Illica. It was written in 1892 to commemorate the 400th anniversary of
Christopher Columbus
Christopher Columbus
* lij, Cristoffa C(or)ombo
* es, link=no, Cristóbal Colón
* pt, Cristóvão Colombo
* ca, Cristòfor (or )
* la, Christophorus Columbus. (; born between 25 August and 31 October 1451, died 20 May 1506) was a ...
'
arrival in America.
Commissioned by the city of
Genoa
Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Regions of Italy, Italian region of Liguria and the List of cities in Italy, sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of t ...
, Columbus' birthplace, the opera deals with the voyage of discovery, its opposition by the Spanish authorities, Columbus' encouragement by
Queen Isabella, and finally, after his difficulties and triumph, his anguish when he learns of her death.
An essentially melodic opera only tangentially influenced by the emerging
verismo
In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini.
''Verismo'' as an ...
style, it is harmonically rich, with obvious references to the work of
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most o ...
and
Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera '' Robert le d ...
. The act 2
monologue
In theatre, a monologue (from el, μονόλογος, from μόνος ''mónos'', "alone, solitary" and λόγος ''lógos'', "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes a ...
contains a
Rhine
The Rhine ; french: Rhin ; nl, Rijn ; wa, Rén ; li, Rien; rm, label=Sursilvan, Rein, rm, label=Sutsilvan and Surmiran, Ragn, rm, label=Rumantsch Grischun, Vallader and Puter, Rain; it, Reno ; gsw, Rhi(n), including in Alsatian dialect, Al ...
-like
motif
Motif may refer to:
General concepts
* Motif (chess composition), an element of a move in the consideration of its purpose
* Motif (folkloristics), a recurring element that creates recognizable patterns in folklore and folk-art traditions
* Moti ...
; after cries of ''Terra! Terra!'' the orchestra replies with
Tristan
Tristan (Latin/Brythonic: ''Drustanus''; cy, Trystan), also known as Tristram or Tristain and similar names, is the hero of the legend of Tristan and Iseult. In the legend, he is tasked with escorting the Irish princess Iseult to wed ...
-like ecstasy, and then a
rainbow bridge-like triumph. Its anti-church elements have been noted, particularly in the opera's earlier versions: it is the clerics who oppose the voyage initially, and who violently attempt to evangelise the South American natives.
[Luca Zoppelli and Arthur Groos, "Twilight of the True Gods: ''Cristoforo Colombo'', ''I Medici'' and the Construction of Italian History", ''Cambridge Opera Journal'', vol. 8, no. 3, (November 1996), pp. 251–269; Cambridge University Press.]
Performance history
The opera premiered at Genoa's
Teatro Carlo Felice
The Teatro Carlo Felice is the principal opera house of Genoa, Italy, used for performances of opera, ballet, orchestral music, and recitals. It is located on the side of Piazza De Ferrari.
The hall is named for King Carlo Felice, and dates fro ...
on 6 October 1892 conducted by Luigi Mancinelli with sets designed by Ugo Gheduzzi and costumes by
Adolfo Hohenstein
Adolfo Hohenstein (Saint Petersburg, 18 March 1854 – Bonn, 12 April 1928) was a German Painting, painter, advertiser, illustrator, set designer and costume designer. Hohenstein is considered the father of Italian poster art and an exponent o ...
. The same year, it was performed in a revised version at
La Scala, Milan. It had a number of performances throughout Italy, many of them conducted by
Arturo Toscanini
Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orche ...
, and in
Buenos Aires
Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the Capital city, capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata ...
. The opera's North American premiere was presented by the
Philadelphia-Chicago Grand Opera Company at the
Philadelphia Metropolitan Opera House
The Metropolitan Opera House is a historic opera house located in Philadelphia, Pennsylvania. It has been used for many different purposes over its history. Now known as The Met, the theatre reopened in December 2018, after a complete renova ...
on November 20, 1913, with
Titta Ruffo in the title role,
Rosa Raisa
Rosa Raisa (30 May 189328 September 1963) was a Polish-born and Italian-trained Russian-Jewish dramatic operatic soprano who became a naturalized American. She possessed a voice of remarkable power and was the creator of the title role of Puccin ...
as Queen Isabella of Spain,
Amedeo Bassi as Don Fernan Guevara, and
Gustave Huberdeau as Don Roldano Ximenes.
Despite initial stage success, a massive cut of the first version, of some 100 pages of orchestral score, led to the published version; a set of adventures in America in acts 3 and 4 having been considered too long. The final version of 1923 contained three acts, omitting the American content altogether, although containing much of its music. One of Luigi Illica's first librettos, it had a difficult gestation due to difficulties with the composer. Illica withdrew his name from the project after the first performance.
Roles
Selected recordings
*Individual arias
**''Titta Ruffo Edition'': Two arias from act 2 of the opera: "Aman lassù le stelle" (Strange loves have the stars on high) and "Dunque ho sognato?" (Is it a dream?) (
Preiser Records 89303)
*Complete opera
**''Cristoforo Colombo''
Renato Bruson
Renato Bruson (born 13 January 1936) is an Italian operatic baritone. Bruson is widely considered one of the most important Verdi baritones of the late 20th and early 21st century. He was born in Granze near Padua, Italy.
Biography and caree ...
(baritone);
Roberto Scandiuzzi (bass); Rosella Ragatzu (soprano); Gisella Pasino (mezzo-soprano); Marco Berti (tenor); Hungarian Radio Chorus, Budapest, Frankfurt Radio Symphony Orchestra. Conductor:
Marcello Viotti
Marcello Viotti (29 June 195416 February 2005) was a Swiss classical music conductor, best known for opera.
Viotti was born in Vallorbe, in the French-speaking region of Switzerland, to Italian parents. He studied cello, piano and singing at th ...
. (Koch Schwann 367392)
[Robert Levine]
Review: ''Cristoforo Colombo''
''Classics Today''. Accessed 13 May 2008.
References
Further reading
*
George Jellinek, ''History Through the Opera Glass'', Kahn & Averill, 1994.
*
Gustav Kobbé''The Complete Opera Book''(1919 edition), G. P. Putnam.
*
Jürgen Maehder and Antonio Rostagno, "Franchetti, Baron Alberto" in ''
The New Grove Dictionary of Music and Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and the ...
'',
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicology, musicologist, music critic, and editor. He was editor of the sixth edition of the ''Grove Dictionary of Music and Musicians'' (1980), whi ...
and
John Tyrrell (eds), 2001.
* Mercedes Viale Ferrero
La visione scenica di ''Cristoforo Colombo''(in Italian). Accessed 14 May 2008.
External links
''Cristoforo Colombo''– section on the official Alberto Franchetti web site (in Italian).
Libretto of ''Cristoforo Colombo''in Italian on operalibretto.com
– including live and unofficial recordings (in German).
*
{{Authority control
Italian-language operas
Verismo operas
Operas
Operas by Alberto Franchetti
1892 operas
Cultural depictions of Christopher Columbus
Cultural depictions of Isabella I of Castile
Fiction set in 1492
Operas set in the 15th century
Operas set in Spain
Operas set in South America