
Cristallo is a
glass
Glass is an amorphous (non-crystalline solid, non-crystalline) solid. Because it is often transparency and translucency, transparent and chemically inert, glass has found widespread practical, technological, and decorative use in window pane ...
that is totally clear (like
rock crystal), without the slight yellow or greenish color originating from
iron oxide
An iron oxide is a chemical compound composed of iron and oxygen. Several iron oxides are recognized. Often they are non-stoichiometric. Ferric oxyhydroxides are a related class of compounds, perhaps the best known of which is rust.
Iron ...
impurities. This effect is achieved through small additions of
manganese oxide.
[R. W. Douglas: ''A history of glassmaking'', G T Foulis & Co Ltd, Henley-on-Thames, 1972, .] Cristallo often has a low
lime content, which makes it prone to glass corrosion (otherwise known as
glass disease).
The invention of Cristallo glass is attributed to
Angelo Barovier around 1450.
Materials
In addition to common glass making materials,
manganese
Manganese is a chemical element; it has Symbol (chemistry), symbol Mn and atomic number 25. It is a hard, brittle, silvery metal, often found in minerals in combination with iron. Manganese was first isolated in the 1770s. It is a transition m ...
,
quartz
Quartz is a hard, crystalline mineral composed of silica (silicon dioxide). The Atom, atoms are linked in a continuous framework of SiO4 silicon–oxygen Tetrahedral molecular geometry, tetrahedra, with each oxygen being shared between two tet ...
pebbles, and alume catino, a particularly suitable form of
soda ash, are used in the making of cristallo glass.
Rather than using common sand, crushed quartz pebbles were used instead. The quartz pebbles were typically from the
Ticino
Ticino ( ), sometimes Tessin (), officially the Republic and Canton of Ticino or less formally the Canton of Ticino, is one of the Canton of Switzerland, 26 cantons forming the Switzerland, Swiss Confederation. It is composed of eight districts ...
and the
Adige rivers. The quartz pebbles went through a rigorous screening process before being selected for use in cristallo production. The quartz pebbles had to be free of yellow and black veins and also had to be able to produce sparks when struck with steel.
The quartz pebbles which passed the selection process were heated to the point where the stones began to glow, then placed into cold water. Then the pebbles were crushed and ground.
The typical flux used in the production of cristallo was called alume catino. Alume catino was derived from the ash of the
salsola soda and salsola kali bushes that grew in the Levantine coastal region. It was found to contain high and constant amounts of sodium and calcium carbonates, necessary to make workable and chemically stable glass.
[''Modern Methods for Analysing Archaeological and Historical Glass'', Vol. 1, edited by Koen H. A. Janssens, 2012, p. 524]
The ash of the plants was carefully sieved and placed into water to be gently boiled with constant mixing. Then the ashen mixture was placed into shallow pans to be dried. The alume catino would repeatedly undergo the boiling and drying process until all of the salt was extracted from the ashes.
Process
The crushed and ground quartz was mixed with the purified alume catino and constantly mixed at high temperatures. The top of the molten batch would then be skimmed off. By skimming the top of the molten glass, unreacted and undissolved chlorides and sulfates in the mixture were removed.
The molten glass would then be ladled into vats of water. The water removed chloride and sulfate impurities from the mixture. The process of remelting and placing the molten mixture into vats of water was repeated several times until the glass-makers were satisfied.
Next the glass was placed into a furnace that was heated to the highest temperature possible and left there for several days. The material was stirred continually to eliminate defects, such as bubbles.
Then the refined mixture was taken, heated, and shaped into blocks called frit. The frit was then taken and remelted and skimmed once again in order to remove impurities. The batch then had manganese added to the mixture at this time, helping rid the cristallo of any color tints. This step was repeated until the glass-makers were satisfied.
Afterward, the molten mixture was ready to be shaped by glass-makers into pieces of cristalloware.
References
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