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Count Ossie, born Oswald Williams (23 April 1926Ancestry.com. Jamaica, Civil Registration Birth, Marriage, and Death Records, 1878-1995 atabase on-line Lehi, UT, USA: Ancestry.com Operations, Inc., 2014. – 18 October 1976Moskowitz, David V. (2006) ''Caribbean Popular Music: an Encyclopedia of Reggae, Mento, Ska, Rocksteady, and Dancehall'', Greenwood Press, , pp. 317-8), was a Jamaican
Rastafari Rastafari, sometimes called Rastafarianism, is a religion that developed in Jamaica during the 1930s. It is classified as both a new religious movement and a social movement by scholars of religion. There is no central authority in control of ...
drummer A drummer is a percussionist who creates music using drum The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one mem ...
and band leader.


Biography

In the early 1950s, he set up a Rasta community in Rockfort near Wareika Hill on the east side of
Kingston Kingston may refer to: Places * List of places called Kingston, including the five most populated: ** Kingston, Jamaica ** Kingston upon Hull, England ** City of Kingston, Victoria, Australia ** Kingston, Ontario, Canada ** Kingston upon Thames, ...
, where many of Kingston's musicians learned about the Rastafari movement. In the late 1950s, he (with other percussionists) formed the Count Ossie Group. According to reggae historian Bruno Blum, the Rasta " nyabinghi" style of hand drumming, which derives from Jamaican Kumina traditions, has its roots in
Bantu Bantu may refer to: *Bantu languages, constitute the largest sub-branch of the Niger–Congo languages *Bantu peoples, over 400 peoples of Africa speaking a Bantu language *Bantu knots, a type of African hairstyle *Black Association for Nationali ...
traditions from Eastern Congo. According to the book ''The First Rasta'' by
Hélène Lee Hélène Lee is a French journalist who specialises in Jamaican and West African music. She started as a journalist in 1979 for Libération and was one of the first to defend the world music in France. Her early works on African artists helped e ...
, because of their Rastafarian beliefs Count Ossie and his team were violently rejected from the then anti-Rasta music establishment and outlawed, as most Rastafarians were. It was not until around 1959, when successful dancer Margarita Mahfood, a Jamaican rumba dancer of
Lebanese Lebanese may refer to: * Something of, from, or related to the Lebanese Republic * Lebanese people The Lebanese people ( ar, الشعب اللبناني / ALA-LC: ', ) are the people inhabiting or originating from Lebanon. The term may al ...
descent who enjoyed their new style and liked to dance to it, demanded that Count Ossie and his group be part of her major Ward Theater show.
Vere John Jr. Joseph Vere Everette Johns (28 November 1893–10 September 1966
also resisted at first but at Mahfood's insistence had no other choice but to have them on his ''Opportunity Hour'' show at the Carib theater. Both shows were successful and opened new doors to Count Ossie and the Wareikas right away. Their first sound recordings were made after meeting
Prince Buster Cecil Bustamente Campbell (24 May 1938 – 8 September 2016), known professionally as Prince Buster, was a Jamaican singer-songwriter and producer. The records he released in the 1960s influenced and shaped the course of Jamaican contemporary ...
, who produced a Wareikas-backed song by the Folkes Brothers, " Oh Carolina", done at the Jamaican Broadcasting Corporation (JBC) Studios in 1959. The
B-side The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record compan ...
was "I Met a Man"). Although both songs were recorded in the then-current style of rhythm and blues widely recorded in the US as well as Jamaica, it does include some early Rasta hand drumming not found on any previous R&B records and is regarded by some music historians as one of the first-ever ska
record A record, recording or records may refer to: An item or collection of data Computing * Record (computer science), a data structure ** Record, or row (database), a set of fields in a database related to one entity ** Boot sector or boot record, ...
. During this period Count Ossie also recorded for producers Harry Mudie and
Coxsone Dodd Clement Seymour "Coxsone" Dodd (26 January 1932 – 4 May 2004) was a Jamaican record producer who was influential in the development of ska and reggae in the 1950s, 1960s and beyond. He was nicknamed "Coxsone" at school due to his talent a ...
. Several singles as Count Ossie and the Wareikas, including "African Shuffle" as well as "Chubby" and "Rock a Man Soul" with vocal group The Mellow Cats, were produced by Harry Mudie circa 1961 featuring saxophonist Wilton Gaynair and trombonist Rico Rodriguez, and were released on the Jamaican label Moodies at the time (some were licensed to Emil Shalit's UK label Blue Beat and released in England in the early 1960s). Count Ossie later formed a group called The Mystic Revelation of Rastafari and recorded a few singles, including a cover of Miriam Makeba's "Pata Pata" in 1967. Several Jamaican artists also used Ossie's group as percussionists for their own ska and reggae recordings, such as a couple of King Stitt singles, including "Be a Man" (Studio One) circa 1969. Count Ossie issued two outstanding albums at the end of his lifetime and inspired several later Rastafarian drumming groups, including Ras Michael and the Sons of Negus, who recorded with Bob Marley. Count Ossie's masterpiece is the ''Grounation'' three-LP set (1973), which includes songs such as "So Long", and "Grounation" (the latter title with over 30 minutes running time) and an updated version of "Oh Carolina". Two years later ''Tales Of Mozambique'' (Dynamic 1975) was issued, continuing the legacy of the first album. Count Ossie died in a road accident on 18 October 1976, aged 50. His group, The Mystic Revelation of Rastafari, lived on, toured and recorded a few albums into the 1990s.


Discography

*''Grounation'' (Ashanti 1973) *''Tales Of Mozambique'' (1975) *''Man From Higher Heights'' (1983) *''Remembering Count Ossie: A Rasta Reggae Legend'' (Moodies 1996)


References


External links


Biography
at niceup.com
Count Ossie
at Roots Archives {{DEFAULTSORT:Count Ossie 1926 births 1976 deaths Djembe players Performers of Rastafarian music Jamaican reggae musicians Jamaican Rastafarians People from Saint Thomas Parish, Jamaica Trojan Records artists Master drummers Road incident deaths in Jamaica 20th-century drummers